Estórias para um turismo slow. Contributos para o marketing na Serra Algarvia

Dissertação de Mestrado, Marketing, Faculdade de Economia, Universidade do Algarve, 2016

Victorian Fairy Tales to develop the speaking skill for children of sixth level of basic education at Maria Auxiliadora High School

Este trabajo de investigación analiza los resultados de un estudio realizado en el Colegio Privado María Auxiliadora en la ciudad de Cuenca, en el uso de la narración como una estrategia comunicativa para mejorar la habilidad de hablar Inglés de los estudiantes de Inglés como lengua extranjera. En este trabajo se intentará demostrar que la narración es un método pedagógico adecuado para desarrollar las habilidades de hablar en estudiantes de sexto nivel que están inscritos en las clases de inglés como lengua extranjera. Los resultados significativos se reportan usando una Rúbrica dos veces: antes del proceso y después del mismo. La prueba estadística utilizada fue de Wilcoxon y el valor crítico fue 0,05. Los resultados mostraron una mejora en todos los cinco componentes diferentes de la rúbrica. La conclusión más importante es que los cuentos de hadas victorianos pueden ser incluidos dentro de la clase y que motiva a hablar el idioma Inglés.

La fantasmatique du grand remplacement dans le roman français contemporain (Renaud Camus, Éric Zemmour, Michel Houellebecq)

L’imaginaire social français est aujourd’hui dominé par une peur lancinante. Au début du XXIe siècle, les angoisses démographiques et culturelles entretenues par une partie des intellectuels trouvent de nouvelles assises dans la popularisation de la fantasmatique du « grand remplacement », un scénario conspirationniste qui annonce un changement de population sur le territoire français où une civilisation orientale prend peu à peu la place des « idéaux occidentaux ». La littérature a la particularité de mettre en récit des représentations et des débats précis qui circulent dans l’imaginaire social. Cette étude évalue le travail d’invention spécifique à la littérature produit dans trois romans – L’Épuisant désir de ces choses de Renaud Camus, Petit frère d’Éric Zemmour et Soumission de Michel Houellebecq – qui créent, modifient et reconfigurent cette fantasmatique. Ces textes décrivent et anticipent la fin de la Ve République telle qu’elle est aujourd’hui connue, mais de façons différentes. Pour des raisons ethniques, civiques ou métaphysiques, ils laissent entendre que désormais « la France, c’est les autres! ».

BUILDING A DISCOURSE: BRIDGING THE GAP BETWEEN NEW MEDIA'S CONVERGENCE AND RHETORIC AND COMPOSITION'S MULTIMODALITY

My dissertation emphasizes the use of narrative structuralism and narrative theories about storytelling in order to build a discourse between the fields of New Media and Rhetoric and Composition. Propp's morphological analysis and the breaking down of stories into component pieces aides in the discussion of storytelling as it appears in and is mediated by digital and computer technologies. New Media and Rhetoric and Composition are aided by shared concerns for textual production and consumption. In using the notion of "kairotic reading" (KR), I show the interconnectedness and interdisciplinarity required in the development of pedagogy utilized to teach students to develop into reflective practitioners that are aware of their rhetorical surroundings and can made sound judgments concerning their own message generation and consumption in the workplace. KR is a transferable skill that is beneficial to students and teachers alike. The dissertation research utilizes theories of New Media and New Media-influenced practitioners, including Jenkins' theory of convergence, Bourdieu's notion of taste, Gee's term "semiotic domains," and Manovich's "modification." These theoretical pieces are combined in order to show how KR can be extended by convergent narrative practices. In order to build connections with New Media, the consideration and inclusion of Kress and van Leeuwen's multimodality, Selber's "reflective practitioners," and Selfe's definition of multimodal composing allow for a greater establishment of conversation order to create a richer conversation around the implications of metacognitive development and practitioner reflexivity with scholars in New Media. My research also includes analysis of two popular media franchises Deborah Harkness' A Discovery of Witches and Fox's Bones television series to show similarities and differences among convergence-linked and multimodal narratives. Lastly, I also provide example assignments that can be taken, further developed, and utilized in classrooms engaging in multimodal composing practices. This dissertation pushes consideration of New Media into the work already being performed by those in Rhetoric and Composition.

Communication in family court:financial remedy proceedings from the perspective of litigants in person

The article presents a rationale for communicative, conceptual, cognitive and procedural challenges experienced by litigants in person in financial remedy proceedings. The article also explores oscillation between written and spoken legal genres and narrative development strategies which litigants in person have to use throughout different stages (from the early stages of starting proceedings, filling in court forms and providing documentation, through the negotiation process to interaction in court). While legal professionals express themselves in paradigmatic legal mode influenced by legal acts and legislation, litigants in person tend to express themselves in narrative mode similar to everyday storytelling. The objective is to investigate obstacles litigants in person experience during the process originally designed by legal professionals for legal professionals. The article evaluates different options for empowering lay people involved in legal proceedings and argues for the need to provide more specific support for different stages of family proceedings.

La fantasmatique du grand remplacement dans le roman français contemporain (Renaud Camus, Éric Zemmour, Michel Houellebecq)

L’imaginaire social français est aujourd’hui dominé par une peur lancinante. Au début du XXIe siècle, les angoisses démographiques et culturelles entretenues par une partie des intellectuels trouvent de nouvelles assises dans la popularisation de la fantasmatique du « grand remplacement », un scénario conspirationniste qui annonce un changement de population sur le territoire français où une civilisation orientale prend peu à peu la place des « idéaux occidentaux ». La littérature a la particularité de mettre en récit des représentations et des débats précis qui circulent dans l’imaginaire social. Cette étude évalue le travail d’invention spécifique à la littérature produit dans trois romans – L’Épuisant désir de ces choses de Renaud Camus, Petit frère d’Éric Zemmour et Soumission de Michel Houellebecq – qui créent, modifient et reconfigurent cette fantasmatique. Ces textes décrivent et anticipent la fin de la Ve République telle qu’elle est aujourd’hui connue, mais de façons différentes. Pour des raisons ethniques, civiques ou métaphysiques, ils laissent entendre que désormais « la France, c’est les autres! ».

Narrativa de tradición oral maya-tojolabal

For this research, a literary study of the oral tradition in the Maya-Tojolabal culture was carried out through an examination of a collection of 37 texts. The texts were audiovisually recorded through interviews with 17 Tojolabal informants from six communities in the state of Chiapas, Mexico. The Maya-Tojolabal people, found in the southeast of Chiapas, speak one of the Mayan languages of Mexico. One of their cultural expressions is traditional narrative, which is constituted by several versions of stories that men and women with expertise in traditional storytelling maintain alive. However, this oral tradition has been neglected by academia, and the very few studies on this tradition are primarily focused on either the historical, anthropological or linguistic aspects. The literary approach to this phenomenon has largely been relegated to articles that do not offer the possibility of any critical formalsemantic study of the stories that they publish. Nonetheless, there are some exceptional cases, which are considered in detail in this research. Like any collective art, the narrative in the Tojolabal oral tradition manifests in various forms, meanings, and mechanisms that are shared by all members of the community. In addition to being an artistic expression, the narratives are also a reflection of the values and beliefs shared by the group...

Desarrollo de un método integrado para el aprendizaje creativo de la bioética en el grado de biotecnología

El objetivo del proyecto es convertir un caso clínico parte del programa de prácticas de la asignatura de Aspectos legales y sociales de la biotecnología en un cuento. A través del método storytelling los alumnos analizan el caso clínico y representan el conflicto desde una perspectiva narrativa con el fin de encontrar una solución del conflicto.

La comunicación política en la administración de Gustavo Petro 2012-2014

El objetivo central de esta tesis es analizar cómo ha sido la comunicación política de la administración de Gustavo Petro entre 2012 y 2014, determinando el nivel de democratización presente en esta. Desde sus inicios, la alcaldía de Gustavo Petro mostro una gran preocupación por el ámbito de comunicación, sin embargo, como se puede ver en el plan de desarrollo, le apunta a una comunicación participativa en donde la ciudadanía haga parte de la construcción, diseño e implementación de los programas de gobierno. Por lo tanto se parte de la hipótesis de que la comunicación política durante esta administración ha sido democrática en tanto que ha permitido hacer partícipe a la ciudadanía de su propio desarrollo, a través del dialogo constante. Lo anterior será visto desde una perspectiva teórica sobre la comunicación política democrática, para lo cual las variables direccionalidad y centralidad serán claves.

Semilla sin tierra

Semilla sin tierra es un documental web que expone la forma como diferentes comunidades afro provenientes de la región Pacífica colombiana que siguen conservando sus prácticas culturales en Bogotá a pesar de haber sufrido un desplazamiento y encontrarse lejos de su territorio y comunidad de origen.

Semilla sin tierra

Semilla sin tierra es un documental web sobre la resistencia que mantienen las comunidades desplazadas del Pacífico colombiano para que su patrimonio cultural inmaterial no desaparezca. En él se presenta un largo documental, que, a través de tres historias evidencia la forma en que han logrado resistir para conservar su cultura.

Espanto: Adaptação de excertos do romance "As aventuras de joão sem medo" de José Gomes Ferreira para um espectáculo de formas animadas, duas actrizes e uma máquina de "encontar"

A partir de excertos do romance "As Aventuras de João Sem Medo" (publicado em 1963) de José Gomes Ferreira (1900-1985), criou-se um espectáculo para duas actrizes manipuladoras de bonecos, interagindo com uma máquina de cena. De início, identificaram-se no romance uma série de atmosferas e pequenas unidades de acção, que serviram de base para o guião do espectáculo orientado para um público heterogéneo. Partindo dos recursos existentes, procurou-se uma dramaturgia do texto com dois níveis de representação: o jogo entre as actrizes que, enquanto fadas competem entre si pelo uso da máquina de "encontar"; e o jogo entre os bonecos que, embora autónomo do ponto de vista narrativo, acaba por funcionar como a materialização do conflito entre as manipuladoras. Do texto para o teatro, assistimos ao espanto que nos provoca uma marioneta rebelde. /ABSTRACT: From excerpts of the "The Adventures of Fearless John" a romance (published in 1963) by Jose Gomes Ferreira (1900-1985), a show was created for two actresses I puppeteers who interact with an onstage prop. From the beginning, a series of different moods and small units of action were identified, and serve as the basis for the show oriented to a general audience. Trough the existing resources, two different levels of representation were found to dramatize the text: the interplay between the actresses who, while portraying fairies, compete for the use of the storytelling box; and the interplay between the puppets who, although they are independent from the narrative point of view, end up functioning as a materialization of the conflict between the puppeteers. From the text to the theatre, we witness the wonder that a rebellious puppet inspires.

Letteratura per l'infanzia e metafore del Limite. Mentori e infanzie sulla soglia

La presente ricerca di dottorato, attraverso un’indagine multidisciplinare, si pone l’obiettivo di elaborare in chiave pedagogica una riflessione sulla relazione esistente tra la letteratura per l’infanzia, la narrazione, l’esperienza e il limite. La ricerca mira ad analizzare le metafore del limite intese come metafore della caducità, della ferita, della marginalità, della liminalità, della divergenza e dell’alterità. La ricerca si concentra in particolare sulle rappresentazioni metaforiche della relazione educativa tra personaggi mentori e personaggi bambini, colti in attraversamenti e transizioni esistenziali, colti quindi nell’atto di cura della loro natura limitata. L’impianto teorico-interpretativo elaborato è utilizzato per sondare criticamente l’opera di Robert Louis Stevenson e di James Matthew Barrie, autori scelti come rappresentanti emblematici del periodo di soglia a cavallo di secolo, compreso tra il 1880 e il 1914. Attraverso l’applicazione del paradigma indiziario della ricerca storiografica e letteraria, l’indagine raccoglie correlazioni incongrue tra le opere, le biografie e la storia in cui esse si inseriscono, per formulare ipotesi che permettano un’interpretazione delle modificazioni che le rappresentazioni del limite subirono in quel periodo, sul limitare del primo conflitto mondiale.

Le PR del prodotto cinematografico - creatività, complessità e attivismo

Cosa sono le PR e come possono comunicare un prodotto cinematografico? La complessità del mondo che ci circonda è tale che anche il cinema deve saperla narrare e comunicare. Quindi un film che parla di sostenibilità, inclusività, etica e diversità ha un potere molto più forte sia dal punto di vista produttivo sia da quello distributivo rispetto a uno che non ne parla. E proprio le PR, essendo un attività gratuita di comunicazione, possono beneficiare al meglio di un ecosistema creativo complesso, per generare più passaparola. Chi decide di narrare la complessità, fa attivismo sociale generando un'economia circolare di benessere finanziario e culturale da cui trae giovamento pubblico, industria, critica e comunicazione.

HBIM to Virtual Reality Workflow for Industrial Archaeology Immovable Assets’ Management: A Case Study

As a witness on the industrialization in Bologna, since its first generation was born in the late 1760, the Battiferro lock has been coping with the innovation that the city experienced throughout the centuries, until it has lost its functionality due to the technological development for which Bologna’s canals were gradually covered starting from the 1950s under Giuseppe Dozza ’s administration, as part of the reconstruction, reclamation and urban requalification that was carried out in the aftermath the World War II and which involved the whole city. The interest of the research carried out on this case study was primarily to reintroduce the landmark that is still intact, to what is considered to be the fourth generation of the industrial revolution, namely in the construction field, which is recognized as Construction 4.0, by means of the Historic (or Heritage) Information Modeling HBIM and Virtual Reality (VR) application. A scan-to-BIM approach was followed to create 3D as-built BIM model, as a first step towards the storytelling of the abandoned industrial built asset in VR environment, or as a seed for future applications such as Digital Twins (DT), heritage digital learning, sustainable impact studies, and/or interface with other interfaces such as GIS. Based on the HBIM product, examples of the primary BIM deliverables such as 2D layouts is given, then a workflow to VR is proposed and investigated the reliability of data and the type of users that may benefit of the VR experience, then the potential future development of the model is investigated, with comparison of a relatively similar experience in the UK.