836 resultados para TV News


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This paper explores the use of public journalism within a community radio news context. It argues that, the central tenets of the public journalism movement can help to frame, more adequately, a news gathering and production approach Tailored to the needs of community media. . Community radio stations generally enjoy strong relationships with their listeners and play an important role in the formation of the community itself (Lowrey et al., 2008). This paper argues that such strong community ties, in conjunction with public journalism news gathering approaches give community radio stations a strong opportunity to produce relevant, local news sourced driven by their listeners. In this regard ,this paper examines a particular case of public journalism used within the The Wire, a national, daily current affairs program broadcast on community radio. In the case study examined here ,public journalism informed story production that were designed to better meet the needs of community radio stations and their audiences.

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Twitter’s hashtag functionality is now used for a very wide variety of purposes, from covering crises and other breaking news events through gathering an instant community around shared media texts (such as sporting events and TV broadcasts) to signalling emotive states from amusement to despair. These divergent uses of the hashtag are increasingly recognised in the literature, with attention paid especially to the ability for hashtags to facilitate the creation of ad hoc or hashtag publics. A more comprehensive understanding of these different uses of hashtags has yet to be developed, however. Previous research has explored the potential for a systematic analysis of the quantitative metrics that could be generated from processing a series of hashtag datasets. Such research found, for example, that crisis-related hashtags exhibited a significantly larger incidence of retweets and tweets containing URLs than hashtags relating to televised events, and on this basis hypothesised that the information-seeking and -sharing behaviours of Twitter users in such different contexts were substantially divergent. This article updates such study and their methodology by examining the communicative metrics of a considerably larger and more diverse number of hashtag datasets, compiled over the past five years. This provides an opportunity both to confirm earlier findings, as well as to explore whether hashtag use practices may have shifted subsequently as Twitter’s userbase has developed further; it also enables the identification of further hashtag types beyond the “crisis” and “mainstream media event” types outlined to date. The article also explores the presence of such patterns beyond recognised hashtags, by incorporating an analysis of a number of keyword-based datasets. This large-scale, comparative approach contributes towards the establishment of a more comprehensive typology of hashtags and their publics, and the metrics it describes will also be able to be used to classify new hashtags emerging in the future. In turn, this may enable researchers to develop systems for automatically distinguishing newly trending topics into a number of event types, which may be useful for example for the automatic detection of acute crises and other breaking news events.

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Yleisradion jouluaamuna lähettämä TV-jumalanpalvelus kerää vuosittain enemmän katsojia kuin kaikissa Suomen kirkoissa yhteensä käy ihmisiä samana aamuna. TV:n joulusaarnalla onkin merkitystä siihen, miten ihmiset mieltävät kirkon sanoman joulusta. Tämän tutkimuksen tarkoituksena oli tarkastella TV-jumalanpalveluksen joulusaarnan muutosta vuosien 1985 ja 2009 välisenä aikana sekä toteutuksen että sisällön näkökulmasta. Pääasiallisena tutkimuskohteena oli sisällön muutos (1) kirkollisen sanoman, (2) jouluperinteen ja -tunnelman sekä (3) perheyhteisön kuvausten suhteen. Teemat valittiin aiempien saarnatutkimusten sekä kolmen joulusaarnan alustavan analyysin perusteella. Tutkimusaineiston muodostivat kaikki Kirkon tiedotuskeskuksen arkistosta löytyneet joulusaarnat, joissa oli sekä kuva että ääni. Aineisto koostui 20 saarnasta, jotka litteroitiin ja analysoitiin. Lisäksi nauhoitettiin kaksi taustahaastattelua. Tutkimusmetodina käytettiin kvalitatiivista metodia, teoriaohjaavaa sisällönanalyysiä, jonka tulokset luokiteltiin ja kvantifioitiin. Sisällönanalyysin tuloksia havainnollistettiin taulukoiden ja graafisten kuvioiden avulla. Muutoksen havaitsemisen apuna käytettiin summamuuttujia neljän tarkastelujakson osalta, vuosilta 1985-1991, 1992-1996, 2000-2004 ja 2005-2009. Saarnojen toteutuksen suhteen todettiin, että joulusaarnat lyhentyivät hieman tutkimusjakson aikana. Saarnan kuvitus muuttui vuodesta 2003 lähtien niukemmaksi, jotta katsojat voisivat keskittyä paremmin saarnan sisältöön. Saarnaajien oheisviestintä oli vähäistä, ja useimmiten saarnaajilla oli vain yksi ilme ja erittäin vähän eleitä. Kertomusten käyttö lisääntyi saarnoissa selvästi, ja vuosina 2005-2009 sekä jouluevankeliumia että muita raamatunkohtia havainnollistettiin kertomusten avulla aiempaa enemmän. Yleisin saarnoissa lainattu raamatunkohta oli enkelien julistus ”Teille on syntynyt Vapahtaja” . Jeesukseen viittaavat nimitykset muuttuivat tutkimusjakson aikana mielenkiintoisella tavalla. Nimike Jeesus oli yleisin nimike vuodesta 1985 vuoteen 2004. Sen jälkeen yleisimmäksi nimikkeeksi nousi lapsi, ja joulusaarnoissa käytettiin runsaasti myös muita yleiskieleen kuuluvia nimikkeitä, jotka tiivistettiin muotoon avuton lapsi/vastasyntynyt. Perinteisiä kristillisiä nimikkeitä, kuten Herra, Kristus ja seimen lapsi, ei käytetty vuosina 2005-2009 lainkaan. Tämä herätti kysymyksen siitä, onko joulun sanoma maallistunut. Oletus ei saanut tukea kirkolliseen sanomaan liittyvien teemojen tarkastelusta. Vaikka syyllisyyden kuvaukset vähentyivät, rakkauden merkitys korostui tutkimusjakson loppua kohden, ja myös elämän tarkoitukseen liittyvät asiat mainittiin 2000-luvulla useammin kuin aiemmin. Erityisesti inkarnaation Jumalan ihmiseksi tulemisen kuvaukset lisääntyivät, joten joulun kirkollinen ydinsanoma oli entistä selkeämmin esillä. Jouluperinteen kuvausten suhteen ei havaittu muutosta vuosikymmenten aikana. Tunnelmaa kuvattiin tutkimusjakson alussa rauhan ja ihmeen käsittein, mutta lopussa valo korostui. Perheyhteisön kuvaukset olivat hyvin esillä, sillä lapset mainittiin joka toisessa ja perhe joka kolmannessa saarnassa. Lapset mainittiin vuosikymmenten kuluessa entistä useammin, ja myös yksinäisyyden kuvaukset lisääntyivät. Seurakunta mainittiin joulusaarnoissa hyvin harvoin, mikä sai pohtimaan seurakunnan roolia yhteisöllisyyden kannalta. Tutkimuksen johtopäätöksenä todettiin, että suomalaisen nyky-yhteiskunnan maallistumiskehitys ei näy TV:n joulusaarnoissa 1985-2009.

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The thesis explores the discourse of two global news agencies, the Associated Press (AP) and Reuters, which together with the French AFP are generally regarded as the world s leading news distributors. A glance at the guidelines given by AP and Reuters to their journalists shows that these two news agencies make a lot of effort to strive for objectivity the well-known journalistic ideal, which, however, is an almost indefinable concept. In journalism textbooks definitions of objectivity often contain various components: detachment, nonpartisanship, facticity, balance, etc. AP and Reuters, too, in their guidelines, present several other ideals besides objectivity , viz., reliability, accuracy, balance, freedom from bias, precise sourcing, reporting the truth, and so on. Other central concepts connected to objectivity are neutrality and impartiality. However, objectivity is, undoubtedly, the term that is most often mentioned when the ethics of journalism is discussed, acting as a kind of umbrella term for several related journalistic ideals. It can even encompass the other concept that is relevant for this study, that of factuality. These two intertwined concepts are extremely complex; paradoxically, it is easier to show evidence of the lack of objectivity or factuality than of their existence. I argue that when journalists conform to the deep-rooted conventions of objective news reporting, facts may be blurred, and the language becomes vague and ambiguous. As global distributors of news, AP and Reuters have had an influential role in creating and reinforcing conventions of (at least English-language) news writing. These conventions can be seen to work at various levels of news reporting: the ideological (e.g., defining what is regarded as newsworthy, or who is responsible), structural (e.g., the well-known inverted pyramid model), and stylistic (e.g., presupposing that in hard news reports, the journalist s voice should be backgrounded). On the basis of my case studies, I have found four central conventions to be worthy of closer examination: the conventional structure of news reports, the importance of newsworthiness, the tactics of impersonalisation which tends to blur news actors responsibility, and the routines of presenting emotions. My linguistic analyses draw mainly on M.A.K. Halliday s Systemic Functional Grammar, on notions of transitivity, ergativity, nominalisation and grammatical metaphor. The Appraisal framework, too, has provided useful tools for my analyses. The thesis includes six case studies dealing with the following topics: metaphors in political reporting, terrorism discourse, terrorism fears, emotions more generally, unnamed sources as rhetorical constructs, and responsibility in the convention of attribution.

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A vast literature documents negative skewness and excess kurtosis in stock return distributions on several markets. We approach the issue of negative skewness from a different angle than in previous studies by suggesting a model, which we denote the “negative news threshold” hypothesis, that builds on asymmetrically distributed information and symmetric market responses. Our empirical tests reveal that returns for days when non-scheduled news are disclosed are the source of negative skewness in stock returns. This finding lends solid support to our model and suggests that negative skewness in stock returns is induced by asymmetries in the news disclosure policies of firm management.

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Using a data set consisting of three years of 5-minute intraday stock index returns for major European stock indices and U.S. macroeconomic surprises, the conditional mean and volatility behaviors in European market were investigated. The findings suggested that the opening of the U.S market significantly raised the level of volatility in Europe, and that all markets respond in an identical fashion. Furthermore, the U.S. macroeconomic surprises exerted an immediate and major impact on both European stock markets’ returns and volatilities. Thus, high frequency data appear to be critical for the identification of news that impacted the markets.

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Medialla on valta päättää, miten väkivallasta kerrotaan, ja miten kriisit esitetään. Median kerrontatavoilla on suuri vaikutus siihen, miten katastrofi näyttäytyy tavalliselle kansalaiselle. Keskityn tutkielmassani siihen, millaisia kerrontatapoja Jokelan ja Kauhajoen koulusurmien tv-uutisointiin on rakennettu. Selvitän, mitä eroja ja yhtäläisyyksiä uutiskerronnassa oli kahden koulusurmatapauksen välillä sekä eri tv-kanavien välillä. Tarkastelen myös, mitkä toimijat korostuvat uutisten eri kerrontatavoissa. Laadullisen tutkimusotteen piirissä metodologinen tutkimustapani on representaatioanalyysi. Tutkielman lähtökohtana on malli katastrofiuutisoinnin kerrontatavoista. Gert Z. Nordström (1996) on kehittänyt mallin alun perin kuva-analyysiä varten. Myöhemmin sitä on sovellettu mediatekstien analyysiin (Huhtala jaa Hakala 2007). Tässä tutkielmassa sovellan mallia audiovisuaalisen kerronnan analyysiin. Tutkimusaineistoni koostuu television uutislähetyksistä seitsemän päivän ajalta sekä Jokelan että Kauhajoen tapahtumien jälkeen neljällä valtakunnallisella tv-kanavalla. Analyysimallin mukaisesti koulusurmat esitetään televisiossa käyttäen eeppistä, dramaattista, lyyristä ja didaktista kerrontatapaa. Lisäksi kyseessä olleesta tv-aineistosta nousi viides kerronnan luokka, kriittinen kerronta. Eeppisellä kerronnalla tarkoitetaan tyypillistä raportoivaa ja referoivaa uutiskerrontaa. Dramaattista kerrontaa käytetään raportoitaessa suoraan tapahtumapaikalta. Lyyrinen kerronta kuvaa tunteita. Didaktisessa kerronnassa pohditaan, mitä tapahtuneesta voi oppia. Kriittisen kerronnan keinoin vaaditaan vastuunottoa tapahtuneesta. Tv-uutisten kerrontatavoissa näyttäisi korostuvan eeppisen kerronnan määrä. Kauhajoen ja Jokelan uutiskerronnat kuitenkin erosivat toisistaan niin, että eeppinen kerronta lisääntyi entisestään Kauhajoen uutisoinnissa. Myös kriittinen kerronta korostui Kauhajoen uutisoinnissa. Jokelan uutisoinnissa esiintyi puolestaan enemmän dramaattista, lyyristä ja didaktista kerrontaa. MTV3-kanavalla käytettiin muita kanavia vähemmän eeppistä kerrontaa. Didaktista kerrontaa esiintyi MTV3:lla muita kanavia reilusti enemmän molempien koulusurmatapausten yhteydessä. Lisäksi MTV3-kanavalla esiintyi eniten kriittistä kerrontaa Kauhajoen uutisoinnissa. YLEn ja Nelosen kerrontatapojen esiintyminen oli lähes samankaltaista sekä Jokelan että Kauhajoen uutisoinnissa. Jokelan uutisoinnissa Nelonen käytti kuitenkin merkittävästi enemmän dramaattista kerrontaa YLEen verrattuna. Jokelan uutisoinnissa toimijoina korostuivat ampuja, ja uhrit, kun taas Kauhajoella päätoimijoita olivat poliisi ja poliitikot. Jokelan tv-uutisoinnissa sekä uhrit että ampuja olivat kolmen keskeisimmän toimijan joukossa useassa kerrontatavan luokassa. Kauhajoen uutisoinnissa puolestaan uhrit eivät olleet missään kerrontatavan luokassa kolmen keskeisimmän toimijan joukossa, ja ampujakin vain yhdessä luokassa. Eeppisen ja kriittisen kerrontatavan korostuminen sekä poliitikkojen keskeisyys toimijoina Kauhajoen tv-uutisoinnissa kertoo siitä, että Jokelaan nähden Kauhajoen koulusurmien uutisointi oli selvästi yhteiskuntakeskeisempää. Jokelan uutisointi painottui enemmän yksittäisen tapahtuman traagisuuteen sekä henkilökohtaloihin.

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The new paradigm of connectedness and empowerment brought by the interactivity feature of the Web 2.0 has been challenging the traditional centralized performance of mainstream media. The corporation has been able to survive the strong winds by transforming itself into a global multimedia business network embedded in the network society. By establishing networks, e.g. networks of production and distribution, the global multimedia business network has been able to sight potential solutions by opening the doors to innovation in a decentralized and flexible manner. Under this emerging context of re-organization, traditional practices like sourcing need to be re- explained and that is precisely what this thesis attempts to tackle. Based on ICT and on the network society, the study seeks to explain within the Finnish context the particular case of Helsingin Sanomat (HS) and its relations with the youth news agency, Youth Voice Editorial Board (NÄT). In that sense, the study can be regarded as an explanatory embedded single case study, where HS is the principal unit of analysis and NÄT its embedded unit of analysis. The thesis was able to reach explanations through interrelated steps. First, it determined the role of ICT in HS’s sourcing practices. Then it mapped an overview of the HS’s sourcing relations and provided a context in which NÄT was located. And finally, it established conceptualized institutional relational data between HS and NÄT for their posterior measurement through social network analysis. The data set was collected via qualitative interviews addressed to online and offline editors of HS as well as interviews addressed to NÄT’s personnel. The study concluded that ICT’s interactivity and User Generated Content (UGC) are not sourcing tools as such but mechanism used by HS for getting ideas that could turn into potential news stories. However, when it comes to visual communication, some exemptions were found. The lack of official sources amidst the immediacy leads HS to rely on ICT’s interaction and UGC. More than meets the eye, ICT’s input into the sourcing practice may be more noticeable if the interaction and UGC is well organized and coordinated into proper and innovative networks of alternative content collaboration. Currently, HS performs this sourcing practice via two projects that differ, precisely, by the mode they are coordinated. The first project found, Omakaupunki, is coordinated internally by Sanoma Group’s owned media houses HS, Vartti and Metro. The second project found is coordinated externally. The external alternative sourcing network, as it was labeled, consists of three actors, namely HS, NÄT (professionals in charge) and the youth. This network is a balanced and complete triad in which the actors connect themselves in relations of feedback, recognition, creativity and filtering. However, as innovation is approached very reluctantly, this content collaboration is a laboratory of experiments; a ‘COLLABORATORY’.

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Since begging East European Roma became a common view in the streets of larger Nordic cities, vivid discussions about their presence and activities have been carried out in the mass media. This thesis examines the public debates in Finland and Norway through a discursive analysis and comparison of press content from the two countries. The aim of the study is firstly to identify the prominent discourses which construct certain images of the beggars, as well as the elements and internal logics that these discourses are constructed around. But in addition to scrutinizing representations of the Roma, also an opposite perspective is applied. In accordance with the theoretical concept of ‘othering’, debates about ‘them’ are assumed to simultaneously reveal something significant about ‘us’. The second research question is thus what kind of images of the ideal Finnish and Norwegian societies are reflected in the data, and which societal values are salient in these images. The analysis comprises 79 texts printed in the main Finnish and Norwegian quality newspapers; Helsingin Sanomat and Aftenposten. The data consists of news articles, editorials, columns and letters to the editor from a three-month period in the summer of 2010. The analysis was carried out within the theoretical and methodological framework of critical discourse analysis as outlined by Norman Fairclough. A customized nine-step coding scheme was developed in order to reach the most central dimensions of the texts. Seven main discourses were identified; the Deprivation-solidarity, Human rights, Order, Crime, Space and majority reactions, Authority control, and Authority critique discourse. These were grouped into two competing normative stances on what an ideal society looks like; the exclusionary and the inclusionary stance. While the exclusionary stance places the begging Roma within a frame of crime, illegitimate use of public space and threat to the social order, the other advocates an attitude of solidarity and humanitarian values. The analysis points to a dominance of the former, although it is challenged by the latter. The Roma are “individualized” by quoting and/or presenting them by name in a fair part of the Finnish news articles. In Norway, the opposite is true; there the beggars are dominantly presented as anonymous and passive. Overall, the begging Roma are subjected to a double bind as they are faced with simultaneous expectations of activity and passivity. Theories relating to moral panics and ‘the good enemy’ provide for a deepened understanding of the intensity of the debates. Keywords: East European Roma, begging, media, newspapers, Helsingin Sanomat, Aftenposten, critical discourse analysis, Norman Fairclough, othering, ideal society, moral panics, good enemy, double bind, Finland, Norway

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Advertisements(Ads) are the main revenue earner for Television (TV) broadcasters. As TV reaches a large audience, it acts as the best media for advertisements of products and services. With the emergence of digital TV, it is important for the broadcasters to provide an intelligent service according to the various dimensions like program features, ad features, viewers’ interest and sponsors’ preference. We present an automatic ad recommendation algorithm that selects a set of ads by considering these dimensions and semantically match them with programs. Features of the ad video are captured interms of annotations and they are grouped into number of predefined semantic categories by using a categorization technique. Fuzzy categorical data clustering technique is applied on categorized data for selecting better suited ads for a particular program. Since the same ad can be recommended for more than one program depending upon multiple parameters, fuzzy clustering acts as the best suited method for ad recommendation. The relative fuzzy score called “degree of membership” calculated for each ad indicates the membership of a particular ad to different program clusters. Subjective evaluation of the algorithm is done by 10 different people and rated with a high success score.