757 resultados para Mainstream cinema


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This study looks at public school counselors who work with hearing impaired students and the counselor’s awareness of specific issues of problems of these students.

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This paper examines the mainstreaming of hearing-impaired students in regular education classrooms. It evaluates the areas where teachers need more information regarding deafness, hearing loss and the teaching of hearing-impaired students. The paper also presents a list of resources to assist teachers in the education of hearing-impaired students in the mainstream classroom.

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A sample of regular education teachers was surveyed to assess the social skills of recently mainstreamed students from oral deaf programs in their classrooms. In addition, a curriculum of social skills activities was developed to help prepare students from oral deaf schools to enter the mainstream.

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The purpose of this literature review was to determine the social functioning of oral deaf adolescents in the mainstream educational setting.

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Los años finales de la década de los noventa y el inicio del nuevo siglo, marcan el final de la reproducción del videoclip en la televisión como mecanismo de la Industria Cultural para la reproducción y estrategia de comercialización de los grandes autores del formato audiovisual. Con el aparecimiento de canales IRC (Internet RelayChat), los mismos que consisten en un protocolo de comunicación entre dos o más usuarios, se da el inicio la experiencia de compartir contenidos de videos musicales en línea. Este fenómeno da pie al comienzo de la experiencia del videoclip en la web, el cual tiene un origen con la apropiación del consumidor que, por cuenta propia, digitaliza a sus artistas preferidos para compartirlos en distintos portales y organizar foros acerca de el debate del producto audiovisual que comparte junto con la posibilidad de un intercambio masivo en las redes, momento clave de reorganización de las lógicas de comercialización del formato y de la promoción de los grandes sellos discográficos en su afán de promulgar a los artistas que trabajan bajo su firma. Este proceso conlleva a que el video clip como suerte de consumo cultural, incorpore la experiencia sensitiva de la comunidad global a través de portales como You Tube, Blip TV o Vimeo, y produzca un fenómeno conocido como el fan video: el mismo que consiste en la capacidad de los consumidores de productos audiovisuales (fans) especializados en adaptar herramientas tecnológicas para re-visionar productos y promoverlos en distintas plataformas virtuales.

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Providing children with special educational needs with individual education plans (IEPs) was advocated in the 1994 code of practice for SEN, and retained in the 2000 code. Specifically as it relates to mainstream secondary schools, this has proved highly controversial: many SENCos report that the writing and implementing of IEPs is a bureaucratic encumbrance, whilst others, going about the process of writing IEPs in very different ways, report that the process is both manageable and beneficial to the children concerned. Given this contradictory evidence, there is an urgent need for research into this area. Having looked at three case-studies of schools using very different methods to write IEPs in ways with which they feel comfortable, a research agenda is set out with a view to informing policies which ensure that resources spent on SEN are used as productively as possible.

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Mainstream schooling is a key policy in the promotion of social inclusion of young people with learning disabilities. Yet there is limited evidence about the school experience of young people about to leave mainstream as compared with segregated education, and how it impacts on their relative view of self and future aspirations. Sixty young people with mild to moderate intellectual disabilities in their final year of secondary school participated in this study. Twenty-eight individuals came from mainstream schools and 32 attended segregated school. They completed a series of self-report measures on perceptions of stigma, social comparison to a more disabled and non-disabled peer and the likelihood involved in attaining their future goals. The majority of participants from both groups reported experiencing stigmatized treatment in the local area where they lived. The mainstream group reported significant additional stigma at school. In terms of social comparisons, both groups compared themselves positively with a more disabled peer and with a non-disabled peer. While the mainstream pupils had more ambitious work-related aspirations, both groups felt it equally likely that they would attain their future goals. Although the participants from segregated schools came from significantly more deprived areas and had lower scores on tests of cognitive functioning, neither of these factors appeared to have an impact on their experience of stigma, social comparisons or future aspirations. Irrespective of schooling environment, the young people appeared to be able to cope with the threats to their identities and retained a sense of optimism about their future. Nevertheless, negative treatment reported by the children was a serious source of concern and there is a need for schools to promote the emotional well-being of pupils with intellectual disabilities.

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The last 20 years have seen a huge expansion in the additional adults working in classrooms in the UK, USA, and other countries. This paper presents the findings of a series of systematic literature reviews about teaching assistants. The first two reviews focused on stakeholder perceptions of teaching assistant contributions to academic and social engagement. Stakeholders were pupils, teachers, TAs, headteachers and parents. Perceptions focused on four principal contributions that teaching assistants contribute to: pupils’ academic and socio-academic engagement; inclusion; maintenance of stakeholder relations; and support for the teacher. The third review explored training. Against a background of patchy training provision both in the UK and the USA, strong claims are made for the benefits to TAs of training provided, particularly in building confidence and skills. The conclusions include implications for further training and the need for further research to gain an in-depth understanding as to precisely the manner in which TAs engage with children.

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This is a primarily meta-critical essay and is in direct dialogue with the argument presented in my essay on Gone with the Wind (published in 'Screen'). Here, however, the emphasis is much more on the challenge my definition of spectacle represents for important traditions of film analysis, particularly ‘mise-en-scène criticism’. I argue for the possibility of spectacle to form part of the ‘organic’ whole of a film’s texture and form, while noting the challenge the concept represents (by dint of certain ideological associations and its taint of commercialism) with ‘organicist’ traditions of interpretative film analysis.