Cherbourg time : young black and deadly art 2003-2007

Art is most often at the margins of community life, seen as a distraction or entertainment only; an individual’s whim. It is generally seen as without a useful role to play in that community. This is a perception of grown-ups; children seem readily to accept an engagement with art making. Our research has shown that when an individual is drawn into a crafted art project where they have an actual involvement with the direction and production of the art work, then they become deeply engaged on multiple levels. This is true of all age groups. Artists skilled in community collaboration are able to produce art of value that transcends the usual judgements of worth. It gives people a licence to unfetter their imagination and then cooperatively be drawn back to a reachable visual solution. If you engage with children in a community, you engage the extended family at some point. The primary methodology was to produce a series of educationally valid projects at the Cherbourg State School that had a resonance into that community, then revisit and refine them where necessary and develop a new series that extended all of the positive aspects of them. This was done over a period of five years. The art made during this time is excellent. The children know it, as do their families, staff at the school, members of the local community and the others who have viewed it in exhibitions in far places like Brisbane and Melbourne. This art and the way it has been made has been acknowledged as useful by the children, teachers and the community, in educational and social terms. The school is a better place to be. This has been acknowledged by the children, teachers and the community The art making of the last five years has become an integral part of the way the school now operates and the influence of that has begun to seep into other parts of the community. Art needs to be taken from the margins and put to work at the centre.

Fidelidade partidária : uma discussão sobre o fortalecimento dos partidos políticos a partir da Resolução 22.610/2007 do TSE

Monografia (especialização) – Curso de Parlamento e Direito, Câmara dos Deputados, Centro de Formação, Treinamento e Aperfeiçoamento (Cefor), 2015.

Hide and seek with rebels: tracing contemporary queer art in cracks and rips

This Article does not have an abstract.

Las infraestructuras de recarga y el despegue del vehículo eléctrico.

Este trabajo revisa la evolución y estado actual de la automoción eléctrica; analiza las ventajas ambientales, de eficiencia energética y de costes del motor eléctrico frente al de combustión interna; y presenta como limitaciones para el uso del vehículo eléctrico, el desarrollo actual de las baterías recargables y la lenta implantación de electrolineras. Con el objetivo de contribuir al desarrollo de una actividad económica respetuosa con el medio ambiente y basada en nuevas tecnologías, se proyecta, a partir de experiencias previas, una instalación de puntos de recarga para una ciudad de 50.000 habitantes con un parque de 100 vehículos eléctricos que dispone de dos plazas de recarga rápida (poste trifásico 400V CA), siete plazas de recarga lenta (postes monofásicos 230V CA) y de 50 módulos fotovoltaicos que producen diariamente la energía equivalente a la recarga lenta de un vehículo en los meses fríos y de dos en los meses cálidos.

Art as an educative and social tool

Since remote times, certain sectors of society have been exposed to inequality and vulnerability, where adequate intervention processes have become conspicuous because of their absence. Nowadays, current societies have the responsibility of contributing, based on their experience and knowledge, with more efficient policies and programs that improve the life quality of the most disadvantaged. It is here where art and its different tools play a very important role, not only on a physical level, but also as an education tool that allows the development of emotional, mental and communicative skills. The aim of this paper is to make clear the potential of art as an instrument of social and educational intervention. It starts by showing worldwide-collected experience related to education and arts, and then, it acquaints the reader with two parallel intervention projects that worked with youths under social vulnerability conditions. These interventions were developed based on a qualitative research (Grounded theory), using as methodology “The Artistic Mediation” with emphasis on body language. This methodology helped researchers to get close to the participants and to know their experiences and emotions. At the same time, it was possible to evidence the positive effects of educative interventions through art. These workshops were based on an artistic methodology especially focused on body language. Data in this work is qualitative, and as such, it permits a special approach to the personal and emotional experiences of the participants; clearly showing the positive effects of the referenced practice on them.

Resolución N° 08 del 29 de enero de 2007 ¿Cuál es el alcance de la función registral respecto de la calidad o habilidad de los asociados para ser parte de una reunión?

Servicios registrales

Resolución N° 25 del 26 de febrero de 2007 ¿Cuáles son los los requisitos que evalúa la Cámara de Comercio respecto de la convocatoria?

Servicios registrales

Resolución N° 33 de 7 de Marzo de 2007 ¿Cuáles son los elementos que evalúa la Cámara de Comercio en los nombramientos de junta directiva?

Servicios registrales

Resolución N° 47 del 26 de marzo de 2007 ¿Cuáles son los criterios que tiene en cuenta la Cámara de Comercio cuando evalúa los eventos de fallecimiento del socio gestor y la representación de las cuotas de este en las sociedades en comandita?

Servicios registrales

Resolución N° 150 del 12 de julio de 2007 ¿Cuál es el marco jurídico aplicable por parte de las cámaras de comercio respecto del nombramiento de órganos de administración y fiscalización en las ESALES?

Servicios registrales

Resolución N° 189 del 16 de julio de 2007 ¿En que consiste el principio de realidad regístral? ¿Cuáles son los elementos que la Cámara de Comercio evalúa en las actas de asamblea y de juntas directivas?

Servicios registrales

Resolución N° 212 del 10 de septiembre de 2007 ¿Cuáles son los presupuestos sobre los que se basa la Cámara de Comercio para el registro de providencias judiciales?

Servicios registrales