605 resultados para Escultura barroca
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O objetivo primordial desse trabalho está concentrado no estudo de Curvas NURBS (B-spline Racional N˜ao-Uniforme). A literatura em português sobre NURBS é escassa, pouco difundida e os textos e artigos existentes tendem a ser rigorosos, longos e teóricos. Assim, o presente estudo está direcionado para os conceitos matemáticos de NURBS, para o qual foi utilizado uma ferramenta chamada DesignMentor com a finalidade de testar os algoritmos desses conceitos. NURBS são funções paramétricas que podem representar qualquer tipo de curva. NURBS são usadas em computação gráfica na indústria de CAD/CAM e estão sendo consideradas um padrão para criar e representar objetos complexos (indústria automobilística, aviação e embarcação). As ferramentas de criação gráfica mais sofisticadas provêem uma interface para usar NURBS, que são flexíveis suficiente para projetar uma grande variedade de formas. Hoje é possível verificar o uso expandido de NURBS, modelando objetos para as artes visuais, arte e escultura; também estão sendo usados para modelar cenas para aplicações de realidade virtual. NURBS trabalha bem em modelagem 3D, permitindo facilidade para manipular e controlar vértices, controlar curvatura e suavidade de contornos. NURBS provêm uma base matemática, unificada para representar formas analíticas e livres além de manter exatidão e independência de resolução matemática.
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Ce considérable travail de recherche s’occupe de faire la relation entre l’Architecture, le Pouvoir et l’Oppression. Pour devenir possible cette tâche, nous avons, d’abord et de façon particulière, discouri largement au sujet de ces concepts, pour arriver, à la fin, de forme étendue, à une étude plus complète, plus objective et plus conclusive. La recherche a été divisée en trois parties, aux abordages distintes, mais complémentaires parmi leurs mêmes. Dans la première, nous avons travaillé sur l’arc de l’évolution de l’Architecture, qui commence avec la Renaissance, continue travers le Maniérisme et polarise em arrivant au Baroque, lequel nous a intéressé , particulièrement, une fois qu’il s’agit d’une expréssion claire du Pouvoir sur les Arts. Dans la deuxième, nous avons defini le concept du mot Pouvoir à travailler, en choisissant le Roi Louis XIV , de France, comme le suprême représentant de l’expréssion. Tout de suíte, nous avons remarqué la Cour du Monarque comme paradigme de l’Oppression. Dans la troisième partie, finalement, nous avons réalisé la resumée de tous ces concepts, en une seule oeuvre: Versailles. Pour en finir, la compreension des études nous a permis identifer la force du symbolisme que la construction du Palais a eu: érigé pour la Gloire et la perpétuation du Pouvoir du Roi-Soleil . Le lieu où il se confond avec la construction et réalise son auto-affirmation ; le centre pour lequel toute la Cour - fréquemment opprimée par la forte vigilance du Monarque – a été déménagée. Louis XIV est le Pouvoir et Versailles est la plâce où le Roi semble lumineux comme le Soleil.
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Este trabalho - As imagens do povo e o espaço vazio da arte - educação - é o desenvolvimento de uma reflexãos sobre a arte, suas condições de produção e o seu conteudo, na busca de subsídio para o desenvolvimento da educação artística no contexto da Educação Formal. Esta refleção se fundamenta no pressuposto de que a arte não ê um momento separado da praxis humana, mas que se constitui num objeto de apropriação do real, que ao expressá-lo cria uma realidade humano-social e a ela se integra, estabelecendo uma rede de interações. A metodologia empregada para as verificações concernentes aos pressupostos teóricos, situa-se no que se convencionou denominar "estudo de caso". Analisa-se a produção do artista plástico, Antônio Poteiro, ceramista e pintor, de origem popular, procurando nela instâncias de crítica e renovação social. Do ponto de vista da apresentação, este estudo se constitui de quatro partes. Na primeira parte, introdutória, sao abordados aspectos teóricos da arte em sua relação com a realidade social. Enfatiza-se o problema da fruição nas artes figurativas.A segunda é dedicada à vida do artista. Faz-se transcrição da história de vida, segue-se um comentário evidenciando aspectos da capacidade criadora do artista. A terceira é dedicada a sua obra, pintura e escultura. Procede-se o deciframento de um conjunto de obras, a partir de um tema recorrente. Numa fase final, reunem-se as questões concernentes a produção do artista, para que venham contribuir para a educação, supondo-se que a arte ocupe nos processos educacionais, um espaço que leve ao desenvolvimento da sensibilidade humana.
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O presente trabalho, em quatro capitulos, estuda três grupos distintos: o primeiro, o das Instituições que oferecem a habilitação em Administração Escolar, no Curso de Pedagogia; o segundo, o grupo de concluintes desses Cursos e o terceiro, constituido de Entidades Empregadoras, que oferecem oportunidades a esses concluintes. Pensou-se quo, ao estudar esses grupos, seria possível analisar a distorção entre a formação proposta pelos Cursos que oferecem a referida habilitação e as exigências do mercado de trabalho, que, aqui, seriam representadas pelas Entidades Empregadoras. Numa primeira fase , procedeu-se a caracterização dos grupos envolvidos no estudo , e foi delimitada a área geográfica, que seria a do atual Estado do Rio de Janeiro. Objetivando orientar o estudo foram formula das variáveis que permitissem a validação das hipóteses de relação entre a demanda aos Cursos que oferecem a habilitação e as reais necessidades de profissionais habilitados na área, entre o número de concluintes e seu aproveitamento no mercado de trabalho e entre a sua formação e o exercício de funções que lhes são oferecidas. Pelos resultados obtidos, verificou-se que a) existe real distorção entre a formação oferecida pelas Instituições de 3. grau e o aproveitamento desses concluintes no mercado de trabalho; b) existe desvio ocupacional de profissionais habilitados, que estão subutilizados pelo próprio sistema escolar, c) os mecanismos de seleção de mão-de-obra para a área da educação estão falhando, quando a maioria dos cargos, nessas área, são preenchidos por pessoal legalmente não habilitado . Ao final, são feitas sugestões não só para a formação desses profissionais da área da Educação, como também, para que seja criada a CARREIRA DO MAGISTÉRIO,para a qual são sugeridos diferentes níveis.
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The present study provides a methodology that gives a predictive character the computer simulations based on detailed models of the geometry of a porous medium. We using the software FLUENT to investigate the flow of a viscous Newtonian fluid through a random fractal medium which simplifies a two-dimensional disordered porous medium representing a petroleum reservoir. This fractal model is formed by obstacles of various sizes, whose size distribution function follows a power law where exponent is defined as the fractal dimension of fractionation Dff of the model characterizing the process of fragmentation these obstacles. They are randomly disposed in a rectangular channel. The modeling process incorporates modern concepts, scaling laws, to analyze the influence of heterogeneity found in the fields of the porosity and of the permeability in such a way as to characterize the medium in terms of their fractal properties. This procedure allows numerically analyze the measurements of permeability k and the drag coefficient Cd proposed relationships, like power law, for these properties on various modeling schemes. The purpose of this research is to study the variability provided by these heterogeneities where the velocity field and other details of viscous fluid dynamics are obtained by solving numerically the continuity and Navier-Stokes equations at pore level and observe how the fractal dimension of fractionation of the model can affect their hydrodynamic properties. This study were considered two classes of models, models with constant porosity, MPC, and models with varying porosity, MPV. The results have allowed us to find numerical relationship between the permeability, drag coefficient and the fractal dimension of fractionation of the medium. Based on these numerical results we have proposed scaling relations and algebraic expressions involving the relevant parameters of the phenomenon. In this study analytical equations were determined for Dff depending on the geometrical parameters of the models. We also found a relation between the permeability and the drag coefficient which is inversely proportional to one another. As for the difference in behavior it is most striking in the classes of models MPV. That is, the fact that the porosity vary in these models is an additional factor that plays a significant role in flow analysis. Finally, the results proved satisfactory and consistent, which demonstrates the effectiveness of the referred methodology for all applications analyzed in this study.
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This work aims to analyze the relationship among culture, education and rhetoric on the sermons of the Priest Antonio Vieira (1608-1697). It discusses the presence of oratory on the Western teaching since its Greek origins until the formation of the Ratio Studiorum in 17th-century. Brazilian society is defined as baroque and the rhetoric arises as element essential in the elaboration of the social imaginary speeches and, occupying as an essencial element in the elaboration of discursese and social imaginaries, occupying the centre of controversies, about questions like reason and the faith, ethics and the politics, the nature of the Indian and African peoples, even over the own construction of the modern subject. In this context the vieira´s preaching discharges the functions of kerigma (preaching), didachê (education) and politics (action). The research consisted in a finicky reading over five of these sermons that were returned in the presence of different audiences. The pulpit was the cathedra where Vieira used his sermons as a manner of social mobilization that aimed not only teaching a determined knowledge of reality, but altering cruel situations like Indian and poor people slavery in his epoch. Education by Vieira consist in a tension between utopian hopes and urgencies of practice. The rhetorical tradition affirms the interdependence of technical ethics and politics aspects. To know is not enough is necessary to convince and to move, realizating passage from theorical to practical liverly. It presupposes still the preoccupation with the solidity of argumentation and of reasoning, a wide cultural formation, the requirement of a civic ethics and, mainly, the adequacy between content and the specifics of audience
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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In the past few years the interest is accomplishing a high accuracy positioning increasing. One of the methods that has been applied by the scientific community is the network based on positioning. By using multiple reference station data, it is possible to obtain centimetric positioning in a larger coverage area, in addition to gain in reliability, availability and integrity of the service. Besides, using this concept, it is possible to model the atmospheric effects (troposphere refraction and ionosphere effect). Another important question concerning this topic is related to the transmission of the network corrections to the users. There are some possibilities for this fact and an efficient one is the Virtual Reference Station (VRS) concept. In the VRS concept, a reference station is generated near to the rover receiver (user). This provides a short baseline and the user has the possibility of using a single frequency receiver to accomplish the relative positioning. In order to test this kind of positioning method, a software has been developed at São Paulo State University. In this paper, the methodology applied to generate the VRS data is described and the VRS quality is analyzed by using the Precise Point Positioning (PPP) method.
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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"Looking at earth from blind: travel in the visuality of the test on Blindness" is a literary Essay resulted from the experience of different points of view regarding the Essay on Blindness (1996), not only showing a Modern aesthetical tendency in dialog with the Baroque one, but also discussing subjects related to the History of Mentalities. The chapters are disposed as follows: The first one presents a short Excursus about the author and his work; the second one introduces the concept of Allegory exemplifying it with representative images of Romance; the third one presents tragic elements in dialog with the Bataille Eroticism in an Allegory of Feeling; the fourth one shows Stylistic Features used as a display mean of Comedy in Romance going towards the musicalness, being the features used to provoke laugh; the fifth and last one discusses about the study pertinence. To conclude, in favor of a Sight Education, the study considered authors such as: Ariès (1977), Bataille (2003), Bakhtin (2002, 2000, 1999), Benjamin (2000, 1996), Chauí (2005, 2000), Foucault (2006, 2005, 2004, 2002), Freud (1970), Hansen (2006), Lino (2004), Sartre (2005), Vovelle (1996)
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This study is connected to the research line Poéticas da Modernidade e Pós -Modernidade, of the Programa de Pós-Graduação em Estudos da Linguagem, in the subarea: Comparative Literature - CCHLA/UFRN. Its main goal is to see fragmentation of writing as an aesthetic resource highlighted in the work of Tutaméia by Guimarães Rosa (1908-1967), and in Livro sobre nada by Manoel de Barros (1916). We undertake as a starting point the view that these works are allegorical expressions. We have as a basis the German philosopher Walter Benjamin (1984) conception about baroque allegory, that uses amorphous fragment and constitutes a dialectical expression, in which each person, each thing, each relation, may mean any other one (1984, p. 196). We see the stylistic features as used by Guimarães Rosa and by Manoel de Barros in the construction of poetics capable of breaking the boundaries between artistic genres, literary and discursive, adding oral, musical and plastic elements to writing. We also analyze the development of fragmentary poetics, in which the voice of the narrator/lyrical I, the characters, space, plot and time exhibit the fragment as a factor that contributes to the great ambiguity of the two works and to create a new language, performative and vibrant, rich in alluring images, allegories
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La présence de la Bible dans la poésie du Boca do Inferno est un fait certain pour ceux qui gardent une mémoire littéraire des compositions tênues comme sacrées par la perception religieuse. Ce travail de conclusion de Mestrado, qui a comme titre Dieu et le diable dans la poésie de Gregório de Matos, pour répondre à la question portant sur la façon dont le poète baihanais s approprie de l héritage biblique, développe le thème de la quête grégorienne des Écritures pour faire de la parodie au moment d élaborer sa poésie. Pour rendre effectif un tel travail, l étude fait recours surtout à la fortune critique-théorique construite dans les essais de Haroldo de Campos qui se consacrent à l oeuvre de Gregório de Matos et aux textes bibliques en tant qu héritage littéraire de haute valeur. Ce travail fait encore recours aux constatations sur l art-culture baroque formulées par Helmut Hatzfeld et par José Antonio Maravall, et à la théorie anthropaphagique de la formation de la culture brésilienne, établie par Oswald de Andrade, à fin de donner un support aux observations faites lors de la lecture de la poésie grégorienne. L anthropophagie biblique mise en rite par Gregório de Matos en tant que travail qui précède l ironie parodique repérable dans ses textes est un aspect de son oeuvre qui répond pour son caractère unique: récits de la Bible juive, la poésie de l Ecclésiaste et des passages des Évangiles font écho dans l oeuvre du poète brésilien.
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The aim of this research is, starting from a Baroque reading, unfold the understanding of the poems by João Cabral de Melo Neto in the axis Pernambuco-Spain. From this perspective, the reading of poet s Obra Completa allows the appearance of two persons, one from Seville and other from the Brazilian countryside, whom curiously pulsate and reveal themselves from their homelands, Brazilian northeastern dry lands and Seville, to a labyrinthy meeting establishing a close and exciting relationship of cities apart but which mark a contiguous dialogue between both cultures. The theorical effort of this investigation permeates, approaches and contrasts the directions of, among others, Severo Sarduy (1999), Gilles Deleuze (2012) and Eugenio D Ors (unknown). Not traveling an anthropological bias, this study observes the Spanish space and the Brazilian northeastern dry lands space, joining the regional to the universal and analyzes the baroque game in the (re) construction of the both men s cultures. These elements fuse, approach and move away, causing a game of allusions to Pernambuco and Spain that show itself through a similar cultural bias and different at the same time. From this apprehension it is possible to understand the synthesis of the Brazilian arid northeast-Seville men as a update of seventeenth century Baroque coming from indexes that are shown over the particular written by João Cabral de Melo Neto, in the Iberian Baroque scenario and in the American one s
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Systematic errors can have a significant effect on GPS observable. In medium and long baselines the major systematic error source are the ionosphere and troposphere refraction and the GPS satellites orbit errors. But, in short baselines, the multipath is more relevant. These errors degrade the accuracy of the positioning accomplished by GPS. So, this is a critical problem for high precision GPS positioning applications. Recently, a method has been suggested to mitigate these errors: the semiparametric model and the penalised least squares technique. It uses a natural cubic spline to model the errors as a function which varies smoothly in time. The systematic errors functions, ambiguities and station coordinates, are estimated simultaneously. As a result, the ambiguities and the station coordinates are estimated with better reliability and accuracy than the conventional least square method.
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Among the positioning systems that compose GNSS (Global Navigation Satellite System), GPS has the capability of providing low, medium and high precision positioning data. However, GPS observables may be subject to many different types of errors. These systematic errors can degrade the accuracy of the positioning provided by GPS. These errors are mainly related to GPS satellite orbits, multipath, and atmospheric effects. In order to mitigate these errors, a semiparametric model and the penalized least squares technique were employed in this study. This is similar to changing the stochastical model, in which error functions are incorporated and the results are similar to those in which the functional model is changed instead. Using this method, it was shown that ambiguities and the estimation of station coordinates were more reliable and accurate than when employing a conventional least squares methodology.