881 resultados para Reproducción social


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Se trata de describir sintéticamente (máximo 200 palabras) las principales características (tema, metodología, etc.) del proyecto. En este proyecto se investiga cómo se imbrican mutuamente la cultura y la economía en la constitución de la vida social de los productores tabacaleros en Argentina. Se estudia cómo se construyen y se van configurando históricamente los procesos de dominación cultural, en relación con la producción y reproducción de la desigualdad social. El interrogante central que se intenta responder es el siguiente: Si los procesos culturales son constitutivos de la vida social, ¿cómo operan en situaciones históricas de reproducción de la desigualdad social? Desde el postestructuralismo cultural, se conciben los procesos culturales como disputas por los símbolos, significados y categorías sociales claves. Estas disputas implican ideología, institucionalización y hegemonía. Desde esta perspectiva, la desigualdad material no se genera ni se sostiene sólo desde lo político-económico, sino también desde lo simbólico-ideológicocultural. Estas dos dimensiones son constitutivas de la cuestión social tabacalera en Argentina. Se utilizan métodos de investigación etnográficos y biográficos. Las unidades de estudio son las provincias de Jujuy y Misiones y las unidades de análisis las familias productoras de tabaco. Se utilizan relatos autobiográficos, historias de vida y análisis de documentos e información archivada.

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Fil: Plot, Beatriz. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

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El artículo presenta resultados de investigación realizada en la localidad de San Antonio Juárez, municipio de Tzicatlacoyan, en el estado de Puebla, México. El objetivo fue conocer las estrategias de reproducción de los grupos domésticos campesinos, asentados en entornos ambientales adversos, que presentan restricciones severas para el desarrollo de la agricultura. A partir de técnicas cualitativas y cuantitativas, se pudo constatar la presencia de estrategias de reproducción distinta, a nivel de barrio, basada en el conocimiento local, la división genérica del trabajo y la organización a nivel de grupo doméstico y comunidad.

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El artículo presenta resultados de investigación realizada en la localidad de San Antonio Juárez, municipio de Tzicatlacoyan, en el estado de Puebla, México. El objetivo fue conocer las estrategias de reproducción de los grupos domésticos campesinos, asentados en entornos ambientales adversos, que presentan restricciones severas para el desarrollo de la agricultura. A partir de técnicas cualitativas y cuantitativas, se pudo constatar la presencia de estrategias de reproducción distinta, a nivel de barrio, basada en el conocimiento local, la división genérica del trabajo y la organización a nivel de grupo doméstico y comunidad.

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El artículo presenta resultados de investigación realizada en la localidad de San Antonio Juárez, municipio de Tzicatlacoyan, en el estado de Puebla, México. El objetivo fue conocer las estrategias de reproducción de los grupos domésticos campesinos, asentados en entornos ambientales adversos, que presentan restricciones severas para el desarrollo de la agricultura. A partir de técnicas cualitativas y cuantitativas, se pudo constatar la presencia de estrategias de reproducción distinta, a nivel de barrio, basada en el conocimiento local, la división genérica del trabajo y la organización a nivel de grupo doméstico y comunidad.

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Introducción Pese a la obviedad de que el tiempo y los proceso históricos no son  series discontinuas de acontecimientos, los aniversarios de ciertos eventos ejercen sobre nosotros una fascinación que se acentúa cundo la pretérito se ubica a una distancia cronológica secular respecto del presente en el que lo recordamos. Así, todo tiene su centenario: el nacimiento de los longevos o el fallecimiento de personas destacadas, los descubrimientos y las fundaciones, la victoria o la derrota, y cualquier hecho segregado, por  alguna razón, del continúan de la historia. Así, asistimos hoy a la celebración de un centenario al cual se ha dado especial relevancia y determinados contenidos que conviene analizar: la conmemoración de Noviembre de 1889 como “acontecimiento fundador” de la democracia costarricense, par emplear el termino  aplicado por el Doctor Quesada en la introducción a este debate, y que resume bien la significación que se le ha atribuido a los eventos políticos de esta jornada

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Duración (en horas): De 31 a 40 horas. Destinatario: Estudiante y Docente

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Social networks have increasingly become a showcase where the media can be promoted. Like many other media, radio stations have made use of social networks to promote themselves in a better way and, sometimes, to keep more feedback with their listeners. But not all programs make the same use and not all of them have managed to reach in the same way his followers. This article discusses the consolidation in the social networks of the major radio sports programs in Spain. Through a comparative analysis between 2010 and 2015, throughout the text, the authors have tried to observe the evolution of the programs and, at the same time, to establish comparisons between the followers that these programs have on social networks and the number of listeners as EGM.

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There is a collective worldview on social policies that is expressed and understood by university professionals. However, it takes students time to construct this knowledge. Here, we provide fundamental ideas and a dynamic to facilitate learning of social policies. The preparation of a brief dictionary of significant terms is to be constructed as a group, alongside the maieutic work to be carried out by the teacher. The goal is to discover keys to understand the meaning of social policies and the underlying values that sustain a social and democratic rule-of-law state such as the one proposed in the Spanish Constitution of 1978. Attention is focused on the structure of the mixed welfare state. This is an integral proposal and comprises three dimensions. First, it considers the state and its possible welfare agents: business, market, the Church and civil society. The attitudes with which universal and inclusive social action is promoted, breaking radically with the aid-based meaning contained in other systems, are then addressed. Finally, we examine human dignity as a principle and aim of intervention, a basis for understanding other concepts such as human, social, labour and political rights. It is to be hoped that these pages prove useful for both teaching staff and students.

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This paper presents a program centred on arts and education as tools in social work for the inclusion of people with earlyonset dementia and Alzheimer’s. The objective of the programme is to eradicate the stigma and myths associated with the disease.The program is part of the Junta de Castilla y León and the European Social Fund’s ARS Project (Arte y Salud Alzheimer; Alzheimer’s Art & Health). The programme presents a series of evaluated artistic and educational activities that can be undertaken by people in the early stages of Alzheimer’s disease and that can also be used by caregivers and family when working with this group of people, with the aim of improving their wellbeing, self-esteem and quality of life.

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Theatre is a cultural and artistic form that involves a process of communication between creators and is received in a space and time located in the public sphere, which has meant that, over the centuries, it has acted as a space for expression, exchange and debate regarding all manner of ideas, causes and struggles. Implicit within this process are processes of expression, creation and reception, by way of which people demonstrate, analyse and question ways of seeing and understanding life, and ways of being and existing in the world. This gives rise to educational, cultural, social and political potential, which has been endorsed in numerous studies and investigations. In this work, in which theoretical orientation is established through a review of the relevant literature, we consider different intersections that occur between theatre and social work in order to also show that dramatic and theatrical expression offers substantive methodologies for achieving some objectives of social work, particularly in areas such as critical literacy, reflexivity and recognition, awareness raising, social participation, personal and/or community development, ownership of cultural capital and access to personal and social wellbeing.

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After considering museums as cultural institutions responsible for preserving cultural memory and its evolution over time, this article describes the cultural practices within our society that are aimed at disseminating art and at reproducing and transmitting culture, history and identity. Further, it considers the key role that older people are steadily assuming in Spain’s ageing society. New social-empowerment activities based on volunteering by the elderly are linked to generativity because the individual and social groups acquire new skills through those activities, thereby strengthening a society for all ages. Never in the history of social work have so many older people been prepared to participate actively at the community level, and never has a social movement with these features gone so unnoticed by so many social agents.

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Three different worlds, sometimes concentric and often intersecting —society, theatre and the art of performance— and social work. Diverse worlds that live, reflect and self-reflect and interact, and can also afford an opportunity for meeting, misunderstanding and confrontation, and above all offer the possibility of profound change.This article considers the experience of a theatre company that has spent more than three years moving at the limits of these three universes. To these three worlds can be added an infinite number of words that fill them with meaning and significance: territory, meeting, diversity and search. An artistic experience that has chosen to focus on creating scenarios for debate and to examine the difficulties, the human contradictions and the constant and inexhaustible confrontation with human experience. At the heart of this theatrical activity is all of this, seeking the balance between narration, meeting, investigation and the artistic dimension. This meeting between society, theatre and social work also contains the search for sustainability of this cultural business, in an Italy that has been destroyed by a crisis that is not merely economic, but also of values and, above all, of role models. The guiding theme, though not always made explicit, is always present and essential: the search for beauty.

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This article has been written with the intention of being able to analyse the contributions of art —theatre, in this case— to the practice of social work. For this purpose, we have chosen to read the social reality in which we intervene through the lens of social constructionism. This helps us to rescue the social and subjective side of art, and, moreover, to recover the depathologization of the subject in professional intervention. Thus, using a practical case taken from work with adolescents in the German FSJ programme, hand-in-hand with a young girl called Anja we trace the developmental and sociological aspects of adolescence in order to later address certain common points of art and psychosocial work. Art will hence be redefined as a transitional object allowing questions to be addressed relating to (self-) perception, attachment, communication and changes in conduct as the ultimate goal of professional action. Lastly, we note the limitations and risks of art-based intervention, in order to conclude with a final synopsis.

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The paper examines some reflections and discussions about the role and nature of the press that took place in Buenos Aires during the 1850s, referring to the difficulties involved in congenial freedom and order. This was caused by the fact that the press was considered a pillar of republican and civilized societies, but also an agent capable of corroding the social and political order.