Fragmentos roubados: o retrato da incompletude


Autoria(s): Costa, Maria Luiza Calim de Carvalho
Contribuinte(s)

Universidade Estadual Paulista (UNESP)

Data(s)

02/03/2016

02/03/2016

2010

Resumo

The portrait, as well as the self-portrait, in his pictorial tradition built a type of own speech. The contemporary technologies offered other ways of representation that break with the tradition, at the same time in which they talk to her. How we may read a contemporary portrait? It is the question that looks for these paper from the work of art “50 Hours: Self-portrait Stolen” of the photographer Rocheli Costi. The inter – relations between others texts are, in the aesthetic texts, the mark of the contemporaneousness producing a format of hypertext, which the reading depends on the connections that the reader is going to draw.

Formato

447-451

Identificador

http://proceedings.copec.org.br/index.php/wcca/article/view/1037

Proceedings of World Congress of Comunnication and Arts, v. 1, n. 1, p. 447-451, 2010.

2317-1707

http://hdl.handle.net/11449/134456

ISSN2317-1707-2010-01-01-447-451.pdf

5190303339099095

Idioma(s)

por

Relação

Proceedings of World Congress of Comunnication and Arts

Direitos

openAccess

Palavras-Chave #Self-portrait #Photography #Reading #Rocheli Costi
Tipo

info:eu-repo/semantics/article