Les petites marmites; comédie en trois actes,

"Représentée pour la première fois, à Paris, sur le théâtre du Gymnase, le 25 octobre 1877."

Un conseil judiciaire; comédie en trois actes,

"Représentée pour la première fois, à Paris, sur le Théâtre du Vaudeville le 9 novembre 1886."

Bulletin du bibliophile et du bibliothécaire.

Title from cover.

Bulletin du bibliophile du bibliothécaire et de la Société des amis de la Bibliothèque nationale et des grandes bibliothèques de France.

Title from cover.

L'abandonée : drame /

"Représenté pour la première fois sur le théâtre du Gymnase, le 13 novembre 1871".

Recherches sur l'origine l'esprit et les progrès des arts de la Grèce : sur leur connexion avec les arts et la religion des plus anciens peuples connus; sur les monumens antiques de l'Inde, de la Perse, du reste de l'Asie, de l'Europe et l'Égypte ...

The work was never finished, because the author took offense at the criticsims of the first two volumes. The third volume is a supplement replying to the censures. cf. Barbier, Dict. des ouvrages anon., Paris, 1879.

Collection de mémoires et de relations sur l'histoire ancienne du Canada : d'après des manuscrits récemment obtenus des archives et bureaux publics en France /

The first three memoirs were published from manuscripts presented to the society by Lord Durham, the remaining five from manuscripts furnished by Rev. M. Jean Holmes.

Le mariage des prétres : ou récit de ce qui s'est passé à trois séances des assemblées générales du District de Saint Etienn-du-Mont, où l'on a agité la question du mariage des prêtres ; avec la motion principale, et les opinions des honorables membres qui ont appuyé la motion ; publié au profit des pauvres ménages du District de Saint Etienne-di-Mont.

Martin & Walter IV 2: 12422.

Bulletin du bibliophile.

Vols. for <1978- > also designated nouv. sér.

Don d’ovocytes :synchronisation et cycles différés: expérience de la clinique de fertilité de l’hôpital Erasme (Belgique)

info:eu-repo/semantics/nonPublished

Cultural policy models and cultural facilities models: from national to local models. Analysis of Barcelona’s case

The development of cultural policy analysis by social science has been produced a theorization about cultural policy models from sociology and political science. This analysis shows the influence of the national model of cultural policy on the forms of governance and management of cultural facilities. However, in this paper we will defend that currently the local model of cultural policy decisively influences the model of cultural institutions. This is explained by the growing importance of culture in local development strategies. In order to demonstrate this we will analyze the case of the Barcelona Model of local development and cultural policy, that is characterized for the level of local government leadership, multilevel governance, the use of culture in urban planning processes and a tendency to use public-private partnership in public management. This Model influences the genesis and development of the cultural facilities and it produces a singular and relatively successful model.

Cultural assets and sustainable development: the economic significance of Cultural Heritage

This article assesses the condition of the Cultural Heritage as a form of capital that gives rise to a significant flow of economic returns widely outweighing the effort it takes to preserve it. More specifically, the data related to Spain is provided from the perspective of aggregate demand drawing up an estimation of both the direct and indirect economic impacts arising from the Cultural Heritage valuation. The results highlight again the relevance of cultural tourism in the delivery of these economic returns and as a catalyst of activities leading to the sustainable socioeconomic devel-opment of multiple territories.

Dogs in the paradise: The influence of the cynical philosophy in the construction of the myth of the good savage

This paper studies the influence of cynic philosophy in the construction of the myth of the good savage. In the first part it studies the importance of cynicism in the XVI century and how the cynic influence of Erasmus, More and Montaigne was fundamental to the way that Europe approached the American indigenous. In the second part it studies the cynic motives that could have influenced in the construction of the myth of the good savage.