507 resultados para Scenery
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Publiées dans la Collection des prospects durant la guerre d’Indépendance américaine, les vues d’optique Vuë de la Place capitale dans la Ville basse a Quebec, Vuë de la haute ville a Quebeck, Vuë de la basse Ville a Quebec vers le fleuve St-Laurent, Vuë de la rue des recolets de Quebeck et Vuë de Quebeck gravées par les Allemands Franz Xaver Habermann (1721-1796) et Balthasar Frederich Leizelt (1755-1812) entretiennent des liens ténus avec la configuration réelle de la ville de Québec qu’elles représentent. L’escamotage du paradigme documentaire dans ces images est l’enjeu principal de ce mémoire. Il permet de mettre l’accent sur les contraintes formelles découlant du dispositif optique de lecture utilisé ainsi que sur les modèles culturels concernant la perception du territoire urbain américain ayant prévalu lors de la création et de la réception des cinq vues d’optique à l’étude. L’analyse de la vision fictionnelle du paysage donnera également des indices sur les orientations idéologiques et l’imaginaire du lieu, perçu comme un ailleurs lointain, par un ensemble politique qui n’exerce pas de domination directe sur la colonie installée sur le bord du fleuve Saint-Laurent.
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The present study has got as its aim to show how the impressions management is being used by the hotels in Paraiba State. For that, the dramma or role play perspective has been adopted as a model for service management. From the theater metaphor, the physical environment and its components can be seen as a scenery of the service show. We conduct the reader to notice the importance of the consummer about the service quality demand and its influence on his satisfaction. A methodology with exploring and qualifying nature has been adopted by using the analyses of content technique in interviews applied to hotel managers lebeled as having 4 and 5 stars in the State, trying to check how impression management takes place, identifying impression management tools used in relation to the physical evidences and to contacting people, as well as checking managers views in the survey about the use of impression management for client satisfaction make. The information revealed that managers, maybe for being unaware about impression management theory, haven t considered neither the physical evidences yet, nor contacting people as marketing tools. About the physical evidences, we could see that hotels take actions in a pulverized way referring to environment decoration and colors, however there isn t a global usage of physical evidences to highlight the service. Contacting people by their turn, receive better importance and attention. It was possible to make sure that managers are aware about the influence of the employee over the attendance quality. This way, we may come into a conclusion that impression management at Paraiba hotels has been under used, as long as managers seem to be, most times, turned to actions related to contacting people, not having realized the planning importance and national-wide use of service scenery in a genaral way yet
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The towns presently named Pombal and Sousa, located in the hinterland of the State of Paraíba, Brazil, still keep vestiges of the colonization process they went through along the 18th and 19th centuries, when they both emerged as settlement nuclei in the extreme West of the then captaincy of Paraíba and attained the status of freguesia and vila in a later period. This research aims to comprehend the process of urban formation and development of the colonial urban nuclei of Pombal and Sousa as they became povoados (hamlets), freguesias (parishes) and vilas (small urban communities with a local government), according to territorial expansion policies implemented by the Portuguese government from 1697 to 1800. The choice of the two urban settlements for this survey lies in the fact that they were part of the great conquest and colonization program undertaken by the Portuguese Crown. Another aspect that was considered was the fact that those towns are the oldest urban nuclei of Paraíba s hinterland. They came into being as early as in the times of the colony, thus producing a favorable environment to the study of the changes that occurred in the captaincy s hinterland scenery resulting from the process of formation and development of the colonial urban space. Three fundamental categories of analysis were defined since they have a direct bearing upon the urban configuration of the two colonization nuclei: povoado, freguesia and vila. The three of them are related to civil and ecclesiastic jurisdictions. Field, documentation and bibliography surveys were undertaken in order to develop the study. They allowed for the finding of vestiges of the old, colonial urban structures and for the development of theoretical analysis based on present-day studies of issues relating to the colonial urban history. The study purposes were, therefore, to try to understand how the old urban nuclei of Pombal and Sousa fit in the territorial expansion policies undertaken by the Portuguese government; to relate the process of urban formation and development of such nuclei with the categories of analysis povoação-freguesia-vila by discussing the relations and influences they exert over one another and their territory, as well as to unveil, as much as possible, the configuration the urban spaces that were shaped along the 18th century
Resumo:
Tese (doutorado)—Universidade de Brasília, Instituto de Ciências Sociais, Departamento de Antropologia, Programa de Pós-graduação em Antropologia Social, 2016.
Resumo:
A presente dissertação de mestrado procura abordar a edificação e consolidação do regime do Estado Novo no concelho de Torres Vedras, alicerçando a sua estrutura de análise, numa abordagem aos aspectos políticos, sociais e económicos, mais relevantes, do arco cronológico balizado entre Maio de 1926 e Fevereiro de 1949. É nosso propósito analisar, inicialmente, as mutações locais ocorridas após o golpe militar do 28 de Maio de 1926, que inaugura a Ditadura Militar (1926-1932). A compreensão desta problemática é estruturada, numa análise ao impacto daquela intentona junto da imprensa local, à designação das novas elites políticas locais e à significativa actividade da oposição local, desenvolvida até ao final de 1932. Esta abordagem inicial, mas fulcral na concretização dos objectivos, antecederá a análise à implantação das estruturas do Estado Novo (1933-1938) no concelho de Torres Vedras. A resposta a esta questão será dada, desde logo, através de quatro cenários de análise distintos. Em primeiro lugar, procura-se acompanhar a actividade das elites políticas locais e o que representavam no âmbito político-ideológico. Num segundo momento centra-se a nossa análise, na edificação do modelo corporativo e na implantação das organizações salazaristas (Legião e Mocidade Portuguesa). Num terceiro foco de análise, procuramos sintetizar a actividade da oposição local. Por fim, introduzimos a abordagem aos principais actos eleitorais da década de 30. Após a compreensão, da evolução política e institucional, ocorrida desde Maio de 1926, o início da 2.ª Guerra Mundial (1939-1945), força-nos a inflectir a análise do panorama político e institucional, para as questões económicas, sociais e ideológicas deste período. A abordagem, ao contexto internacional de guerra, é fulcral, para se compreender, de que forma o espaço territorial em estudo sentiu os efeitos do conflito. Pretende-se por um lado, esclarecer as dificuldades vivenciadas pela população local, por outro, compreender o alinhamento ideológico assumido em favor das potências em confronto. Paralelamente dar-se-á continuidade, à análise sobre a evolução corporativa local, assim como às movimentações da oposição clandestina. O último foco de abordagem recai na organização da oposição local no período do pós-guerra (1945-1949). É nosso objectivo, indagar, os contornos associados ao alinhamento das forças democráticas após o termo do conflito. Num primeiro momento, foca-se a análise, na caracterização da composição da comissão concelhia do Movimento de Unidade Democrática, surgido em Outubro de 1945, num contexto pré-eleitoral despoletado por uma aparente abertura do regime. Numa segunda conjuntura, que coincide com as Eleições Presidenciais de 13 de Fevereiro de 1949, aborda-se a constituição da comissão concelhia de apoio ao general Norton de Matos e analisa-se, as principais movimentações locais, em redor da aludida eleição.
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Em outubro de 2012, a Direção de Análise e Gestão da Informação (DAGI), em colaboração com a Superintendência do Pessoal (SP) e Direção do Pessoal (DP), iniciou o desenvolvimento de um protótipo de simulador, que designou por “Protótipo Fluxo de Carreiras”. Este simulador permite parametrizar diversos fatores que condicionam o desenvolvimento de carreira dos militares e que estão associados a mecanismos reguladores de carreira que se encontram vertidos no Estatuto dos Militares das Forças Armadas (EMFAR). Para cada ano do período de simulação, a situação de cada militar de uma determinada classe é atualizada e são verificadas as condições para a ocorrência de promoções e passagens à reserva. O evento “passagem à reserva” de um militar pode ter origem em regras determinísticas (exemplo: militar atinge a idade limite de passagem à reserva no seu posto) ou em condições estocásticas ou aleatórias (exemplos: óbito, exclusão da promoção, requerer voluntariamente a passagem à reserva, etc.). Estas últimas situações resultam do fenómeno de erosão dos quadros que pode ser observado a partir do histórico de saídas desta natureza. Até 2015, o simulador de carreiras não comtemplava um modelo de erosão, pelo que os resultados disponibilizados (indicadores de fluxo de carreira) dependiam exclusivamente de mecanismos determinísticos. Desta forma estes resultados apresentam uma natureza “pessimista” e com fraca aderência à realidade. O presente trabalho tem como objetivo construir um modelo descritivo da erosãodos militares oficiais da Marinha, tendo por base dados de saídas (excetuando saídas relacionadas com regras determinísticas previstas no EMFAR) no período de 2008 a2015. Para cada classe da categoria de oficiais é estimada uma função de probabilidadecondicional ao tempo de serviço efetivo ou à idade do militar que representa apropensão para um militar sair do quadro antes de ser verificada uma condição determinística. Estas funções foram integradas no simulador de carreiras para que os resultados possam reproduzir a componente de erosão. Usando o método de simulação de Monte Carlo é possível obter a distribuição dos indicadores de fluxo de carreira. Porfim, objetiva-se realizar uma comparação entre uma simulação com fatores estocásticos (com erosão) e uma simulação considerando apenas fatores determinísticos (semerosão). Este trabalho visa refletir o panorama atual da erosão de pessoal na Marinha, permitindo assim melhorar a qualidade das previsões de efetivos ao longo do tempo bem como aumentar a capacidade de intervenção e resposta na identificação e correção antecipada de possíveis estruturações.
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The so-called "residential tourism" came to intensify the previous occupation of the coastal zones, characterized by traditional beach houses, and brought significant consequences for their spatial configuration, and especially for its scenic value of the landscape. Although there is the intention to regulate the activities of enterprising groups by some legal instruments to control the use and occupation of land, and to contain some negative effects, the actions of government are still inefficient in trying to follow the implications on the landscape from the accelerated growth of the real estate and touristic sectors. Supported in the speech of economic development and income generation, public managers prioritize areas to attract tourists to the detriment of preserving important physical attributes of the natural environment that contribute significantly to the quality of life. The result can be noticed in the use of natural elements as one of the major components in the land valorization, and in the immediate attraction of investors and enterprising. Therefore, the objective of this work is to contribute to the debate on the landscape preservation a little detailed thematic in view of their relevance in the current context - by indicating subsidies to the creation of a methodology for the evaluation and protection of coastal zones that may assist the government in creating new instruments, and better prepare it in control of the occupation of these areas. For such, was followed two ways to analysis: the indirect method and the direct method. The first is grounded in the evaluation of landscape attributes, which is based on the work of Raquel Tardin (2008) and Eduardo Cuesta, Encarnación Algarra and Isabel Pastor (2001). The second, based on the research of Leticia and Carlos Hardt (2010) and on the concepts of phenomenology - expressed by Antonio Christofoletti (1985) and Yi-Fu Tuan (1983) - considers the population perspective on the quality of the natural scenery. Developed through cartographic materials, photographic collections and quantitative tables, this dissertation utilized as a case study the beaches of Barra de Tabatinga and Camurupim, located in the city of Nísia Floresta/RN. Despite already being sighted spaces of advanced stage of landscape degradation in these locations, areas of remarkable scenic value can still be found, what reinforce the urgency in adopting preservationists actions. The absence of laws focused on the management and protection of the landscape singularities associated with the inefficiency of the government to invigilate the land occupation in coastal zones, encourage the excessive action of the real estate-tourism, and consequently make the government the main responsible for the environmental and landscape impacts in these areas - by its omission or by their connivance. Therefore, the legislation permeates this entire process and constitutes itself as the most effective way to guarantee the right to the landscape to present and future generations. Are also pointed some important considerations to build a methodology, especially concerning possibilities of improvements and adaptations of its applicability in each case
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This paper aims at studying UFRN Parafolclórico Group, whose aesthetic formation is subjected to our analysis, specially at its two last performances, that is, Flor do Lírio (Lily Flower), 2004, and Debaixo do Barro do Chão (Under the Mud of the Ground), 2008. Three targets are envisaged here: to analyze the aesthetic ideas backing Parafolclórico Group exhibitions; to evaluate how their many folk elements interact with different artist languages in order to compose a certain choreography; and finally, to identify the aesthetic conformation placed behind the two different choreographs of the last performances, their trends and innermost features that differentiate them. In accordance with the Analysis of Contents (BARDIN, 2006), interviews have been made with the choreographers and the staff of the spectacles, resulting in elucidating answers to the understanding of their thematic axis. On the first chapter we called attention to motivating subjects as recollection, personal experiences, bibliography research, research in loco regarded as propelling forces of the creative works. Herein, folk culture is depicted as a dynamic process opening a frank dialogue with contemporary events and reinforcing their continuity. On the second chapter, we approached the aesthetic conformation and the scenic elements (costumes, light, scenario, make-up), integrating the studied spectacles and disseminating folk songs in various ways. As what concerns the subjects discourse, we have obtained support in authors like Robatto (1994); Lobo; Navas (2008); Burke (1989); Canclini (2006); Dufrenne (2005); Medeiros (2005); Pavis (2005); Silva (2005), among others. Those authors have provided us with an indispensable theoretic support which, added to the interviews, convinced us that the Parafolclórico Group s aesthetic conception tends to identify itself with the artist languages and other techniques of that Group. It also made sure that the Group s course aims at an aesthetic conception which is not limited to popular culture manifestations, like dance, but admits to play with other media in order to communicate its art. In view of this situation, we arrived to two conclusions: first: the group s interchanges emphasize the dynamic character of popular culture which, by establishing contacts with different realities, receives influences capable of extending its own continuity; second: the contemporary state of arts also improves multiple interchanges opening way, so, for many accomplishments in their field. Therefore, UFRN Parafolclórico Group inserts itself in the contemporary scenery by performing new evaluations of the popular dances as long as it puts them in contact with different technical, aesthetic, artist and culture combinations
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Francisco J. C. Dantas, a novelist from Sergipe in Brazil, is seen as the responsible for resurrecting the regionalism in the Brazilian literary scenery. His novels glimpse narrators who see the world always by the bias of bitterness and hopelessness. It is evident in the characters the pessimism and disenchantment. This work aims to present the dramatic condition of the northeastern people alive in Francisco J. C. Dantas. Therefore, it will be analyzed the narrators of both author's first novels: Coivara da Memória and Os Desvalidos.
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This paper proposes a reflection on the lyrics Eye to eye, written by Chico Buarque, and the tale nude Eyes: Eye of the Mozambican writer Mia Couto, writing to compose the collection This story is different: for ten thousand songs by Chico Buarque, organized by journalist Ronaldo Bressane in 2010. this book ten writers recreate Songbook carioca composer, with total freedom to reinvent prose the song they chose. In the work there are tales that are based on stories faithfully to music by Chico Buarque, others use them as soundtrack, scenery, atmosphere, some of the songs lend their structures and there are those who only use it as a theme. This paper then turns to the relationship built between fiction and music, watching the narrative dialogue established between the lyrics by Chico Buarque and the short story by Mia Couto, the fidelity pact established with the source text and the whole narrative structure that comes to life under the eye of Mia Couto. Finally, throughout the article we use the theoretical assumptions discussed as Silviano Santiago, Umberto Eco, Costa Lima, Leonor Arfuch among others so as to exploit the full context of this engaging narrative.
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ABSTRACT: The imagetic process in Pablo Neruda's work is built through the creation of images resulting from life experiences kept in memories. It is also an existential questioning of the poet based upon the critical look on the historical and personal moment. In this creative process, Neruda's imagetic world strongly references Temuco's natural aspects, the everyday setting of his childhood and adolescence, part of the scenery that remained in his memory and crystalized in his works. The ascertainment that Neruda, in the transition from province to metropolis, does not reach his emotional final destination, remaining in a long transitory state (threshold), allowing us to highlight the emergence of a "border subject", situated between the provincial universe and the urban universe. In Neruda, the concept of border does not only references a territorial boundary between two regions that are politically and culturally different, but also temporal boundaries, since in his stay in the city the poet turns into a body that experiences the location and establishes a critical relationship towards it: he describes it poetically and develops a temporal mobility from the city to the province. This border state shows an intermediary position in individuals that by moving within his/her own country feel in the margins of his/her own culture. In neruda, the notion of border is a recurring issue in the subject of cities, in which the border is related to the geographical space (country, city and harbor) with the time space (present and past), and with cultural space in which concerns the regional identity differences of a certain country. Thus, it is important to approach the analysis of border overcoming regarding the geographical and cultural issues, but above all to the subjective formulations as a result of interpersonal processes. KEYWORDS: Border; Identity; Pablo Neruda.
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The present work proposes a reading of the artistic-intellectual project of the Portuguese writer Augusto Abelaira, from de novels The City of Flowers and Bolor, in order to place him in the scenery of the Portuguese neo-realism and the intellectual resistance against fascism. The expression of the idealizations and disappointments in the work of Abelaira points to an opposite direction to that identified with the socialist realism and with what was conventionally called doctrinaire neo-realism in Portugal before the public emergency of the controversy between those who defended the primacy of the content and another aesthetic response that problematizes the pre-eminence of a specular model. Thus, there never was an internal homogeneity neither aesthetic nor theoretical in the movement. The public emergency of this debate translates a controversy that is not confined to the aesthetic, but is, in its most profound dimension, theoretical and political. The objective of the work is to demonstrate the writing procedures of Augusto Abelaira as susceptible techniques to represent conceptions of life and of the world able to translate a social demand, that are, ultimately, writing programs appropriate to the envisioned transformations. Therefore, there is not one unique neo-realistic writing program, but there is a neo-realistic aesthetics which is the literary neo-realism itself that the works of Augusto Abelaira helps to compose. Keywords: Augusto Abelaira; Intellectual writer; Neo-realism.