Introducing assistive technologies (AT) into the existing homes of older people

The design of accessible environments, for use by all, is a legal requirement for all public buildings, under the Disability Discrimination Act 1995 (DDA, 1995) since October 1999 and the removal of all physical barriers becomes enforceable in 2004. Accessibility has transferred from being a social and moral issue to a legal requirement. The Research Group for Inclusive Environments at the University of Reading undertakes research to better understand methods to make the built environment more accessible. This paper presents the findings from the research project, Project Crystal, investigating the design of environments for better communication for deaf and hard of hearing people. At the last COBRA conference the preliminary findings from the pilot questionnaire were presented. During the year the questionnaire has been distributed more widely and a test environment has been used to investigate the effects the variables of lighting and colour have on people's ability to communicate. This paper will present some of the findings from the project, which is almost complete, and generalise on the effect wall surface design has on accessibility of an environment for people with a hearing impairment.

Human-machine symbiosis overview

The interface between humans and technology is a rapidly changing field. In particular as technological methods have improved dramatically so interaction has become possible that could only be speculated about even a decade earlier. This interaction can though take on a wide range of forms. Indeed standard buttons and dials with televisual feedback are perhaps a common example. But now virtual reality systems, wearable computers and most of all, implant technology are throwing up a completely new concept, namely a symbiosis of human and machine. No longer is it sensible simply to consider how a human interacts with a machine, but rather how the human-machine symbiotic combination interacts with the outside world. In this paper we take a look at some of the recent approaches, putting implant technology in context. We also consider some specific practical examples which may well alter the way we look at this symbiosis in the future. The main area of interest as far as symbiotic studies are concerned is clearly the use of implant technology, particularly where a connection is made between technology and the human brain and/or nervous system. Often pilot tests and experimentation has been carried out apriori to investigate the eventual possibilities before human subjects are themselves involved. Some of the more pertinent animal studies are discussed briefly here. The paper however concentrates on human experimentation, in particular that carried out by the authors themselves, firstly to indicate what possibilities exist as of now with available technology, but perhaps more importantly to also show what might be possible with such technology in the future and how this may well have extensive social effects. The driving force behind the integration of technology with humans on a neural level has historically been to restore lost functionality in individuals who have suffered neurological trauma such as spinal cord damage, or who suffer from a debilitating disease such as lateral amyotrophic sclerosis. Very few would argue against the development of implants to enable such people to control their environment, or some aspect of their own body functions. Indeed this technology in the short term has applications for amelioration of symptoms for the physically impaired, such as alternative senses being bestowed on a blind or deaf individual. However the issue becomes distinctly more complex when it is proposed that such technology be used on those with no medical need, but instead who wish to enhance and augment their own bodies, particularly in terms of their mental attributes. These issues are discussed here in the light of practical experimental test results and their ethical consequences.

The long and the short of it: negotiating the right space for Asian theatre in the university drama curriculum

This article compares two approaches to teaching Asian theatre at undergraduate level in the United Kingdom. One approach samples a variety of different traditions as a means to challenge students to produce performance for a combined audience of hearing and deaf, whereas the other focuses on the effect of exploring one geographical area intensively over the course of one academic year. The article seeks to highlight the merits and pitfalls of both approaches, and questions whether student work that actively questions ethnicity and identity, as well as the tension between innovation and tradition, might be considered diasporic in character.

How level and type of deafness affects user perception of multimedia video clips

Our research investigates the impact that hearing has on the perception of digital video clips, with and without captions, by discussing how hearing loss, captions and deafness type affects user QoP (Quality of Perception). QoP encompasses not only a user's satisfaction with the quality of a multimedia presentation, but also their ability to analyse, synthesise and assimilate informational content of multimedia . Results show that hearing has a significant effect on participants’ ability to assimilate information, independent of video type and use of captions. It is shown that captions do not necessarily provide deaf users with a ‘greater level of information’ from video, but cause a change in user QoP, depending on deafness type, which provides a ‘greater level of context of the video’. It is also shown that post-lingual mild and moderately deaf participants predict less accurately their level of information assimilation than post-lingual profoundly deaf participants, despite residual hearing. A positive correlation was identified between level of enjoyment (LOE) and self-predicted level of information assimilation (PIA), independent of hearing level or hearing type. When this is considered in a QoP quality framework, it puts into question how the user perceives certain factors, such as ‘informative’ and ‘quality’.

Backtracks: a devised performance

Backtracks aimed to investigate critical relationships between audio-visual technologies and live performance, emphasising technologies producing sound, contrasted with non-amplified bodily sound. Drawing on methodologies for studying avant garde theatre, live performance and the performing body, it was informed by work in critical and cultural theory by, for example, Steven Connor and Jonathan Rée, on the body's experience and interpretation of sound. The performance explored how shifting national boundaries, mobile workforces, complex family relationships, cultural pluralities and possibilities for bodily transformation have compelled a re-evaluation of what it means to feel 'at home' in modernity. Using montages of live and mediated images, disrupted narratives and sound, it evoked destablised identities which characterise contemporary lived experience, and enacted the displacement of certainties provided by family and nation, community and locality, body and selfhood. Homer's Odyssey framed the performance: elements could be traced in the mise-en-scène; in the physical presence of Athene, the narrator and Penelope weaving mementoes from the past into her loom; and in voice-overs from Homer's work. The performance drew on personal experiences and improvisations, structured around notions of journey. It presented incomplete narratives, memories, repressed anxieties and dreams through different combinations of sounds, music, mediated images, movement, voice and bodily sound. The theme of travel was intensified by performers carrying suitcases and umbrellas, by soundtracks incorporating travel effects, and by the distorted video images of forms of transport playing across 'screens' which proliferated across the space (sails, umbrellas, the loom, actors' bodies). The performance experimented with giving sound and silence performative dimensions, including presenting sound in visual and imagistic ways, for example by using signs from deaf sign language. Through-composed soundtracks of live and recorded song, music, voice-over, and noise exploited the viscerality of sound and disrupted cognitive interpretation by phenomenological, somatic experience, thereby displacing the impulse for closure/destination/home.

Stress, time pressure, and decision making

This study surveys parents with children who are deaf or hard of hearing from one private school in St. Louis, Missouri. The issue of stress and time pressure on decision making is addressed and the importance of how stress and time pressure effect parents’ decisions regarding their children who are deaf and hard of hearing.

The search of a genetic basis for noise-induced hearing loss (NIHL)

Background and aim: Knowledge about the genetic factors responsible for noise-induced hearing loss (NIHL) is still limited. This study investigated whether genetic factors are associated or not to susceptibility to NIHL. Subjects and methods: The family history and genotypes were studied for candidate genes in 107 individuals with NIHL, 44 with other causes of hearing impairment and 104 controls. Mutations frequently found among deaf individuals were investigated (35delG, 167delT in GJB2, Delta(GJB6- D13S1830), Delta(GJB6- D13S1854) in GJB6 and A1555G in MT-RNR1 genes); allelic and genotypic frequencies were also determined at the SNP rs877098 in DFNB1, of deletions of GSTM1 and GSTT1 and sequence variants in both MTRNR1 and MTTS1 genes, as well as mitochondrial haplogroups. Results: When those with NIHL were compared with the control group, a significant increase was detected in the number of relatives affected by hearing impairment, of the genotype corresponding to the presence of both GSTM1 and GSTT1 enzymes and of cases with mitochondrial haplogroup L1. Conclusion: The findings suggest effects of familial history of hearing loss, of GSTT1 and GSTM1 enzymes and of mitochondrial haplogroup L1 on the risk of NIHL. This study also described novel sequence variants of MTRNR1 and MTTS1 genes.

Role of the Mitochondrial Mutations, m. 827A > G and the Novel m. 7462C > T, in the Origin of Hearing Loss

Samples from 30 deaf probands exhibiting features suggestive of syndromic mitochondrial deafness or from families with maternal transmission of deafness were selected for investigation of mutations in the mitochondrial genes MT-RNR1 and MT-TS1. Patients with mutation m. 1555A>G had been previously excluded from this sample. In the MT-RNR1 gene, five probands presented the m. 827A>G sequence variant, of uncertain pathogenicity. This change was also detected in 66 subjects of an unaffected control sample of 306 Brazilian individuals from various ethnic backgrounds. Given its high frequency, we consider it unlikely to have a pathogenic role on hereditary deafness. As to the MT-TS1 gene, one proband presented the previously known pathogenic m. 7472insC mutation and three probands presented a novel variant, m. 7462C>T, which was absent from the same control sample of 306 individuals. Because of its absence in control samples and association with a family history of hearing impairment, we suggest it might be a novel pathogenic mutation.

TR-2015001: A Survey and Critique of Facial Expression Synthesis in Sign Language Animation

Sign language animations can lead to better accessibility of information and services for people who are deaf and have low literacy skills in spoken/written languages. Due to the distinct word-order, syntax, and lexicon of the sign language from the spoken/written language, many deaf people find it difficult to comprehend the text on a computer screen or captions on a television. Animated characters performing sign language in a comprehensible way could make this information accessible. Facial expressions and other non-manual components play an important role in the naturalness and understandability of these animations. Their coordination to the manual signs is crucial for the interpretation of the signed message. Software to advance the support of facial expressions in generation of sign language animation could make this technology more acceptable for deaf people. In this survey, we discuss the challenges in facial expression synthesis and we compare and critique the state of the art projects on generating facial expressions in sign language animations. Beginning with an overview of facial expressions linguistics, sign language animation technologies, and some background on animating facial expressions, a discussion of the search strategy and criteria used to select the five projects that are the primary focus of this survey follows. This survey continues on to introduce the work from the five projects under consideration. Their contributions are compared in terms of support for specific sign language, categories of facial expressions investigated, focus range in the animation generation, use of annotated corpora, input data or hypothesis for their approach, and other factors. Strengths and drawbacks of individual projects are identified in the perspectives above. This survey concludes with our current research focus in this area and future prospects.

Aprendizagem de escrita de língua de sinais pelo sistema SignWriting : língua de sinais no papel e no computador

Esta tese trata de como o sistema SignWriting pode servir de suporte a uma nova proposta pedagógica ao ensino da escrita de língua de sinais e letramento para crianças surdas usuárias da Língua Brasileira de Sinais - Libras e da Língua de Sinais Francesa - LSF. Escrever deve ser uma atividade significativa para a criança. No caso da criança surda, a escrita fundamenta-se em sua competência na língua de sinais, sem precisar da intermediação da língua oral. A criança surda, quando em um ambiente onde ela e seus colegas se comunicam em língua de sinais, efetivamente tenta escrever sinais, quando é incentivada a fazê-lo. Em nossos experimentos, usamos o sistema SignWriting para mostrar ás crianças surdas (e a seus pais e professores) como escrever textos em línguas de sinais de ambas as formas: manuscrita e impressa, usando o programa Sign Writer para editar textos em línguas de sinais. A base teórica que apóia a tese é a abordagem bilíngüe para a educação de surdos, a língua de sinais, a teoria de Piaget, e de Ferreiro quando trata das etapas da alfabetização em língua oral. Esta investigação possui um caráter exploratório, em que o delineamento metodológico é dado pela pesquisa-ação. O primeiro estudo apresenta um levantamento do processo de aquisição da escrita de sinais, em sua forma manuscrita, pela criança e jovem surdo no Brasil e na França. O segundo estudo trata da ajuda que a informática pode dar a essa aquisição e de como utilizamos os softwares de escrita de língua de sinais em aulas de introdução ao uso do computador e em transcrições da LSF de corpus vídeo para a escrita de língua de sinais. Os resultados sugerem que as crianças evoluem em sua escrita, pois muitos signos que elas escreveram não foram sugeridos pela experimentadora, nem por outro meio, mas surgiram espontaneamente. A introdução de um software como o Sign Writer ou o SW-Edit nas classes para introduzir as TI traz a essas aulas muito maior interesse do que quando usamos um editor de textos na língua oral. Também as produções das crianças são mais sofisticadas. As conclusões indicam que a escrita de língua de sinais incorporada à educação das crianças surdas pode significar um avanço significativo na consolidação de uma educação realmente bilíngüe, na evolução das línguas de sinais e aponta para a possibilidade de novas abordagens ao ensino da língua oral como segunda língua.

Os determinantes morfogenéticos da linguagem expressiva

O presente trabalho parte de uma reinterpretação dos determinantes e da organização da linguagem expressiva em indivíduos portadores de deficiência da audição. Neste sentido, submete a uma análise crítica as condições de estruturação e aquisição de um sistema de comunicação simbólica de natureza essencialmente verbal por parte de tais indivíduos. Avalia, em particular modo, a perspectiva de uma organização fonológica do discurso em portadores de surdez profunda “pré-linguagem~, como um processo que ultrapassa as possibilidades d e uma mera aprendizagem. A linguagem vista então como um processo semiótico de natureza percepto-expressiva, que se estabelece ao longo do desenvolvimento filogenético e ontogenético é assim interpretada, a luz de um novo modelo teórico sobre a Cognição Humana . Tal modelo, pautado em contribuições da Cibernética, da Lógica, da Linguística e da Epistemologia Genética, estabelece plataformas morfogenéticas, a partir das quais o psiquismo se organizaria. Desta maneira, 2 (dois) objetivos essenciais pretendem ser atingidos no presente e s tudo. 1º ) oferecer uma base teórica à dinâmica e processual cognitivo em que o surdo se vê envolvido ao longo da aprendizagem de um sistema verbal-simbólico - à luz de uma hipótese pré-formista, de base morfogenética. 2º) avaliar, a partir da linguagem expressiva escrita apresentada por deficientes auditivos com perda profunda ~pré-linguagem", a hipótese formulada por F. Lo P. Seminério (1980) "de uma memória morfogenética na espécie humana", a partir do que, toda a atividade cognitiva se organizaria, passando a operar segundo estruturas-código, pré-fixadas. A fim de confirmar as proposições estabelecidas, apresenta - se uma Verificação Empírica através de estudos exploratórios realizados com 6 (seis) sujeitos. Os resultados obtidos confirmam a existência de um marco seletivo e organizador de natureza audio-fonética, também entre indivíduos surdos. Constata-se que a informação veiculada é capaz de ser tratada, programada e recuperada linguisticamente, ainda que sem a possibilidade de um mecanismo de retroalimentação ao sistema que se desenvolve. O que equivale a dizer, que o indivíduo surdo apesar de não ouvir, programa à nível áudio-fonético, programação essa que vem a ser recuperada ou atualizada graças aos recursos e técnicas pedagógicas especializadas. Tais resultados sugerem uma reavaliação dos métodos psicopedagógicos usuais nesta área, podendo-se retomar sob nova orientação o debate de temas atuais, nas diretrizes das técnicas e do instrumental utilizado.