Preparação de catalisadores para reações de esterificação do ácido oleico baseados em matrizes polímericas sulfonadas POLI(1- FENILETILENO) (PS) e POLI(1-CLOROETILENO) (PVC)

Chemical modification of polymer matrices is an alternative way to change its surface properties. The introduction of sulfonic acid groups in polymer matrices alter properties such as adhesion, wettability, biocampatibility, catalytic activity, among others. This paper describes the preparation of polymeric solid acid based on the chemical modification of poly (1-fenietileno) (PS) and Poly (1-chloroethylene) (PVC) by the introduction of sulfonic acid groups and the application of these polymers as catalysts in the esterification reaction of oleic acid with methanol. The modified materials were characterized by Infrared Spectroscopy, Elemental Analysis and titration acid-base of the acid groups. All techniques confirmed the chemical changes and the presence of sulfur associated with sulfonic acid groups or sulfates. The modified polymers excellent performance in the esterification reaction of oleic acid with methanol a degree of conversion higher than 90% for all investigated polymers (modified PS and PVC (5% w / w)), with a mass ratio of oleic acid: methanol 1:10 to 100 ° C. The best performance was observed for the modified PVC catalyst (PVCS) which showed low degree of swelling during the reactions is recovered by filtration different from that observed for polystyrene sulfonate (PSS). Given these facts, the PVCS was employed as a catalyst in the esterification reaction of oleic acid in different times and different temperatures to obtain the kinetic parameters of the reaction. Experimental data show a great fit for pseudo-homogeneous model of second order and activation energy value of 41.12 kJ mol -1, below that found in the literature for the uncatalyzed reaction, 68.65 kJ mol -1 .The PVCS exhibits good catalytic activity for 3 times of reuse, with a slight decrease in the third cycle, but with a conversion of about 78%. The results show that solid polymeric acid has good chemical stability for the application in esterification reaction of commercial importance with possible application in the biodiesel production. The advantages in use of this system are the increased reaction rate at about 150 times, at these test conditions, the replacement of sulfuric acid as a catalyst for this being the most corrosive and the possibility of reuse of the polymer for several cycles.

Preparação e caracterização de biomateriais poliméricos para avaliação da viabilidade de uso como phantom biológico

The theoretical and experimental developments in the biomaterials area have been directly applied to different fields of Medicine (odontology, regenerative medicine and radiotherapy). These advances have focused both for diagnosing diseases such as for quantifying degrees of progression. From the perspective of these studies, biomaterials are being designed and manufactured for application in various areas of science, provided advances in diagnostic radiology, radiotherapy dosimetry and calibration of radiotherapy equipment. Develop a phantom from a biomaterial has become a great ally of medicine in the treat patients with oncological diseases, allowing better performance of the equipment in order to reduce damage to healthy tissue due to excessive exposure to radiation. This work used polymers: chitosan and gelatin, for making the polymeric structures and controlled for different types of production and processing, characterizing and evaluating the biopolymer by physical techniques (STL, SEM and DEI) and therefore analyze applicability as phantom mouse lung. It was possible to evaluate the morphology of biomaterials quantitatively by scanning electron microscopy associated with imaging technique. The relevance of this work focuses on developing a phantom from polymeric biomaterials that can act as phantom providing high image contrast when subjected to analysis. Thus, the choice of DEI technique is satisfactory since it is an imaging technique of X-ray high resolution. The images obtained by DEI have shown the details of the internal microstructure of the biomaterial produced which have ≈ 10 μm dimension. The phantoms had made density ranging from 0.08 a 0.13 g/cm3.

Elaboração e aplicação de um Programa de Treino de Técnica de Pontas para os alunos do 3º ano de Dança, da Academia de Dança do Vale do Sousa, com vista à preparação de Variações de Repertório Clássico

Relatório Final de Estágio apresentado à Escola Superior de Dança, com vista à obtenção do grau de Mestre em Ensino de Dança.

Preparação e caracterização de fibras e nanotubos de BiFeO3 e FeNbO4

Esta dissertação teve como objetivo a produção e caracterização física de fibras e nanotubos de BiFeO3 e FeNbO4. Para o desenvolvimento destes materiais utilizou-se a técnica de fusão com laser (LFZ), o método sol-gel (Pechini) e o método de poros absorventes. As amostras obtidas foram sujeitas a uma caracterização estrutural por difração de raios-X e espetroscopia de Raman, morfológica por microscopia electrónica de varrimento e elétrica por medidas de constante dielétrica. Os resultados obtidos com a técnica de difração de raios-X mostraram que o gel com tratamento a 750 ºC é polifásico. Para conseguir produzir nanotubos escolheu-se o LaCoO3 como material alternativo. Usando a técnica de fusão de zona com laser (LFZ) obtiveram-se fibras de BiFeO3, FeNbO4 e compósitos de BiFeO3+FeNbO4. Com esta técnica foram crescidas fibras a várias velocidades (5, 10, 25, 50, 100 e 200 mm/h), tendo os resultados obtidos com a difração de raios-X evidenciado que todas as amostras obtidas são polifásicas, sendo a amostra de 10 mm/h para o BiFeO3 e a de 5 mm/h para o FeNbO4 as que apresentam melhores propriedades. As amostras de 5 mm/h de todos os compósitos são aquelas que possuem menor quantidade de segundas fases e portanto foram alvo de estudo mais aprofundado. A caracterização dielétrica permitiu verificar que todas as amostras apresentam fenómenos de relaxação dielétrica. Verifica-se também que para o BiFeO3 a constante dielétrica é superior na amostra crescida à velocidade de 10 mm/h, para o FeNbO4 é superior na amostra crescida a 5 mm/h e nos compósitos a amostra com 75% de BiFeO3 e 25% de FeNbO4 apresenta um comportamento diferente das restantes, eventualmente devido à sua microestrutura singular.

Preparação para a implementação do referencial BRC numa indústria de abate e transformação de aves

Atualmente a segurança e qualidade alimentar surge como umas das maiores preocupações da indústria alimentar, isto deve-se a uma maior exigência dos consumidores, ao aumento do receio devido a recentes crises de segurança alimentar e consequentemente ao maior grau de exigência do quadro regulamentar aplicável ao sector Agroindustrial. Este facto levou ao aparecimento de vários referenciais normativos, entre eles aparece a norma BRC, uma norma reconhecida internacionalmente. A implementação e certificação de um sistema de gestão de segurança alimentar reconhecido internacionalmente é uma das metodologias mais eficazes de as empresas do sector alimentar garantirem a eficácia dos processos relacionados com a qualidade e segurança alimentar aumentando assim a confiança dos consumidores e clientes e consequentemente a sua competitividade num mercado global. Foi nesta base que foi desenvolvido o presente projeto, que consistiu na preparação de uma pequena e média empresa de abate e transformação de aves para a implementação do referencial BRC – Global Standard for food safety – Issue 6, July 2011, British Retail Consortium, London A preparação para implementação deste referencial foi elaborada em diferentes fases: numa primeira fase procedeu-se à realização de uma auditoria de diagnóstico, de modo a avaliar os procedimentos em comparação com os requisitos da norma. Verificaram-se nesta fase 45 não conformidades, com base nas quais foi elaborado um plano de ações e alterações em concordância das necessidades identificadas de forma a cumprir os requisitos da norma. O sistema de gestão BRC na empresa em estudo encontra-se atualmente totalmente planeado e estruturado estando igualmente definida a estrutura documental necessária ao cumprimento dos requisitos da norma. A certificação da empresa segundo o referencial BRC versão 6 no prazo previsto não foi possível mas este projeto contribuiu para que que esta venha a ser bem-sucedida, tendo sido definida a base processual e documental necessária para o efeito.

O ator que canta um conto: a manipulação de parâmetros musicais na voz do ator

This research started with an investigation about the theatrical speaking. Through an empirical methodology that analyzed a practical experience of creating a play and bibliographical research, the actress/researcher investigated ways to manipulate musical parameters as tools in the creation process of the actor s voice. The actress/researcher attempted to connect theory and practice, moved by the desire to find a vocal expression in theater that unfolds as living and transforming movement. This dissertation also contains the report of pedagogical experiences, in which the actress/researcher explored strategies to teach the appropriation of musical parameters in the construction of the vocal work of the actor. Considering that speaking in theater is closer to singing than everyday speech, she concluded that the actor may compose music as a music composer does in the elaborating process of building vocal scores. Therefore, she demonstrated that it is of fundamental importance a musical training in the development of the actor.

Dançando às avessas: relatos de um processo de criação

The term body without organs is present in a poem by the french writer, actor and director Antonin Artaud, written in 1947 and titled: To Have Done with the Judgement of God. I aim, in this work, from what we call investigative scenic writing, to problematize this term and its possible relations with the theater and also with some aspects of the Hindu myths. I unite the idea of the body without organs with the body in trance present in the stories of an Indian master named Caitanya Mahaprabhu. These ideas, along with the development of practices that come from some principles of Theatre Anthropology, are incentives for a creation process that highlights the work of preparation and creation of corporeal work of the actor. The relationship between the concepts and the practice raise discussions about where I stand as an actor-researcher in process

Dramaturgia do aqui e agora: presença, recepção e sentido no corpo do ator

The actor is an actor during all the phases of creation and development of his character. (S) He goes beyond the moment of interpreting. In this sense, in her (his) daily life, the actor may use her (his) potential to extract from reality the necessary elements for the work of creation. This is a theoretical research which focus on the concept of presence in the actor s work, stretching the concept beyond the scene, encompassing different components such as the body, the word, the silence, the technique and the acting as the actor s stance in regards to his own reality. The objective of such stance is to integrate him (her) self in the environment, balancing his (hers) inner life with the outside life flow. To reach this objective, the research drew theoretical resources from the concept of presence in the actor s work according to BROOK, BARBA, GROTOWSKI and MNOUCHKINE and the studies on reception theory in ISER, 1996; GUMBRECHT, 2010. Thus, the dialogue between reader and actor high lights both as receivers in this work. A practical description of a street theater Kamchàtka show, featured by the Kamchàtka Company is used as an example of the research on the presence. The elements localized in this show are: play, listening, word, silence, meaning, relationship with here and now and the effects of the said presence

A iluminação cênica no trabalho do ator de teatro

This research aims to investigate how the stage lighting can be articulated in the creation of theater actor process. To we reach this reflection, it is necessary to understand the space of the rehearsal room, where the actor works as a place where their function receives influences of other artists who are creating the spectacle.Collaborative processes are analyzed three Cia de Teatro Engenharia Cênica: Irremediável, 2007; Doralinas e Marias , 2009; O Menino Fotógrafo, 2011, aiming to understand the collaborative theater potentializes, the intersection and the exchange of experiences in the rehearsal room, collaborating actively for the training of persons involved in creating the show. The research proposes an investigation of how the creative process of stage lighting is gaining ground in the rehearsal room in the language of theater directing, showing mainly how is your "co-evolutionary" creation with the creative process of the actor