999 resultados para Ficção inglesa


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This study aims at discussing aspects related to learner corpora and linguistic features found in texts written by English learners based on the use of collocations in text production. For this research, we analyzed collocations with the verb “to have” and with the nouns “prejudice” and “regret”.

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This paper is result of an analysis of the Brave New World by Aldous Huxley, made based on the perspective of discursive semiotics. For both, the elements of the generative course of meaning were applied, particularly those in works of Barros (2001) and Fiorin (2000). In view of that each of the three levels (elementary, narrative and discourse) of semiotics approach are considered capable of independent descriptions, we sought through the (re) construction of meaning of specific parts of the work and also the relationship of its thematic route with the time it was composed, found that, as a result of this work, the relationships between fiction and reality and thus the relevance of the work of Aldous Huxley

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Pós-graduação em Linguística e Língua Portuguesa - FCLAR

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Departing from Ariovaldo Vidal’s statement, in his foreword to the Brazilian translation of The Castle of Otranto, that the Gothic sources were spread upon literary and social history waiting for someone (Horace Walpole) to collect them in order to create a new literary genre, and connecting imagination to such statement, my purpose in this paper is to make some notes on what would possibly be these sources referred by Vidal. By the means of thinking on the Darkness as a semi-concept, a perspective largely inspired in Fred Botting’s Gothic (2014), I intend to look for the origins of Gothic fiction in texts by Homer, Virgil, Dante, and Milton.

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Hoffmann wrote several fairy tales, including "Princess Brambilla" (1821), which has an remarkable pictorial component: when it was published, the text went along with eight illustrations by Carl Friedrich Thiele, which were derived from original prints made by the Frenchman Jacques Callot. While Callot images portray the Italian theater of the Commedia dell'Arte, Thiele's works follow the plot of the narrative, representing the characters of Hoffmann, who disguise themselves because of the carnival that is taking place in Rome. The costumes and masks worn by the characters however do not ensure them full secrecy. Instead of a complete undercover, they lead to double meanings and double identities so that narrative levels and artistic references overlap and create an effect similar to a set of a polyphonic orchestra (which is a metaphor implied in the very subtitle, where the narrative is called a Capriccio).

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Este trabalho tem como objetivo observar a presença de palavras de origem inglesa em dicionários do Português Brasileiro relacionando este fato com a atual identificação do brasileiro com a cultura norteamericana – como consequência da importância dos EUA no cenário mundial nas últimas décadas. Neste estudo, notou-se que as palavras estrangeiras passam por um período de observação pelos lexicógrafos antes de serem finalmente inseridas em importantes obras de referência da língua portuguesa. Observou-se também que, quando inseridas nos dicionários, as palavras inglesas são encontradas em diferentes tipos de verbetes: alguns trazem transcrição fonética, por exemplo, outros não. Além disso, muitos verbetes não indicam se a palavra ainda pode ser considerada “estrangeira” à língua portuguesa ou se já se encontra aportuguesada. Dessa forma, podemos concluir que não há um padrão de entrada para palavras estrangeiras em dicionários do Português Brasileiro e que vem sendo uma tarefa difícil para os lexicógrafos encontrar um modelo de verbete que melhor atenda as necessidades das pessoas. Por fim, esta pesquisa comprovou que fatores extralinguísticos e culturais são importantes para que se decida se uma palavra estrangeira deve ou não estar presente em um dicionário do Português Brasileiro.

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Our aim in this article is to accomplish an afterthought concerning contemporary fiction. Taken as initial the afterthought of the role of the novel as fiction and its linking with the afterthought of mimesis in modernity, we aim to consider the presence of agony not only as a theme but also as a structural element of narratives. Eventually, we will make brief tallies of theses aspects in the work of José Saramago.

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The short story “Os desastres de Sofia” (1964), of Clarice Lispector, can be read as fictional metaphor for the way as the writer elaborated and presented the concept of “Vanguard”. Philosophical reflections of Walter Benjamin (1933) contains the arguments that Clarice, in this narrative, invigorates, by the use of modern keys, vanguardist, according to her conception, which Benjamin sanctioned by the melancholic look of the past. Clarice is notable as a writer of prose affiliated with the brazilian modern poetry.

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This papaer's main objective is to discuss partial data collected for an ongoing reserch wich aims at investigating the pedagogical pratice (re) construction process in Teaching Pratice as part of a pre-service teacher education course.

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The aim of this study was to verify the potential of music as a pedagogical resource in the English class of a public school. The results confirmed that it is possible to motivate students through the use of songs.

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From the reading of contemporary Portuguese fiction, after the Carnation’s Revoluction, in 1974, we can observe an opening in the literary and academic ambiences to the treatment of themes, silenced before for the New State despotism. Considering the postmoderns proposals of reviewing the canon, we mark the necessity of a homoerotism inclusion as one of the most fundamental theme for the comprehension of the actual literary production in Portugal.

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The aim of this essay is to offer a new angle on the novel A sombra dos dias [The shadow of the days] by Guilherme de Melo, published in 1981, stressing the homoerotic look on Mozambique's Colonial War and the Lourenço Marques society of the time, recreated her in another direction, revealing the scenarios and the behavior of that society. We propose a rereading of a not too distant past, which still has political and cultural effects on Portuguese society.

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This paper aims at discussing the relevance of student-teachers’ motivational variants in an English as a Foreign Language Teacher Education course whose syllabus proposes, since the beginning of the program, the development of students’ proficiency in the target language aligned to EFL teacher education theories. In addition, this study also intends to comprehend how this course structure has been developed, verifying how prospective teachers react towards its proposal. Results indicated relevant aspects related to motivation, since from all participants, many declared their interest in following the teaching career while others revealed interest in developing their English language skills, which indicates that both needs and expectations of these groups seemed to be attained, favoring their motivation to language learning and teaching.