Operações Anfíbias em ambiente A2/AD

Com o fim da Guerra Fria e a dissolução do Pacto Militar de Varsóvia, a Rússia deixou de ser uma ameaça à hegemonia militar norte-americana e da NATO. Assim, desde esse momento para cá que se tem assistido a um quase total acesso, livre de verdadeira oposição, a qualquer teatro de operações. Durante a Guerra do Golfo, em 1990-91, e posteriormente no Afeganistão e Iraque a partir de 2001, no que constituem os dois grandes conflitos armados pós-Guerra Fria, os EUA em conjunto com a NATO, conseguiram alcançar a vitória através de um total acesso operacional aos teatros de operações, e com um grau de ameaça bastante reduzido. Contudo, este cenário de ameaça reduzida e acesso global está claramente comprometido. Isto porque um sem número de meios e tecnologias têm sido desenvolvidas e aplicadas exatamente com este propósito. Assim, em 2003 surgiu o acrónimo A2/AD – “Anti-Access/Area Denial”, para qualificar estes meios e estratégias para os empregar, por forma a negar o acesso ao cenário de conflito, ou limitar a facilidade de movimentação no teatro de operações. Estas estratégias de A2/AD diminuem a capacidade de projeção de poder, negando a facilidade de movimentação e capacidade de ação, permitindo ainda uma miríade de abordagens operacionais. Os inúmeros adversários dos EUA/NATO não irão cometer os mesmos erros que Saddam Hussein cometeu na primeira Guerra do Golfo. Em particular, a China tem desenvolvido grande parte da sua capacidade de A2/AD com base em exemplos retirados deste conflito. A proliferação deste tipo de capacidades e meios ao longo de um espectro bastante significativo de atores estatais e não-estatais obriga a que tanto os EUA como a NATO desenvolvam formas inovadoras de lhes fazer face. As operações anfíbias poderão ser uma resposta bastante capaz a este cenário de A2/AD. A capacidade única de operar transversalmente em diversos domínios, com um custo relativamente baixo e juntando forças dos vários ramos, respondendo de forma rápida a qualquer situação e providenciando uma presença avançada num cenário de conflito tornam as Operações Anfíbias numa resposta bastante válida à questão estratégica do A2/AD.

Nutritional approach of inpatients with anorexia nervosa

Anorexia nervosa (AN) is the most prevalent of eating disorders in children and adolescents, and its treatment is long and complex, involving a multidisciplinary team. Nutritional rehabilitation and restoration of a healthy body weight is one of the central goals in the initial stages of inpatient treatment. However, current recommendations on initial energy requirements for these patients are inconsistent, with a clear lack of controlled studies, available scientific evidence and global consensus on the most effective and safe refeeding practices in hospitalized adolescents with anorexia nervosa (AN). Conservative refeeding recommendations have been classically established in order to prevent the refeeding syndrome. Nevertheless, various works have recently appeared advocating a higher initial caloric intake, without observing more complications or refeeding syndrome, and allowing a shorter average stay. We present our experience in the treatment of restricting AN with a conservative progressive treatment. We have obtained good results with this approach, which was well tolerated by patients, with no observing complications. As a consequence, the medical team could establish a pact about the therapeutic goals with the patients in an easier way.

Aspectos cognitivos en torno a la novela y el cine de la memoria histórica: "La voz dormida" de Dulce Chacón y su adaptación fílmica

Culture, history, and biology are inseparable. Cultural manifestations are necessarily immersed in a context, originate in the embodied minds that create them, and are directed to the embodied minds that receive them and recreate them within their contexts (individual and collective). The novel and the film of historical memory in Spain aim to connect their audiences with a problem that has not been solved, as the Civil War, the postwar, and the pact of forgetfulness left a wide sector of the Spanish society voiceless. During the last few years, a series of initiatives coming from the arts, as well as other realms such as the legal, have sought to reexamine the unhealed wound that still haunts Spanish subjects. La voz dormida [The Sleeping Voice] is one of those initiatives. It begins as testimony, develops into a hybrid and intertextual novel, and later becomes a film. It constitutes an inclusive project, one of offering an alternative version to the “official history”, while incorporating the marginal voices of women that had been left out of the memory of the war and the dictatorship. Objective and Results By examining both the literary and the cinematic versions of Chacón’s work I aimed to evidence the connections that exist between the artistic portrayal of the postwar repression (particularly how it affects women) and the current movement of recovery of historical memory in Spain. Specifically, I was interested in showing how both the novel and the film employ a series of narrative strategies that emphasize the body and intentionality, with the purpose of creating in readers and spectators an empathetic response that may lead to prosocial behavior. In order to carry out this interdisciplinary study, which relates fiction, mind, and socio-historical context, I draw on cognitive theories of literature and film, as well as theories from social and developmental psychology, such as the Richard Gerrig’s theory of narrative experience, Keith Oatley’s psychology of fiction, Suzanne Keen’s theory of narrative empathy, and the empathy-altruism hypothesis, derived form the ideas of Jean Decety, among others...

The Proceedings of the South Carolina Historical Association

Annually, the association publishes a journal, The Proceedings, which consists of papers presented at the annual meeting. Woodrow Wilson’s Pan-American Pact by Charles H. Carlisle Kiderlen-Waechter’s Policy in the Bosnian Crisis by C. Waldron Bolen The Teaching of High School History— A Point of View by Lucia Daniel South Carolina Cotton Mills and the Tillman Movement by Gustavus G. Williamson, Jr. The Problem of Negro Education in the South by E. Baskin Wright

Influencia del interés geopolítico de China en sus relaciones bilaterales con Camboya

La presente investigación tiene como objetivo analizar cómo las relaciones bilaterales entre China y Camboya son afectadas por el interés geopolítico chino, con el fin de demostrar que éste genera un fortalecimiento de sus relaciones puesto que además de suplir necesidades alimenticias, hídricas y en mano de obra barata, es el único país de la región del Sudeste Asiático que le permite a China tener acceso militar al Golfo de Tailandia y al Mar de China Meridional, donde se encuentra en desventaja con Estados Unidos. Así, se indica que la potencia asiática formula sus acuerdos bilaterales creando relaciones de dependencia por parte de países como Camboya para que este le entregue “obligatoriamente” lo que necesita. Esta investigación se llevará a cabo por medio de una monografía con un enfoque realista. Se utilizará el método de investigación cualitativo, que se servirá de fuentes primarias como los acuerdos bilaterales entre ambos Estados.

BETWEEN THE SONG AND THE TALE: EYE EYE FOR EYE OF CHICO BUARQUE NUS: EYES BY MIA COUTO

This paper proposes a reflection on the lyrics Eye to eye, written by Chico Buarque, and the tale nude Eyes: Eye of the Mozambican writer Mia Couto, writing to compose the collection This story is different: for ten thousand songs by Chico Buarque, organized by journalist Ronaldo Bressane in 2010. this book ten writers recreate Songbook carioca composer, with total freedom to reinvent prose the song they chose. In the work there are tales that are based on stories faithfully to music by Chico Buarque, others use them as soundtrack, scenery, atmosphere, some of the songs lend their structures and there are those who only use it as a theme. This paper then turns to the relationship built between fiction and music, watching the narrative dialogue established between the lyrics by Chico Buarque and the short story by Mia Couto, the fidelity pact established with the source text and the whole narrative structure that comes to life under the eye of Mia Couto. Finally, throughout the article we use the theoretical assumptions discussed as Silviano Santiago, Umberto Eco, Costa Lima, Leonor Arfuch among others so as to exploit the full context of this engaging narrative.