III. Diary, 1799

This diary, which John Henry Tudor titled A Registry of College Adventures, documents his life as a student at Harvard College. The entries describe his daily activities and notable events, including trips to the theater, hunting outings to "shoot Robbins," adventures with other students in local taverns, visits with his family in Boston and at the family estate, Rockwood, and the illumination of Cambridge in honor of George Washington's birthday. Tudor created and recorded a humorous classology, describing his peers at Harvard in a sometimes scathing manner, and also recorded information about those obliged to leave the College, usually following pranks or other unacceptable behavior. He also recounts his own involvement in pranks and other antics, which he believed to be the only antidote to the dullness of college life, and in one entry he describes an evening when he and several friends "disguised [them]selves like Negroes" and wandered into scholars' rooms without detection. Tudor was a member of the Hasty Pudding Club and the Porcellian Club ("the Pig club") while at Harvard and describes club meetings in several entries. There are also more reflective and personal entries, describing Tudor's feelings about his aging grandmother, his brother William's departure for Holland, and his desire for a "wife who shall make [him] happy[,] an affectionate dog [and] a farm & garden."

III. Diary, 1799

This diary, which John Henry Tudor titled A Registry of College Adventures, documents his life as a student at Harvard College. The entries describe his daily activities and notable events, including trips to the theater, hunting outings to "shoot Robbins," adventures with other students in local taverns, visits with his family in Boston and at the family estate, Rockwood, and the illumination of Cambridge in honor of George Washington's birthday. Tudor created and recorded a humorous classology, describing his peers at Harvard in a sometimes scathing manner, and also recorded information about those obliged to leave the College, usually following pranks or other unacceptable behavior. He also recounts his own involvement in pranks and other antics, which he believed to be the only antidote to the dullness of college life, and in one entry he describes an evening when he and several friends "disguised [them]selves like Negroes" and wandered into scholars' rooms without detection. Tudor was a member of the Hasty Pudding Club and the Porcellian Club ("the Pig club") while at Harvard and describes club meetings in several entries. There are also more reflective and personal entries, describing Tudor's feelings about his aging grandmother, his brother William's departure for Holland, and his desire for a "wife who shall make [him] happy[,] an affectionate dog [and] a farm & garden."

To Mary Ann [passages copied from several poems, written by an unknown student on November 21, 1790]

The creator of this document is unknown, though he was presumably a student at Harvard College, as the name of the college appears on the document twice. Both sides of the document are filled with passages of poetry, including one from Tobias George Smollett's "The Adventures of Roderick Random" and another from John Tapner's "A New Collection of Fables in Verse." The creator seems to have intended the document for someone named Mary Ann.

O livro infantil como ferramenta na educação artística e patrimonial : projeto editorial sobre património histórico-artístico de Lisboa

Children books can constitute an important tool to talk about art and heritage with children in preschool. The images and narrative help children to become aware that works of art can tell us stories and if they pay attention to the details they can discover their mysteries. The children book project: Ginja, um Gato Lisboeta is an example of that, revealing the history of the city through the adventures of a little girl and her cat Ginja, watching and discovering the heritage of Lisbon

O imaginário das ilhas atlânticas no universo medieval islâmico-cristão

O pensamento cultural medieval aparece-nos como herdeiro da Antiguidade Clássica, da sua filosofia, ciência, arte e mitos. Todos estes conceitos traduzem-se com facilidade para as elites intelectuais cristãs e muçulmanas, que os conservam e integram em elementos da sua própria cultura. A ideia do mar, em especial o mar dito ‘aberto’ como o Oceano Atlântico, é marcada pelo maravilhoso. Em plena Idade Média o Oceano Atlântico surge como território de Caos, envolto em mistério. O Oceano Atlântico é local das mais variadas manifestações do fantástico. Desta forma, as ilhas atlânticas, contidas neste vasto oceano, são elas próprias impregnadas de um carácter maravilhoso. Tentaremos, ao longo desta dissertação de mestrado, abordar a questão das ilhas atlânticas e das suas características a nível de imaginário. Este exercício será feito, sempre que possível, fazendo o cruzamento de fontes de origem islâmica e de origem cristã. Desta maneira, surgirá uma imagem comum em relação ao imaginário do Oceano Atlântico e, em especial, das ilhas neste contidas. O objetivo principal deste trabalho é verdadeiramente demonstrar pontos de aproximação entre relatos e mapas, de origem cristã e islâmica, ligados a ilhas fantásticas e, ao mesmo tempo, reais. Veremos que as duas categorias, do real e do imaginário, sobrepõem-se diversas vezes, sendo que não se conseguem muitas vezes distinguir a nível das fontes. Desta forma, relatos de navegações atlânticas como a de São Brandão (de origem celto-cristã) ou a dos Aventureiros de Lisboa (originária no al-Andalus,) são reveladoras das atitudes e ideias na Idade Média em relação ao Atlântico e às suas ilhas.

Seckatary Hawkins in Cuba /

"Adventures of Seckatary Hawkins appeared originally in the Cincinnati enquirer" Cincinnati, Ohio--P.[7]

The works of Charles Dickens,

Title-pages in red and black.

[Works]

[v. 26-27] Salmagundi; or the whimwhams and opinions of Launcelot Langstaff, esg., and others, by William Irving, James Kirke Paulding, and Washington Irving.--Letters of Jonathan Oldstyle, gent.--Biographical sketches. [c1897]--[v.28-29] The sketch-book of Geoffrey Crayon, gent. [c1894]--[v. 30] Spanish papers. [c1895]--[v. 31-32] Tales of a traveller. [c1895]--[v.33-40] Life of George Washington. [c1857]

Can these things be!

"Second Printing."

With "the mad 17th" to Italy,

"The adventures of the 17th Divisional Supply column on its trek to Italy."--pref.

My life on mountain railroads /

Includes index.

The complete works of Henry Fielding, esq., with an essay on the life, genius and achievement of the author /

This ed. ... is limited to 375 numbered copies for Great Britain ... This is copy no. 272.

The works of George Meredith.

Prospectus, order form, and advertisement laid in vol. 1.

The collected works of W.H. Hudson.

--[15] The purple land; being the narrative of one Richard Lamb's adventures in the Banda Orientál in South America, as told by himself.--[16] A shepherd's life; impressions of the South Wiltshire Downs.--[17] Adventures among birds.--[18] Far away and long ago; a history of my early life.--[19] Birds in town & village.--[20] Birds of La Plata.--[21] The book of a naturalist.--[22] A traveller in little things.--[23] A hind in Richmond Park.--[24] Dead man's plack, An old thorn, & Miscellenea.

The works of Washington Irving ...

At head of title: The Kinderhook edition.