Performatividad y arte computacional. Hacia una “DIY society”

El artículo analiza la figura del prosumidor desde los estudios visuales a partir de la combinación de la teoría de los actos de habla y los nuevos medios. El objetivo es evaluar si la distinción entre productores y consumidores, estrategias y tácticas de Michel de Certeau continúa siendo operativa en las interfaces gráficas de la cultura global de la información de Scott Lash. Para ello distingue dos tipos de performatividad de los actos de habla: la performatividad top-down del software, y la bottom-up de los juegos del lenguaje y las formas de vida. Estos tipos se aplican al análisis del discurso de los eslóganes que aparecen en los sitios web de las iniciativas “open” y de economía colaborativa, ya que las primeras están dedicadas a la producción de bienes inmateriales y las segundas a la producción de bienes materiales. El desarrollo muestra cómo los dos tipos de performatividad transforman el análisis textual de los estudios literarios y cinematográficos en una metodología capaz de investigar acciones materiales, humanas y no humanas. Las conclusiones describen el surgimiento de nuevas convenciones narrativas de poder y control ajenas a la ficción que apuntan a una “DIY society”.

“By Looking Liking”: Baz Luhrmann's William Shakespeare's Romeo+Juliet

Twenty years since its release onto the big screen, Baz Luhrmann’s William Shakespeare’s Romeo+Juliet continues to attract viewers, divide critics and remain unchallenged, in a league of its own, when it comes to film adaptation of Shakespeare’s plays. This article begins with taking stock of reception directions which still dispute the field of film adaptation. Cued by Worthen’s “Performance Paradigm”, my argument positions Luhrmann’s film (his second at the time and the one to propel the Australian director into Hollywood fame) firmly in the cinematic and sees the film narrative not as opposed to the textual and/or spoken one, but as a complex citational practice developed at the level of oral, visual and written discourse.

Upper Secondary Students’ Beliefs About Learning English as a Foreign Language : A contrast between the students’ beliefs and the Swedish curriculum

Learning English as a foreign language (EFL) entails different factors. Language learners use different strategies in order to make their language acquisition successful. Motivation and self-regulated learning are other factors that influence how successful the EFL learner is. This paper aims to analyze the beliefs of upper secondary students in a Swedish school about learning EFL, as well as how their beliefs relate to what is specified in the Swedish curriculum. An analysis of the differences between students’ beliefs and what is stated in the curriculum was done. A survey was conducted on a total of 54 students who were enrolled in the social sciences program. The results showed that students believed that motivation and self-regulated learning were important factors for a successful learning. For them, the language skill of reception is more important than production, which does not correspond with what it is stated in the national curriculum. First and second year students’ beliefs were similar in most of the cases, but not all of them.

Urbaania energiaa. Suvilahden, Hanasaaren A- ja Vuosaaren voimalaitokset osana helsinkiläistä kaupunkiympäristöä

Tutkimus koostuu kolmen Helsingissä sijaitsevan, kolmena eri aikakautena, 1910-, 1950- ja 1990-luvuilla, rakennetun voimalaitoksen arkkitehtuurista ja rakennustyypistä sekä niiden eroista ja erityisyyksistä samoin kuin näiden voimalaitosten roolista ja vaikutuksesta Helsingin kaupunkisuunnitteluun ja -rakentamiseen, kaupunkikuvaan sekä ympäristöestetiikkaan. Tutkimus on rajattu koskemaan erityyppisten voimalaitosten osalta yksinomaan kolmea helsinkiläistä kaupungissa sijaitsevaa voimalaitosta, Suvilahtea, Hanasaari-A:ta ja Vuosaaren A- ja B-laitoksia. Tutkimuksen tarkoituksena on ensinnäkin selvittää sekä periaatteessa että edellä mainittujen kolmen esimerkkikohteen kautta seikkoja, jotka ovat vaikuttaneet kunkin voimalaitoksen arkkitehtuuriin ja rakennustyyppiin kunakin aikakautena. Kaupunkivoimalan olennaiset elementit ovat korkea savupiippu, mittava polttoainevarasto sekä massiiviset rakennusmassat, jotka vaativat runsasta maankäyttöä. Toiseksi tutkimuksessa paneudutaan kaupunkisuunnitteluun laitoksen sijoittumisen osalta sekä ajallisesti että paikallisesti. Kolmanneksi selvitetään kaupunkikuvallisia ja ympäristöesteettisiä seikkoja, sekä niiden vaikutusten kehitystä voimalaitoksen toteutuksen ja nykyhetken kesken. Tutkimuksessa haetaan vastausta kysymykseen, miten Helsingissä sijaitseva voimalaitos arkkitehtuuriltaan, rakennustyypiltään ja sijoitukseltaan on soveltunut ja jatkossa soveltuu kaupunkisuunnittelun kannalta kaupunkikuvallisesti sekä ympäristöesteettisesti kyseiseen kaupunkiympäristöön. Tutkimus selvittää myös sitä ilmeistä ristiriitaa, joka syntyy kaupungin kehittyessä ja laajentuessa, jolloin voimalaitos infrastruktuurinsa ja useimmiten suunnattoman kokonsa vuoksi edustaa pysyvyyttä rakentuvan alueen sisällä. Tässä yhteydessä tutkimuksessa pohditaan esimerkkikohteiden avulla voimalaitoksen säilyttämistä puoltavia rakennustaiteellisia arvoja, mahdollista korvattavuutta, ja siinä yhteydessä haetaan vastauksia jäljelle jäävälle laitosrakennukselle kaupunkisuunnittelun kannalta asetettavista uusiokäytön vaatimuksista ja mahdollisuuksista. Tutkimuksen metodologia on sekä kvantitatiivisesti että kvalitatiivisesti historiallinen, esimerkkikohteita käsiteltäessä tarvittavassa määrin myös mikrohistoriallinen.

Erupção passiva alterada

Introdução: Nos últimos anos, a estética tem vindo a desempenhar um papel cada vez mais importante na Medicina Dentária. Um sorriso considerado agradável é uma parte indispensável relativamente à harmonia facial e consequentemente à autoestima das pessoas. Quando durante o sorriso há exposição de mais de 3mm de gengiva, este é designado por “sorriso gengival”. Considerado como um sorriso inestético, representa uma queixa muito comum por parte dos pacientes e à qual se tem vindo a dar cada vez mais importância. De entre as várias causas, no âmbito deste trabalho, destaca-se a Erupção Passiva Alterada (EPA). Com uma prevalência de 12% na população geral, a EPA é uma condição de difícil diagnóstico devido aos seus sinais pouco específicos e, por isso, muitas vezes ignorada ao longo dos últimos anos. É um fenómeno que não é previsível e a sua etiologia ainda não é muito clara, mas parece tratar-se de um anormal desenvolvimento a nível dentário, em que uma grande porção da coroa dentária fica coberta por gengiva, dando a aparência de coroas clínicas curtas. Apesar de estar hoje em dia propriamente classificada, não dispensa um cuidadoso diagnóstico para que venha a ser tratada adequadamente. O objetivo deste trabalho é efetuar uma revisão bibliográfica dos principais conceitos relativos à etiologia deste fenómeno e à sua classificação, assim como fazer uma abordagem ao seu diagnóstico e tratamento. Materiais e métodos: Foi realizada uma pesquisa na base de dados da PubMed e Research Gate, utilizando como palavras/expressões-chave: “altered passive eruption” e “delayed passive eruption”. A pesquisa resultou num total de 23 artigos, tendo sido complementada com duas obras literárias de interesse. Resultados/conclusões: Foi possível verificar que, apesar de não haver muitos estudos relativos à EPA, é cada vez mais importante realizar um diagnóstico correto para que o tratamento seja o adequado e irmos de encontro às expectativas do paciente, já que muitas vezes este é um fenómeno não identificado devido às suas características inespecíficas. O tratamento da EPA é feito de acordo com a sua classificação e os seus resultados melhoram bastante a estética do sorriso.

Teaching down or learning up

Résumé : L'élément important que cette thèse sous-tend est que l'enseignement efficace n'est pas seulement constitué de techniques et de méthodologie, mais plutôt d'attitude et d'approche envers l'enseignement. Ceci ne veut pas nécessairement dire que plusieurs méthodes d'enseignement reçues dans un cours avec l'intention d'optimaliser les mécanismes de transmission et d'assimilation de la matière sont inappropriées. Cependant, l'absence de ce que nous pourrions définir comme un ton pédagogique est essentiel, c'est-à-dire, qu'une attitude positive à la productivité autant vis-à-vis de la matière à transmettre que vis-à-vis de l'individu impliqué dans "l'acte" de réception versus la découverte, aura davantage de succès. Toute autre méthode sera complètement inefficace, inaccessible, voire même inutile. D'emblée, dans l'hypothèse de départ, l'argument principal présente une attitude générale d'enseignement à divers échelons ; soit au niveau secondaire ou collégial qui est inappropriée, incomplète ou négative. En d'autres mots, cette approche thérapeutise l'éducation. Dans l'exercice de cette approche, l'enseignant ou l'enseignante adopte plutôt le rôle d'un thérapeute que celui d'un éducateur. De ce fait, le professeur en situation a une approche plutôt de thérapeute que celle de maître-précepteur et que la matière présentée est souvent diluée, et réduite à des niveaux d'apprentissage accompagnés de carences notoires et d'échecs académiques. Les attentes d'une performance dans le milieu académique sont souvent des plus modestes. Cette même tendance d'une éducation à la baisse est évidente aussi dans le processus d'évaluation. Il est certain que dans les disciplines non scientifiques, l'évaluation formative a grandement suivi l'évaluation normative conduisant le précepteur, tour à tour, dans une évaluation dormative dans laquelle l'effort et l'intention remplacent les aptitudes et les habilitées réelles. Si l'approche pédagogique est vraiment l'élément crucial de l'éducation, il Importe que l'approche générale influence le climat de l'éducation contemporaine, de fait, devienne un palliatif contre-productif souvent réhabilitant. De plus, cette pseudo-thérapie d'où d'écoule une attitude exigeante envers l'enseignant et l'apprenant dont le fondement est la reconnaissance des impératifs culturels qui en sont le reflet et le corps doit-être affirmé et transposé dans la réalité. Cette dernière comprend des attentes très poussées en ce qui concerne la performance en classe et aussi le respect de la matière qui contient la présentation routinière et fondamentale; renouveau intense du processus d'évaluation qui fournira des standards communs et des objectifs externes dans l'évaluation du travail de l'étudiant. Cette connaissance et domestication empirique que nous présente Vygotsky dans un climat contemporain qu'il a expliqué ces termes comme "des zones de développement proximales" basées sur la doctrine suivante que le bon apprentissage précède le développement et que conséquemment s'ensuit une pédagogie d'apprentissage plutôt qu'une pédagogie centrée sur l'apprenant. L'application significative de ces derniers principes ou de ces épistémologiques s'imbriquent dans une situation d'apprentissage ascentionnel dont la structure est détaillée et considérée par différentes perspectives de la recherche qui suit.||Abstract : The central tenet of this thesis is that effective teaching is not only and perhaps not primarily a matter of technique and methodology but of attitude and approach. This is not to say that diverse methods of classroom instruction intended to optimize the mechanics of transmission and the assimilation of data are inappropriate but that in the absence of what we might denominate as a certain pedagogical tone. that is, a productive attitude toward both the material to be conveyed and the individuel engaged in the 'act' of reception-and-discovery, even the most powerful methods will be differentially unavailing or, at best, inefficient. Given this initial assumption, the argument proceeds that the general attitude toward instruction currently in place at the secondary echelons, that is, on the high school and college levels, may be popularly represented as a 'teaching down' approach, in other words, as one which seeks to therapeuticize education. In practice this means that the teacher tends to manifest in situ more as a therapist than as a preceptor, that the material to be presented is frequently diluted or scaled down to perceived levels of cognitive (dis)ability (as is also the case with the rate of instruction), and that performance expectations in the current pedagogical milieu are commonly quite modest. The same downward trend is evident in assessment protocols as well. Certainly in the nonscientific disciplines, normative evaluation has been widely succeeded by formative evaluation, leading in turn to a peculiar kind of dormative evaluation in which intangibles such as effort and intention may deputize for realized ability. If pedagogical approach is indeed the crucial element in instruction, and if the general approach that pervades the contemporary climate of instruction is indeed counter-productively remedial or rehabilitory, that is, therapeutic, then it should follow that a more demanding attitude toward teaching and learning founded on the recognition of the culturel imperative which teaching both reflects and embodies needs to be re-affirmed and translated into practice. This latter would entail the maintenance of high expectations with regard to classroom performance, a respect for the material which precludes its routine mitigation or debasement, a renewed insistance on grading protocols that provide an external, 'objective' or communal standard against which the student's work can be measured, the empirical acknowledgment or domestication of what Vygotsky has termed "the zone of proximal development," based on the doctrine that good learning proceeds in advance of development, and conséquently, a learning-centered rather than learner-centered pedagogy. The meaningful application of this latter set of principles or epistemological gradients comprises the 'learning up' situation whose structure is excunined in some détail and considered from various perspectives in the ensuing.

A forma no edifício residencial vertical em Natal : 1969 a 2000 :

This essay focuses on issues related to internal problems of the architecture discipline, specially those related to the aesthetics of the buildings. The universe analyzed in this research is constituted of some of the vertical housing built in Natal from the period of 1969 to 2000. As we could observe there are many different aspects in these apartment buildings external appearance, denoting increasing preoccupations in their formal elaboration in the battlefield for diversity against monotony of the simple prismatic volumetric forms.

A cena contemporânea aos pedaços : observação de um experimento pedagógico

We try to relate this research with other logic, to discover a path of practical approach to approach a creation composed of fragments and a search of parameters for the aesthetics of appropriation. Accordingly, we find relationship with the theater composed of fragments, where different styles are appropriate theatrical and representational styles are merged with each other. Discusses in the first chapter on the theater composed of fragments, and stroll through lanes of the strategies of some directors in the ways of the contemporary scene. In the second chapter we seek procedures and concepts of atmosphere Mikhail Tchekhov (TCHEKHOV, 1996), and the transition from point-to-point by Scott McCloud (2005). In the third part we describe the observation of the experiment conducted by the students of the Bachelor's Degree in Regional Theatre at the University of Cariri in Juazeiro, Ceará, in 2010. Using the methodology of "pesquisa-ação", observing that the scenic writing end of the experiment, called "Toque Me", and the presentation in the cities of Crato and Barbalha, in August 2010, contained elements of the strategies from theater fragmentary scenes and conceptual contents of contemporary theater

Disonancias en la reivindicación de Zambrano como discípula de Ortega: sus teorías opuestas para el arte

[es] En sus alusiones a Ortega, María Zambrano oculta o empequeñece con su tratamiento respetuoso las diferencias que los enfrentaron; también las distintas funciones que ambos le asignan al arte, que ella no contrapone con una crítica al escapismo que plantea la estética de la razón vital. De las motivaciones de su actitud, apunto como hipótesis el uso que hace Zambrano de Ortega como respaldo (involuntario) de su razón poética: para legitimar, con la continuidad que da a entender entre ambos, una metodología con la que la poesía reemplaza a la filosofía en sus funciones para ampliar los márgenes de lo cognoscible. [en] María Zambrano hides or diminishes the differences that confronted Ortega. Also, the different roles they assign to art: she does not make a critique of escapism that raises the aesthetics of vital reason. To explain the motivations for her attitude, I propose the hypothesis that Zambrano used Ortega in support (involuntary) of her poetic reason: to legitimize her idea, poetry replaces philosophy in its functions to expand the margins of the knowable.

Les mondes imaginaires de Mélanie de Coster, une écrivaine en proie à la fantaisie

[es] En esta entrevista se pretende indagar en los mundos imaginarios de Mélanie de Coster, una escritora belga de literatura fantástica actual. Desde que publicase su primer libro en 2003, De Coster ha experimentado la fusión de elementos pertenecientes a la estética de lo fantástico con otros géneros haciendo de este su sello personal. Lo fantástico se revela así como una aproximación que no centra la acción narrada, sino que la enriquece aportándole elementos de sorpresa, de angustia o de misterio. En su novela más puramente fantástica, De l’autre côté des mondes, la trama principal adquiere incluso matices sociales. Todo ello resulta en una producción ciertamente heterogénea en la que lo fantástico se erige como hilo conductor. [es] This interview explores the imaginary worlds created by Mélanie de Coster, a Belgian writer of contemporary fantastic literature. Ever since she published her first book in 2003, De Coster has combined elements from the aesthetics of the fantastic with other genres, thus making this her personal trademark. The fantastic becomes then an approach which is not at the core of the story told, but it rather complements it by adding some features like surprise, anxiety or mystery. In her most recent novel, De l’autre côté des mondes, the main plot even includes some social worries. Eventually, the fantastic becomes the leading thread of such a heterogeneous production.

La forma y la norma: narración del poder en la ciudad a través del símbolo

El siguiente artículo se constituye desde la necesidad epistemológica de reflexionar sobre la ciudad y discernir la manera como los símbolos del poder se manifiestan y se despliegan en ella. La perspectiva de este estudio se enmarca desde la estética y la metafísica de la ciudad, más que desde su urbanismo; y para esto se han relacionado referentes estéticos y semióticos, logrando perfilar una hipótesis sobre la forma simbólica de la ciudad, la cual se articula con los instrumentos económicos y políticos que ejercen el poder en la misma. Esta investigación sobre las estéticas de la ciudad metafísica permitió identificar el origen de la idea de ciudad como forma y símbolo que deviene en dispositivo social que propicia una perpetuación del poder, influyendo la construcción del relato social. Del mismo modo esta investigación posibilitó un acercamiento al fenómeno de desdivinización de los símbolos que conforman la ciudad y la relación de estos símbolos desdivinizados en la estructuración de un relato común definido, ya no por lo político o lo religioso, sino por el consumo, la fragmentación y la preponderancia del olvido. Finalmente, se propone la educación como un eje donde convergen lo estético y lo ético, permitiendo una posibilidad de sentido a la hora de interactuar con los símbolos de la ciudad.

Para uma antropologia visual do turismo: O uso crítico de metodologias e materiais visuais

Discute-se o uso de meios visuais para uma antropologia que estuda o turismo. O texto reflecte sobre a proliferação de meios e ferramentas de registo, edição e difusão de imagens visuais tecnologizadas e propõe-se a uma abordagem que considera condições de produção, os significados das imagens e suas diferentes recepções. A ‘era do digital’ é também discutida, nomeadamente no potencial transformador sobre recepção, produção e difusão, associado a novas formas de autoria, à velocidade de circulação dos conteúdos e à revisão das fronteiras entre real e irreal, documentário e ficção, ciência e arte. O pano de fundo é o de um mundo que, facilitando e estimulando o lazer, as mobilidades e a contemplação e consumo do diferente e do belo (paisagístico, patrimonial, monumental) não deixa de reproduzir um ‘divide’ imagético (digital); i.e. acessos desiguais às ferramentas de representação visual dos ‘outros’, de si mesmos e do mundo.

Przemoc w popkulturze - Pop-przemoc? O dyskursie przemocy i ciała w popkulturze na przykładzie niemieckojęzycznej literatury pop lat dziewięćdziesiątych XX i pierwszej dekady XXI wieku

Wydział Neofilologii: Instytut Filologii Germańskiej

O definicjach retorycznych (na przykładzie hasła gender)

W tekście autorka pokazuje, czym są definicje retoryczne. Wskazuje ich cechy (nastawienie na odbiorcę, zastąpienie obiektywistycznego punkt widzenia podmiotowym, zsubiektywizowanym sposobem ujmowania świata, celowe uwydatnienie pewnych cech obiektu, a pomniejszenie, a nawet ukrycie innych) i funkcje (wpływanie na sposób postrzegania świata przez odbiorcę, determinowanie lub próba zdeterminowania jego działań mentalnych lub fizycznych). W swoich rozważaniach odnosi się do potencjału perswazyjnego słów, wynikającego po pierwsze z takich cech języka, jak arbitralność i konwencjonalność symboli językowych, po drugie, ze związku języka z procesami poznawczymi. Pokazuje mechanizmy perswazyjne, które definicje retoryczne wykorzystują. Są to 1) mechanizm wspólnoty świata i języka, 2) mechanizm emocjonalizacji odbioru, i 3) mechanizm symplifikacji rozkładu wartości. Materiałem badawczym są definicje hasła gender, które pojawiły się w polskiej debacie publicznej na przełomie 2013 i 2014 roku.

Collecting valuable consumer data: Motivating consumers to disclose personal information

Collecting and analyzing consumer data is essential in today’s data-driven business environment. However, consumers are becoming more aware of the value of the information they can provide to companies, thereby being more reluctant to share it for free. Therefore, companies need to find ways to motivate consumers to disclose personal information. The main research question of the study was formed as “How can companies motivate consumers to disclose personal information?” and it was further divided into two subquestions: 1) What types of benefits motivate consumers to disclose personal information? 2) How does the disclosure context affect the consumers’ information disclosure behavior? The conceptual framework consisted of a classification of extrinsic and intrinsic benefits, and moderating factors, which were recognized on the basis of prior research in the field. The study was conducted by using qualitative research methods. The primary data was collected by interviewing ten representatives from eight companies. The data was analyzed and reported according to predetermined themes. The findings of the study confirm that consumers can be motivated to disclose personal information by offering different types of extrinsic (monetary saving, time saving, self-enhancement, and social adjustment) and intrinsic (novelty, pleasure, and altruism) benefits. However, not all the benefits are equally useful ways to convince the customer to disclose information. Moreover, different factors in the disclosure context can either alleviate or increase the effectiveness of the benefits and the consumers’ motivation to disclose personal information. Such factors include the consumer’s privacy concerns, perceived trust towards the company, the relevancy of the requested information, personalization, website elements (especially security, usability, and aesthetics of a website), and the consumer’s shopping motivation. This study has several contributions. It is essential that companies recognize the most attractive benefits regarding their business and their customers, and that they understand how the disclosure context affects the consumer’s information disclosure behavior. The likelihood of information disclosure can be increased, for example, by offering benefits that meet the consumers’ needs and preferences, improving the relevancy of the asked information, stating the reasons for data collection, creating and maintaining a trustworthy image of the company, and enhancing the quality of the company’s website.