Inventions and industry in the art of Howard Finster

This paper examines Finster’s collection of Inventions of Mankind and his paintings of American industrial icons such as Henry Ford and Eli Whitney. Additionally, this study explores Finster’s compulsive artistic productivity and his experimentation with mechanisms designed to create self-sustaining energy. By providing a comprehensive overview of Howard Finster’s fascination with inventions and industry, this paper serves to provide new insight and dimension into the often over-generalized interpretations of his extensive body of work

The Dragon Tree in the Age of Exploration

he dragon tree, a peculiar species native to Socotra, southwest Arabia, east Africa, Morocco, Macaronesia, and the Canary islands, possesses an intriguing iconographic history. The first wave of images date from 1470 to 1550, beginning with Martin Schongauer’s 1470 engraving of The Flight into Egypt. These depictions portray the dragon tree in the context of a handful of biblical themes and with apparent symbolic import. After 1550, religious images of the dragon tree vanish abruptly and are replaced by representations of an empirical nature. Dragon tree iconography is notable for the extent to which it did and did not leave an impression on European art. In this paper I examine the inability of dragon tree images to gain the momentum required to propel them into European iconography more permanently, and the forces that may account for the abrupt change from biblical to botanical renderings.

Graveyards to Glamour : Development of Sexualized Angel Imagery in American Art and Advertising

Images of female angels in American art and advertisements have been sexualized in the late twentieth and early twenty-­‐first centuries. Companies such as Victoria’s Secret have appropriated the image of female angels, which first appeared at the beginning of the nineteenth century, and clothed them in lingerie in order to sell a product. This Masters Research Paper explores the evolution of female angelic imagery in the United States in order to understand how and when the image of angels began to be sexualized and used in advertising. Angels in art have been studied extensively; however, there has been no work done which examines how the angels in art and advertising have been sexualized. Nor has any work been done to map the evolution of female angelic imagery in American art. This Masters Research Paper will fill that gap in scholarship.

La aplicación de las medidas correctivas de control de la estabilidad presupuestaria y sostenibilidad financiera a las subvenciones

A través del presente trabajo se pretende analizar algunas de las medidas correctivas que sobre la Administración pública impone la LOEPSF. En concreto, la contenida en el art. 20.3 de la citada Ley, que obliga a recabar un informe del Ministerio de Hacienda para la percepción de subvenciones públicas a los entes del sector público integrados en Comunidades Autónomas que no hayan cumplido los objetivos de déficit. El trabajo defiende una interpretación restrictiva del citado precepto sobre la base del análisis del presupuesto de hecho de la norma y su naturaleza de norma sancionadora.

Poems copied by James Diman, ca. 1730-1733

Small pamphlet-sized notebook containing handwritten transcriptions of three poems copied by James Diman, likely in the early 1730s. The notebook contains "The Catholic Remedy. to ye Tune of To all you Ladies, not at land &c.," "Father Ab--y's Will. Col. Sweeper Camb: Dec. 1731," and "The Poet's Lamentation for ye Loss of his cat, w'ch he used to call his Muse" copied from the London Magazine, November 1733. The "Catholic Remedy" begins "You Peope who desire to mend / your Desperate Estate..." and includes the note, "Made upon A--D--'s goving over to take orders. The note refers to the voyage of Addington Davenport (Harvard AB 1719) to England join the priesthood of the Church of England in 1730. "Father Ab--y's Will" begins "To my dear Wife, / My joy and Life..." and was a humorous poem published in 1731 after the death of Harvard College Sweeper Matthew Abdy, and attributed to Jonathan Seccombe (Harvard AB 1728). The "Poet's Lamentation" begins "Oppress'd with Grief, in heavy strains I mourn..." and was written by Joseph Green (Harvard AB 1726) as a parody of a psalm composed by Mather Byles (Harvard AB 1725). Pages 10-12, holding part of "Father Ab--y's Will" are missing, and pages 13-15 are no longer attached to the item.

Benthic foraminifera of late Quaternary sediments in the northern North Atlantic

Four long sediment cores from locations in the Framstrait, the Norwegian-Greenland Seas and the northern North Atlantic were analysed in a high resolution sampling mode (1 - 2 cm density) for their benthic foraminiferal content. In particular the impact of the intense climatic changes at glacial/interglacial transitions (terminations I and II) on the benthic community have been of special interest. The faunal data were investigated by means of multivariate analysis and represented in their chronological occurence. The most prominent species of benthic foraminifera in the Norwegian-Greenland Seas are Oridorsalis umbonatus, Cibicidoides wuellerstorfi, the group of Cassidulina, Pyrgo rotalaria, Globocassidulina subglobosa and fragmented tubes of arenaceous species. The climatic signal of termination I as well as termination II is recorded in the fossil foraminiferal tests as divided transition from glacial to interglacial. The elder INDAR maximum (individuals accumulation rate = individuals/sq cm * 1.000 y; Norwegian-Greenland Seas: average 3.000 - 6.000 individuals/sq cm * 1.000 y; northern North Atlantic: average 150 individuals/sq cm * 1.000 y) is followed by a period of decreased values. The second, younger maximum reaches comparable values as the elder maximum. The interglacial INDAR are in average 700 individuals/sq cm * 1.000 y in the Norwegian-Greenland Seas and 200 individuals/sq cm * 1.000 y in average in the northern North Atlantic. The occurence of the elder INDAR maximum shows a distinct chronological transgressivity between the northern North Atlantic (12.400 ybp.) and the Framstrait (8.900 ybp.). The time shift from south to north amounts 3.500 yrs., the average expanding velocity 0,78 km per year. Within the Norwegian-Greenland Seas the average expanding velocity amounts 0,48 km per year. This chronological transgressivity is interpreted as impact of the progressive expanding of the North Atlantic and the Norwegian Current during the deglaciation. The dynamic of the faunal development is defined as increasing INDAR per time. The elder INDAR maximum shows in both glacial/interglacial transitions an exponential increase from south to north. Termination II is characterized by a general higher dynamic as termination I. By means of the high resolution sampling density the impact of regional isotopic recognized melt-water events is recognized by an increase of endobenthic and t-ubiquitous species in the Norwegian-Greenland Seas sediments. During termination I the relative minimum between both INDAR maxima occur chronological with an decrease of calculated sea surface temperatures. This is interpreted as indication of the close pelagic - benthic coupling. The climatic signal in the northern North Atlantic recorded in the fossil benthic foraminiferal community shows a lower amplitude as in the Norwegian-Greenland Seas. The occurence of the epibenthic Cibicidoides wuellersforfi allows to evaluate the variability of the bottom water mass. In general at all core locations increasing lateral bottom currents are recognized with the occurence of the second younger INDAR maximum. In comparison with various paleo-climatological data sets fossil benthic foraminifers show a distinct koherence with changes of the atmospheric temperatures, the SSTs and the postglacial sea level increase. The benthic foraminiferal fauna is bound indirectly on and indicative for regional climatic changes, but principal dependent upon global climatic changes.

The giraffe in history and art /

Cover title.

"A joy for ever"; (and its price in the market): being the substance (with additions) of two lectures on the political economy of art, delivered at Manchester, July 10th and 13th, 1857.

Includes index.

The Annual of illustrations for advertisements in the United States [serial] /

Mode of access: Internet.

El uso de las cabezas humanas artificialmente momificadas y su representación en le antiquo arte peruano,

Mode of access: Internet.

Legends of the monastic orders, as represented in the fine arts : forming the second series of sacred and legendary art /

Mode of access: Internet.

Two discourses preached before the University of Cambridge, on commencement Sunday, July 1, 1810 : And a sermon preached before the Society for Missions to Africa and the East; at their tenth anniversary, July 12, 1810. To which are added Christian researches in Asia /

With this is bound "The star in the East," a sermon, preached in the Parish Church of St. James, Bristol, on Sunday, Feb. 26, 1809. 3rd American edition ... To which is added an Appendix, containing the interesting report of the Rev. Dr. Kerr, to the governor of Madras, on the state of the ancient christians in Cochin and Travancore ... New York, Williams & Whiting, 1809. 56 p.

Aesthetics in transportation : guidelines for incorporating design, art and architecture into transportation facilities : executive summary /

"Contract no. DOT-OS-90040"--P. 2 of cover.

The makers of surveying instruments in America since 1700.

On spine: American surveying instrument makers.