Momma's arc 1930-1945

The memoirs were written in New York in 1999. Description of the childhood of Rosemarie Schink, the author's mother, in the rural area of Meuszelwitz, Thuringia, where her grandfather, Franz Harnish, was the station manager. Rosemarie Schink eloped to Amsterdam with the Dutch Jew Judah Easel in 1931. The marriage fall apart soon thereafter, and Rosemarie was taken under the wings of her father-in-law Joseph Easel. The couple stayed officially married until their divorce in 1940, and Rosemarie worked in the pension of her in-laws. She had a long affair with the German Jew Guy Weinberg from Hamburg, a married man who was living in Amsterdam and became the father of her daughter Julia. Description of the Weinberg family history. In 1941 Rosemarie Schink married the Austrian Jewish lawyer Herbert Mauthner, the eldest of three sons of Robert Mauthner, director of the Bodenbacher-Dux Railroad and Melanie Leitner, daughter of a wealthy family from Veszprem, Hungary. Mauthner family history and nobility of the Leitner family, who were admitted to the court of the Austrian Kaiser Franz Joseph.

Anuario Argentino de Derecho Canónico, 1999, Vol. VI (número completo)

Contenido: El derecho natural / A. D. Busso – El matrimonio en las sinodales del Obisplo Trejo / N. C. Dellaferrera – Las primeras reuniones del episcopado argentino, y algunos documentos “extravagantes” / C. I. Heredia – El “obsequium, intellectus et voluntatis” del canon 752 / P. D. Martínez – Notas – Jurisprudencia – Actualidad – Legislación particular argentina -- Recensiones

AMERICAN WOMEN COMPOSERS: SELECTED PUBLISHED WORKS FOR FLUTE AND PIANO AND FOR UNACCOMPANIED FLUTE COMPOSED BETWEEN 1930 AND 2008

The music of women composers often comprises only a small percentage of flutists‘ repertoire, yet there are actually many active women composers, many of whom have written for the flute. The aim of this dissertation is to chronicle a selection of works by several American women composers that have contributed to accessible flute repertoire. For the purpose of this dissertation, accessibility is described by the following parameters: works that limit the use of extended techniques, works that are suitable for performers from high school through a reasonably advanced level, works that are likely to elicit emotionally musical communication from the performer to the listener, and works that are reasonably available through music stores or outlets on the Internet that have a fairly comprehensive reach to the general public. My subjective judgment also played a role in the final selection of the 25 works included as part of this dissertation, and performed on three musically well-balanced recitals. A variety of resources were consulted for the repertoire, including Boenke‘s Flute Music by Women Composers: An Annotated Catalog, and the catalogs of publishers such as Arsis Press and Hildegard Publishing, both of which specialize in the music of women composers. The works performed and discussed are the following: Adrienne Albert – Sunswept; Marion Bauer – Prelude and Fugue, Op. 43.; Marilyn Bliss – Lament; Ann Callaway – Updraft; Ruth Crawford – Diaphonic Suite; Emma Lou Diemer – Sonata; Vivian Fine – Emily’s Images; Cynthia Folio – Arca Sacra; Nancy Galbraith – Atacama; Lita Grier – Sonata; Jennifer Higdon – The Jeffrey Mode; Edie Hill – This Floating World; Katherine Hoover – Masks; Mary Howe – Interlude between Two Pieces; Laura Kaminsky – Duo; Libby Larsen – Aubade; Alex Shapiro – Shiny Kiss; Judith Shatin – Coursing Through the Still Green; Faye-Ellen Silverman – Taming the Furies; Augusta Read Thomas – Euterpe’s Caprice; Joan Tower – Valentine Trills; Ludmila Ulehla – Capriccio; Elizabeth Vercoe – Kleemation; Gwyneth Walker – Sonata; and Judith Lang Zaimont – ‘Bubble-Up’ Rag. All of these works are worthy alternatives to the more frequently played flute repertoire, and they serve as a good starting point for anyone interested i n exploring the works of women composers.

A Doctoral Concert Featuring Compositions by Brad Sherman,June 9, 1999

A Doctoral Concert Featuring Compositions by Brad Sherman, June 9, 1999

Bradley Institute of Music fonds

1.23 m. textual records, 1 col. post card, 1 b&w post card, 116 col. photographs, 59 b&w photographs, 6 negatives, 1 metal logo, 2 photo cuts, 7 woodcuts, 1 VHS tape, 1 stamp/press, 1 guest book, 5 account books

Estelle Cuffe Hawley fonds, 1852-1999, n.d.

Estelle Cuffe Hawley (1894-1995) was an educator, businesswoman and politician, who became the first woman alderman on the St. Catharines City Council. She began her career as a teacher in Peterborough in 1913, and later taught in St. Catharines at Connaught School and St. Paul’s Ward School, where she served as Principal for six years. In 1928-29, she worked as an exchange teacher in Edmonton, Alberta. This would be Estelle’s last year in the teaching profession. She moved back to St. Catharines in 1930 and began a career in business, as an employee of Sun Life Assurance Co. She remained in this profession until around 1952. It was during this period that she became very active in the community and local politics. In 1934 she was elected to the St. Catharines Board of Education, where she advocated for the improvement of teachers’ salaries, the introduction of nursing services in schools, and the inclusion of music in the curriculum. She served as a member of the school board until 1937. The following year, she became the first woman elected to the St. Catharines City Council. As an alderman, she worked to improve the community's social welfare services, serving consecutively as chairman of all committees. She established comprehensive health services (including medical, dental and nursing), in the public, separate and secondary schools of St. Catharines, the first program of its kind in Canada. She was also instrumental in establishing minimum housing standards and engaging the public in local government by arranging a series of lectures by city officials. She remained a member of City Council until 1943. The following year she campaigned unsuccessfully for the mayoralty. In 1953 she married Hubert Hawley and moved to Orillia. She continued to remain active in the community, serving as President of the Ontario Recreation Association from 1950-1953, and editor of their Bulletin from 1955-1961. During the 1960s, she worked with various groups, including the Voice of Women, the Mental Health Association and the Freedom from Hunger Campaign. In addition to this work, Estelle wrote poetry and short stories, some of which were published in the Peterborough Review, the Globe and Mail and the Canadian Churchman. Some of her short stories (often about her childhood experiences) were broadcast on the CBC, as well as her experiences as a Town Councillor (under the pseudonym Rebecca Johnson in 1961). She also broadcast a segment that was part of a series called “Winning the Peace” in April 1944. Estelle was a sought-after public speaker, speaking on topics such as peace, democracy, citizenship, education, and women’s rights. In 1976, Brock University conferred an honorary Doctor of Law degree to Estelle for her leadership as an educator, businesswoman and a stateswoman. Her husband Hubert died that same year, and Estelle subsequently moved to Mississauga. With the assistance of an Ontario Heritage Foundation grant, she began work on her memoir. She later moved back to Orillia and died there in 1995, at the age of 101.

Características de las empresas del sector agropecuarios que están en proceso concursal de la Ley 550 de 1999

El objetivo de este trabajo es el analizar la perdurabilidad empresarial en el sector agropecuario mediante la identificación de las principales características de las empresas que conformar a este sector en la ciudad de Bogotá y que se encuentran en proceso de reestructuración de la ley 550 de 1999, publicada por la superintendencia de sociedades. Se analizaron las características que tienen en común estas empresas acogidas por esta ley, llevándonos a entender las causas del porque las organizaciones en nuestro país al momento de su creación el 41% no supera el primer año de vida, y otro tanto no sobrepasa de los primero 5 años. Para poder así trabajar en conjunto la academia, el gobierno y las empresas en un plan de mejoramiento y perdurabilidad empresarial exitoso que prevenga toda clase de enfermedades que puedan presentar las empresas y contribuyan con su deterioro y muerte. Para este análisis se utilizaron datos cualitativos y cuantitativos obtenidos de los resultados arrojados por los cuestionarios económicos y financieros aplicados a cada una de estas empresas.

Plan colombia: una mirada a la cooperación estados unidos-colombia desde la teoría del imperialismo estructural. periodo 1999-2010

El documento es un análisis del Plan Colombia desde la teoría del Imperialismo Estructural de Johan Galtung, teniendo en cuenta las ventajas que brinda dicha teoría pero asimismo las limitaciones que contiente.

En busca de la profesión: cambios y realidades en la condición social de los artistas en Bogotá entre 1910 y 1930

En las primeras décadas del siglo XX en Bogotá se desarrolló un proceso de profesionalización de los artistas que permitió que estos mejoraran el estatus que tenían en la sociedad y se consolidaran una serie de roles que los identificarían como representantes de su ocupación. Este cambio se evidencia al notar que hasta finales del siglo XIX no existía una clara diferenciación entre las categorías de artista y artesano, mientras que para la década de 1930 comenzaron a aparecer propuestas estéticas que rompieron con los cánones tradicionales del arte académico. De este modo, a partir de la aplicación de un marco teórico basado en la sociología e historia de las profesiones y basándose en la socióloga e historia social del arte y los artistas se analizan las distintas etapas que atravesaron los integrantes de esta ocupación para poder ser reconocidos como “profesionales”. Se logró evidenciar que este tipo de procesos sociales se caracterizan por ser muy complejos, ya que para entender las dinámicas que se presentan dentro de los grupos profesionales se debe tener en cuenta que los distintos integrantes poseen identidades de género, clase o región, entre otras, que generan relaciones de amistad, enemistad y rivalidad, las cuales no siempre son visibilizadas en las investigaciones que han abordado este periodo.

El movimiento social de mujeres en búsqueda del voto femenino. Periodo (1930-1957)

La presente monografía tiene como objetivo reivindicar la imagen política y social de las mujeres que hicieron parte del proceso de obtención del sufragio femenino en Colombia durante el periodo 1930-1957. El reconocimiento del movimiento social en pro del sufragio y su participación (directa e indirecta) desde la esfera pública y privada en el contexto social estructurado permitió reconocerlas como actor político. El anterior resultado demostrará cuan determinante fueron las mujeres del movimiento en el tema del voto femenino y otros derechos civiles y políticos obtenidos para las mujeres colombianas. Así mismo desde las fuentes primarias, se propone el replanteamiento del concepto de actor político teniendo en cuenta las restricciones que supone el mismo.

Los problemas del tabaco: Gobierno, campesinos y mujeres en la década de 1930

Durante la década de 1930 el capitalismo industrial organizó diferentes espacios de la política y la cultura en Colombia. A través del estudio de caso de Coltabaco, se caracterizan tres momentos de los vínculos del capitalismo industrial con la sociedad colombiana. En el primer momento, se la describen los vínculos políticos que hicieron visible diferentes formas de participación política del sector industrial y su relación con las regiones, las instituciones (públicas y privadas) y las elites dominantes, así como se subraya la importancia del mercado interno para la industria del tabaco. En el segundo momento, se caracterizan los vínculos entre Coltabaco y el sector rural a partir de la labor pedagógica de Coltabaco para la producción de la hoja, así mismo, se describen las representaciones del cultivador vinculado a la industria que fueron difundidas en el sector rural; finalmente, los vínculos entre Coltabaco y el sector urbano se analizan en la tensión por la relación mujer-cigarrillo. En el consumo del cigarrillo, el placer femenino se desligó de condicionantes morales e higiénicos, ganando, a través del gusto, una nueva circunstancia para experimentar la subjetividad de la mujer moderna. Los Problemas del Tabaco no se limitaron exclusivamente al espacio de la política económica, también fueron las costumbres campesinas desvinculadas del ritmo de la industria, y las ideas morales e higiénicas que organizaban la costumbre en la relación mujer-cigarrillo.