24 resultados para Avesta


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Label mounted over imprint: London, Luzac & co.

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Tâoism. The sacred books of China. The texts of Tâoism. In vol. 39, 4âry-Upanishads. In vol. I, 15.--Vedânta-Sûtras. With the commentary by Saṅkarâkaarya. In vol. 34, 38, 48.--Vedic hymns. In vol. 32, 46.--Vinaya text. Translated from the Pâli.l In vol. 13, 17, 20.--Vishnu. The institutes of Vishnu. In vol. 7.--Zend-Avesta. In vol. 4, 23, 31.--A general index to the names and subject-matter, comiled by M. Winternitz. In vol. 50.

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"History of the researches into the sacred writings and religion of the Parsis": p. [1]-62.

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On cover: Edition de luxe.

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[1st series]. The Veda, the Avesta, the science of language -- 2nd series. The east and west, religion and mythology, orthography and phonology, Hindu astronomy.

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Three questions on the study of NO Iberian Peninsula sweat lodges are posed. First, the new sauna of Monte Ornedo (Cantabria), the review of the one of Armea (Ourense), and the Cantabrian pedra formosa type are discussed. Second, the known types of sweat lodges are reconsidered underlining the differences between the Cantabrian and the Douro - Minho groups as these differences contribute to a better assessment of the saunas located out of those territories, such as those of Monte Ornedo or Ulaca. Third, a richer record demands a more specific terminology, a larger use of archaeometric analysis and the application of landscape archaeology or art history methodologies. In this way the range of interpretation of the sweat lodges is opened, as an example an essay is proposed that digs on some already known proposals and suggests that the saunas are material metaphors of wombs whose rationale derives from ideologies and ritual practices of Indo-European tradition.

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Por su carácter iterativo o frecuentativo, las formaciones verbales con sufijo –tā- (–sā-) suelen ser consideradas coloquiales. Desde este punto de vista puede resultar especialmente revelador un estudio de las mismas en Plauto y Terencio. Específicamente el propósito de este trabajo es comprobar si entre las diferencias lingüísticas reconocidas entre ambos autores se puede incluir el uso que cada uno de ellos hace de estas formaciones.

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Druj Aeterni is a large chamber ensemble piece for flute, clarinet, French horn, two trumpets, piano, two percussionists, string quintet, and electric bass. My composition integrates three intellectual pursuits and interests, ancient mythology, cosmology, and mathematics. The title of the piece uses Latin and the language of the Avesta, the holy book of Zoroastrianism, and comments upon a philosophical perspective based in string theory. I abstract the cosmological implications of string theory, apply them to the terminology and theology of Zoroastrianism, and then structure the composition in consideration of a possible reconciliation. The analysis that follows incorporates analytical techniques similar to David Cope’s style of Vectoral Analysis.