Procedural Meaning Explicatures in the Development of New Subordination Strategies in Romance

The sociocultural changes that led to the genesis of Romance languages widened the gap between oral and written patterns, which display different discoursive and linguistic devices. In early documents, discoursive implicatures connecting propositions were not generally codified, so that the reader should furnish the correctinterpretation according to his own perception of real facts; which can still be attested in current oral utterances. Once Romance languages had undergone several levelling processes which concluded in the first standardizations, implicatures became explicatures and were syntactically codified by means of univocal new complexconjunctions. As a consequence of the emergence of these new subordination strategies, a freer distribution of the information conveyed by the utterances is allowed. The success of complex structural patterns ran alongside of the genesis of new narrative genres and the generalization of a learned rhetoric. Both facts are a spontaneous effect of new approaches to the act of reading. Ancient texts were written to be read to a wide audience, whereas those printed by the end of the XV th century were conceived to be read quietly, in a low voice, by a private reader. The goal of this paper is twofold, since we will show that: a) The development of new complex conjunctions through the history of Romance languages accommodates to four structural patterns that range from parataxis tohypotaxis. b) This development is a reflex of the well known grammaticalization path from discourse to syntax that implies the codification of discoursive strategies (Givón 2 1979, Sperber and Wilson 1986, Carston 1988, Grice 1989, Bach 1994, Blackemore 2002, among others]

Conclusions catégoriques dans les expertises forensiques: obstacles insurmontables ou cibles faciles pour la défense

L'expert forensique est mandaté par la justice pour apporter à celle-ci son aide dans l'appréciation d'un indice technique ou scientifique. Théoriquement, son rôle est donc clairement délimité. Dans la pratique, toutefois, il n'est pas rare que des experts, spontanément ou après y avoir été poussés par des juristes qui lisent leur rapport ou les interrogent en audience, adoptent une position catégorique quant aux hypothèses en jeu dans une affaire pénale, c'est-à-dire quant aux circonstances ayant présidé à la création des indices observés, et non plus uniquement en évaluant les indices eux-mêmes. Cela constitue une violation de la loi ainsi que des règles de la logique, mais est rarement relevé par l'autorité ou par les parties qui y auraient intérêt. L'objet de la présente contribution est d'exposer cette problématique et d'expliciter en quoi elle représente un défi majeur pour les juristes appelés à discuter et à apprécier les expertises forensiques.

L'Espiral de la història, de Televisió de Girona

L’experiència de crear, en format televisiu, un programa de difusió històrica per part d’una televisió local resulta altament interessant, perquè ofereix continguts d’àmbit més proper a un públic que difícilment té accés a la seva història des del sector audiovisual. Tots els principis continguts en la proposta científica d’utilitzar les imatges com a transmissores de coneixements i de cultura, convergeixen en el projecte de creació, per part de Televisió de Girona, del programa L’espiral de la història, atès que resulta una excel·lent mostra de la conjunció de diverses tipologies documentals posades al servei d’un objectiu: la difusió de la història de la ciutat de Girona a través del llenguatge audiovisual

Penser avec les démons : démonologues et démonologies (XIIIe - XVIIe siècles)

Ces études, présentées au colloque qui s'est tenu à l'Université d'Orléans en novembre 2012, explorent l'évolution de la démonologie chrétienne à partir de la période scolastique. Comment cette nouvelle démonologie a-t-elle été adaptée dans des contextes tels que la magie démoniaque, la sorcellerie ou la possession? Peut-on définir les contours d'une anthropologie démoniaque, en prêtant attention aux interactions, psychiques et physiques, entre démons et êtres humains? Le nouveau statut des démons a trouvé sa traduction dans des thèses démonologiques dominantes qui entretiennent des liens étroits avec l'ensemble des traditions littéraires, didactiques, spirituelles et iconographiques du temps, à l'audience souvent plus large. Ce statut répond à des démonologies concurrentes, diffusées notamment dans le cadre de la magie rituelle. Le diable et les démons ont fait l'objet de discours rationnels qui embrassent l'ensemble de leurs actions sur les hommes et dans l'univers.

La cuestión de la mímesis (de Platón a la Odisea)

Proyecto de investigación realizado en la Freie Universität Berlin, Alemania, entre 2010 y 2012 desarrollando el proyecto titulado "El problema ontológico de la mímesis", el cual continuaba y desarrollaba planteamientos esbozados en mi tesis doctoral ("Problemas hermenéuticos en la lectura de la Ilíada"). Se pretendía examinar la noción de «mímesis» que se critica en el libro décimo de "La república". Se observó que 1. la actividad de Homero y los «poetas» era analizada en términos de pretensión de «saber»; 2. la noción de «saber» que operaba en la base del análisis filosófico era la de «saber habérselas con» (quien sabe de riendas es el jinete, etc.); 3. la problematicidad de la actividad de los «poetas» radicaba en que su pericia no tenía ámbito de referencia delimitado alguno; en este sentido, el poeta era un imitador, o sea, se le disputaba la posesión de auténtico saber. Partiendo del análisis platónico la investigación pasó a centrarse en ciertos aspectos cruciales para una interpretación de la Odisea. Nos interesaba especialmente observar que Ulises era un héroe esencialmente atípico en cuanto que era extraordinariamente «sabio» (astuto, capaz, perspicaz), lo cual daba cuenta tanto de la anticotidianidad del aprendizaje realizado (las llamadas «aventuras») como de su condición de héroe-poeta, o sea, de experto «decir». El reverso de esta especialísima capacidad era nada más y nada menos que su dudosa y problemática aptitud para actuar y decir como si fuera otro, es decir, su capacidad para lo que en Platón se llama «mímesis».

Feasibility and clinical outcomes when using practice guidelines for evaluation of fever in returning travelers and migrants : a validation study.

BACKGROUND: Practice guidelines for examining febrile patients presenting upon returning from the tropics were developed to assist primary care physicians in decision making. Because of the low level of evidence available in this field, there was a need to validate them and assess their feasibility in the context they have been designed for. OBJECTIVES: The objectives of the study were to (1) evaluate physicians' adherence to recommendations; (2) investigate reasons for non-adherence; and (3) ensure good clinical outcome of patients, the ultimate goal being to improve the quality of the guidelines, in particular to tailor them for the needs of the target audience and population. METHODS: Physicians consulting the guidelines on the Internet (www.fevertravel.ch) were invited to participate in the study. Navigation through the decision chart was automatically recorded, including diagnostic tests performed, initial and final diagnoses, and clinical outcomes. The reasons for non-adherence were investigated and qualitative feedback was collected. RESULTS: A total of 539 physician/patient pairs were included in this study. Full adherence to guidelines was observed in 29% of the cases. Figure-specific adherence rate was 54.8%. The main reasons for non-adherence were as follows: no repetition of malaria tests (111/352) and no presumptive antibiotic treatment for febrile diarrhea (64/153) or abdominal pain without leukocytosis (46/101). Overall, 20% of diversions from guidelines were considered reasonable because there was an alternative presumptive diagnosis or the symptoms were mild, which means that the corrected adherence rate per case was 40.6% and corrected adherence per figure was 61.7%. No death was recorded and all complications could be attributed to the underlying illness rather than to adherence to guidelines. CONCLUSIONS: These guidelines proved to be feasible, useful, and leading to good clinical outcomes. Almost one third of physicians strictly adhered to the guidelines. Other physicians used the guidelines not to forget specific diagnoses but finally diverged from the proposed attitudes. These diversions should be scrutinized for further refinement of the guidelines to better fit to physician and patient needs.

EAACI Food Allergy and Anaphylaxis Guidelines: diagnosis and management of food allergy.

Food allergy can result in considerable morbidity, impact negatively on quality of life, and prove costly in terms of medical care. These guidelines have been prepared by the European Academy of Allergy and Clinical Immunology's (EAACI) Guidelines for Food Allergy and Anaphylaxis Group, building on previous EAACI position papers on adverse reaction to foods and three recent systematic reviews on the epidemiology, diagnosis, and management of food allergy, and provide evidence-based recommendations for the diagnosis and management of food allergy. While the primary audience is allergists, this document is relevant for all other healthcare professionals, including primary care physicians, and pediatric and adult specialists, dieticians, pharmacists and paramedics. Our current understanding of the manifestations of food allergy, the role of diagnostic tests, and the effective management of patients of all ages with food allergy is presented. The acute management of non-life-threatening reactions is covered in these guidelines, but for guidance on the emergency management of anaphylaxis, readers are referred to the related EAACI Anaphylaxis Guidelines.

Causality and endogeneity: Problems and solutions

Most leadership and management researchers ignore one key design and estimation problem rendering parameter estimates uninterpretable: Endogeneity. We discuss the problem of endogeneity in depth and explain conditions that engender it using examples grounded in the leadership literature. We show how consistent causal estimates can be derived from the randomized experiment, where endogeneity is eliminated by experimental design. We then review the reasons why estimates may become biased (i.e., inconsistent) in non-experimental designs and present a number of useful remedies for examining causal relations with non-experimental data. We write in intuitive terms using nontechnical language to make this chapter accessible to a large audience.

Is the PHY layer dead?

This article originates from a panel with the above title, held at IEEE VTC Spring 2009, in which the authors took part. The enthusiastic response it received prompted us to discuss for a wider audience whether research at the physical layer (PHY) is still relevant to the field of wireless communications. Using cellular systems as the axis of our exposition, we exemplify areas where PHY research has indeed hit a performance wall and where any improvements are expected to be marginal. We then discuss whether the research directions taken in the past have always been the right choice and how lessons learned could influence future policy decisions. Several of the raised issues are subsequently discussed in greater details, e.g., the growing divergence between academia and industry. With this argumentation at hand, we identify areas that are either under-developed or likely to be of impact in coming years - hence corroborating the relevance and importance of PHY research.

La adaptación de los periódicos digitales al entorno de la Web 2.0.

El propósito de esta comunicación es analizar el estado actual de los periódicos digitales, prestandoespecial atención a la adaptación de éstos al entorno de la Web 2.0. Para llevar a cabo este trabajo sehan estudiado, entre otras, las siguientes variables: el tipo de herramientas propias de la Web 2.0que los periódicos digitales han incorporado a sus sitios web, la forma en que éstas ha cambiado elproceso de creación de los productos periodísticos, la respuesta que los periódicos digitales hanrecibido por parte de la audiencia y el nuevo tipo de interacción creado con los usuarios.

Intuitiosta esitykseen : Lear-prosessi itsereflektion ja katsojapalautteen valossa

My final project presents the directing process of my experimental production based on King Lear by William Shakespeare. I describe the process from the first visions of the beginning to the completed performance and finally the feedback from the audience. I concentrate on the special qualities of the production, such as interaction, small and moveable audience, cinematic qualities, polyphonic dramaturgy, and use of the video. The Project is divided into six parts. The first part introduces the project as a whole. The second part concentrates on the process before the beginning of the rehearsals. The third part focuses on the rehearsals and co-operation with the actors, whereas the fourth part deals with the performance and its special qualities. Following this, in the fifth part I study the interaction of the performance with the help of the audience feedback. In the final part conclusions are drawn. The focus of this work is the use of intuition even as a starting point of the theatre directing process. My conclusions drawn from the description of the process suggest that the starting point of the theatre production may be an intuitive vision as well as some conscious subject or message.

Rohkeutta henkilöiden käsittelyyn : katsojatutkimus 45 minuuttia -ajankohtaisohjelman henkilökuvajutuista

The present thesis deals with the reception of the celebrity profiles of the MTV3 news current affairs program "45 minuuttia". The target group of the research consists of young adults between the ages from 25 to 34 living in the Helsinki metropolitan area. The research is qualitative and it studies the target group's opinions of the program profiles by the means of a survey and a group interview. In the group interview, the interviewees were also presented sample clips of the program. The results of the survey were analyzed mainly quantitatively. The purpose of the survey results was to map the viewing habits of the target group. In analyzing the results of the group, the interview methods of feedback research and cultural audience research were used. The current thesis was a commissioned research, the purpose of which was to study how interested the young adults are in the program. In addition, the aim was also to find out possible new trends and approaches for the producer of the program. In contrary to the expectations, the reason for the low interest in the profiles seemed to be due to the approach taken to the topics, e.g. the profiled person. By the approach I mean how the person is visually presented or how the person is verbally described. Many people presented in the profiles were regarded as interesting, but at the same time, the way the stories were told was hoped to be more versatile. In addition, a more contemporary visual approach was hoped for. The results also verified the claim that the young adults in general are not interested in the current affair programmes. In addition, these results suggested that in order to obtain more precise information of the viewing preferences of the audience, a more thorough study should be conducted.

Lisäase yleisöjahtiin : yleisötyön mahdollisuudet Kettupäivät-elokuvafestivaalin yleisöpohjan kehittämisessä

Työskentelin vuonna 2005 kotimaisen lyhyt- ja dokumenttielokuvan festivaalilla Kettupäivillä tiedottajana. Festivaalia järjestävän Suomen elokuvakontakti ry:n toiminnan tavoitteina on mm. edistää elokuvantekijöiden ja yleisön välisiä kontakteja ja lisätä kiinnostusta elokuvan eri muotoihin. Tavoitteensa saavuttamiseksi se järjestää vuosittain Kettupäiviä. Työskennellessäni Kettupäivillä huomasin, että suuri yleisö ei ole ottanut tapahtumaa Suomen elokuvakontakti ry:n tavoitteen mukaisesti omakseen. Festivaali käyttää yleisön tavoittamiseen perinteisiä keinoja eli tiedottamista ja markkinointia. Tiedotuksen ja markkinoinnin ohella yleisön tavoittamiskeinoksi on Suomessakin nousemassa yleisötyö. Yleisötyötä voidaan pitää keinona kulttuuritapahtuman helpompaan saavuttamiseen. Kulttuuritapahtuma on saavutettava silloin, kun erilaiset yleisöt voivat osallistua siihen mahdollisimman helposti ja esteettömästi. Kulttuuritapahtuman saavutettavuutta voidaan parantaa poistamalla osallistumisen esteitä. Esteet voivat olla fyysisiä, aisteihin liittyviä, taloudellisia, asenteellisia/henkisiä, tiedollisia tai tiedottamiseen liittyviä tai päätöksen teon puutteellisuudesta johtuvia. Yleisötyö toimii lähinnä asenteellisten ja tiedollisten esteiden poistamisen keinona. Työn tavoitteena on löytää konkreettisia esimerkkejä Kettupäivien yleisötyöhön ja sitä kautta laajemman yleisön tavoittamiseen festivaalille. Tutkin yleisötyötä kolmen erilaisen helsinkiläisen kulttuuriorganisaation tekemän yleisötyön kautta. Haastattelut tein vuosien 2005 ja 2006 vaihteessa, jonka jälkeen kirjoitin työn seuraavan vuoden aikana. Yleisötyön merkitys markkinoinnin ja tiedotuksen ohella kulttuurituotteen ulkoisen viestinnän ja yleisön saavuttamisen kannalta on oleellinen etenkin pienissä tai muulla tapaa marginaalissa toimivissa kulttuuriorganisaatioissa. Tärkeää pienen tai keskisuuren taideorganisaation yleisötyössä on resurssien laskeminen siten, ettei yleisötyö syö voimavaroja päätoimintamuodosta, mutta että yleisötyöllä on oma vahva merkityksensä yleisöjen liikuttamisessa ja kulttuurituotteen tunnettuuden lisäämisessä.

Identifying and Implementing Effective Training for Hispanic Craft Workers, American Supervisors, and DOT Inspectors: Phase III of the Hispanic Workforce Research Project, May 2006

The number of Hispanic workers in the U.S. construction industry has been steadily increasing, and language and cultural barriers have sometimes arisen on the jobsite. Due in part to these barriers, the number of fatalities among Hispanics at construction sites in 2001 jumped 24%, while construction fatalities overall dropped 3%. This study, which constitutes Phase III of the Hispanic Workforce Research Project, addresses these language and cultural barriers by investigating the most effective way to deliver training material developed in Phases I and II to Hispanic workers, American supervisors, and department of transportation (DOT) inspectors. The research methodology consisted of assessing the needs and interests of potential and current course participants in terms of exploring innovative ways to deliver the training. The training courses were then adapted and delivered to fit the specific needs of each audience. During Phase III of this project, the research team delivered the courses described in the Phase I and II reports to eight highway construction companies and two DOT groups. The courses developed in Phases I and II consist of four construction-focused language training courses that can be part of an effective training program to facilitate integration among U.S. and Hispanic workers, increase productivity and motivation at the jobsite, and decrease the existing high mortality rate for Hispanic workers. Moreover, the research team developed a course for the construction season called Toolbox Integration Course for Hispanic workers and American supervisors (TICHA), which consists of nine 45-minute modules delivered to one construction company over 11 weeks in the summer of 2005.

Proyecto Delta : interrelación entre intérprete, obra y público en la música contemporánea

Proyecto Delta es una iniciativa escenográfica de un programa de concierto específico constituido con obras de música contemporánea. La propuesta se lleva a cabo gracias a un fundamento teórico que incluye reflexiones en torno a las figuras comprometidas en el acto musical escénico: intérprete, obra y público. En esta digresión sus funciones son objeto de un desfiguramiento, fomentando la capacidad creativa del intérprete como director artístico. El concierto se convierte, de este modo, en un producto acabado. En particular, el Proyecto Delta se construye sobre el diálogo entre lo sonoro y lo visual, lo audible y lo visible: la música y el espacio.