966 resultados para Cena em fragmentos
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Neste artigo, reflito sobre a minha experiência como psicóloga e docente-supervisora de estágio do curso de Psicologia de uma Universidade pública. Através de fragmentos de registros mnêmicos das produções registradas em relatórios, comunicações e artigos científicos, dissertação de mestrado, teses de doutorado e de livre docente, entre outros, procurei analisar a efetivação das políticas públicas e os desdobramentos na construção de um novo modelo de saúde mental, denominado de Atenção Psicossocial. Observei que atualmente as Políticas Públicas para Saúde Mental, construídas a partir do Movimento da Reforma Psiquiátrica, vêm propiciando mudanças significativas para o cuidado dos usuários. No entanto, o estado atual da assistência em saúde mental, no país, é marcado por muitos problemas e desafios. Entre eles se destaca a necessidade dos novos serviços oferecerem uma atenção integral ao usuário, norteada na interdisciplinariedade, interprofissionalidade e intersetorialidade.
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This text’s objective is to present an analysis of Aída, adapted by Han Mi-Ho (2012) and illustrated by Lucia Sforza, from the classic eponymous opera by Giuseppe Verdi. This book is part of the collection Classical music on the scene, published by FTD, which aims to introduce stories of important librettos regarded as classics in the music field to young audiences. More specifically, we intend to verify in this text, with Bakhtinian principles, how the dialogue between Verdi’s work and HanMi-Ho’s is actualized. To achieve these objectives, we will present a reflection of what provides the pleasure in reading. In this text we built the hypothesis that Han-Mi-Ho’s strategy to rescue a classic opera and adapt it in the form of an illustrated narrative for the young reader provides the contact with an attractive and playful text that leads to critical reflection and expands his knowledge through the rescue of the cultural memory. The appropriation of a classic cultural production adapted to the narrative language and targeted to a young audience can act as an appraisal factor in the identity of the reader. Through it, he is able to raise his self-esteem, because he perceives that he is considered as a production receiver, while at the same time he is recognized as the heir of a traditional cultural heritage.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Pós-graduação em Artes - IA
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The location of Jundiai-Mirim river basin, close to large urban centers and industrial parks, has contributed to the appreciation of their lands. Consequently, the region has an intense process of urbanization that resulted in an increasing environmental disturbance in the forest areas. Given the need to preserve existing natural vegetation, because the watershed is the source of water used to supply Jundiai, SP, this study evaluated changes in the environmental quality of the watershed forest fragments between 1972 and 2013. The environment quality was determined by evaluating nine indicators of environmental disturbance, obtained by techniques of Geoprocessing and integrated by Multicriteria Analysis. The results showed a constant tendency of deteriorating the environmental quality of natural vegetation between 1972 and 2013, attributed to the intense process of occupation of the watershed. It is concluded that: (a) urbanization and deforestation of natural vegetation were primarily responsible for changes in environmental quality; (b) there is a need to create public policies to preserve the natural vegetation in the watershed.
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Este estudo foi conduzido no Município de Jaboticabal, SP, com o objetivo de avaliar a evolução temporal e o número de fragmentos florestais no período de 29 anos, utilizando-se técnicas de sensoriamento remoto e fotointerpretação. Para a elaboração dos mapas foram utilizadas Cartas do IBGE de 1971 e fotografias áreas de 2000. Os resultados apontaram diminuição das áreas de floresta. em 1971, o município apresentava 3,63% da área total com fragmentos florestais, e em 2000 observou-se, apenas, 1,55% dessa área. Tal fato ocorreu tendo em vista o avanço de práticas agrícolas com predominância da cultura de cana-de-açúcar. A porcentagem de fragmentos florestais em 1971, com áreas menores que 10 ha, era de 46,72%, já em 2000 esse número passou para 78,51%, concluindo-se um processo de fragmentação acentuado (31,79%) no período analisado. Os fragmentos florestais com maior extensão em 1971 se apresentaram extremamente fragmentados em 2000. Aproximadamente 60% dos fragmentos, nas duas épocas, apresentavam forma alongada, indicando alta relação perímetro/área.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Pós-graduação em Artes - IA
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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The portrait, as well as the self-portrait, in his pictorial tradition built a type of own speech. The contemporary technologies offered other ways of representation that break with the tradition, at the same time in which they talk to her. How we may read a contemporary portrait? It is the question that looks for these paper from the work of art “50 Hours: Self-portrait Stolen” of the photographer Rocheli Costi. The inter – relations between others texts are, in the aesthetic texts, the mark of the contemporaneousness producing a format of hypertext, which the reading depends on the connections that the reader is going to draw.
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In late 1950, the young Glauber Rocha, still without having directed any of his films, becomes the main cultural critic of the Jornal da Bahia in Salvador, Bahia. His film critic activity falls within the symbolic local disputes and his texts published become an active voice in the cultural field of Bahia. With a considerable apparatus of the press in his favor, the performance of the young critic Glauber Rocha allows to discuss: the role of public intellectual and media production and dissemination of ideas by the newspapers at the turn of the 1950s to the 1960s, a time of intense political, social and cultural changes in Brazil.
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Based on some experiences of research in History of Mathematics Education, this paper presents twenty fragments related to the practice of Historiography in order to bring some questions about such practice in the domain of Mathematics Education.
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The Riot Grrrl movement started in mid-90s and it consists of girls who use rock as a tool of feminist political struggle. Besides using music as a central element of political identity, this movement is also characterized by the formation of an alternative public sphere (formed by fanzines, blogs and e-zines) that functions both as a way to spread their music and as identification trigger mechanism in relation to their political causes. The aim of this article is to study the instruments that these feminists bands - that deviate from the traditional feminist political movements - use to create identification with their audience, especially from an empirical research of e-zines published by these bands and from the communicative action of their leaders in social networks. It is possible to note that, despite other identification mechanisms, testimonies works as a socialization link which marks the alternative public sphere composed by publications made by Riot Grrrls. The testimony serves as a powerful arranger of collective identities, since it is presupposed in the recognition of a world in common, allocating identity as performative action.
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Com a evolução dos sensores de captura de impressões digitais e a crescente demanda por sistemas mais seguros, torna-se possível e necessário o uso de um conjunto adicional de características, tais como as cristas e os poros. Este trabalho tem como objetivo avaliar o desempenho de dois dos principais métodos de extração automática de poros, bem como o desempenho das características estendidas em situações onde apenas fragmentos das impressões digitais estão disponíveis. Resultados experimentais realizados sobre a base de dados pública PolyU HRF mostram a superioridade do método de extração de poros baseado em filtros adaptativos, em relação ao baseado em filtros isotrópicos. O reconhecimento de frag-mentos de impressões digitais utilizando características estendidas mostrou-se promissor, principalmente quando a informação das comparações de cristas é utilizada na comparação dos poros.