Fragmentos roubados: o retrato da incompletude
Contribuinte(s) |
Universidade Estadual Paulista (UNESP) |
---|---|
Data(s) |
02/03/2016
02/03/2016
2010
|
Resumo |
The portrait, as well as the self-portrait, in his pictorial tradition built a type of own speech. The contemporary technologies offered other ways of representation that break with the tradition, at the same time in which they talk to her. How we may read a contemporary portrait? It is the question that looks for these paper from the work of art “50 Hours: Self-portrait Stolen” of the photographer Rocheli Costi. The inter – relations between others texts are, in the aesthetic texts, the mark of the contemporaneousness producing a format of hypertext, which the reading depends on the connections that the reader is going to draw. |
Formato |
447-451 |
Identificador |
http://proceedings.copec.org.br/index.php/wcca/article/view/1037 Proceedings of World Congress of Comunnication and Arts, v. 1, n. 1, p. 447-451, 2010. 2317-1707 http://hdl.handle.net/11449/134456 ISSN2317-1707-2010-01-01-447-451.pdf 5190303339099095 |
Idioma(s) |
por |
Relação |
Proceedings of World Congress of Comunnication and Arts |
Direitos |
openAccess |
Palavras-Chave | #Self-portrait #Photography #Reading #Rocheli Costi |
Tipo |
info:eu-repo/semantics/article |