Word-formation and the translation of Marvel comic book charactonyms

This article analyzes the solutions given in Spanish translations to the morphological creativity shown in the names of Marvel comic book characters. The English versions almost invariably provide a full description of the hero (or villain) by means of a wide variety of word-formation mechanisms leading to highly expressive charactonyms. Indeed, examples shall be listed of names of comic book heroes created through compounding, derivation, including prefixation or suffixation (both classical and Anglo-Saxon but also from other origins), lexical blending, abbreviation, clipping, onomatopoeia, and borrowings from Spanish or from other languages. Early translations into Spanish seemed to be slightly less expressive than the original, even when the same word-formation mechanism was used, usually due to either problems of transparency mainly in some of the word parts or to translation constraints. In later periods, a number of factors, including the influence from other media featuring the same characters and the general trend towards globalization through English, have led translators to choose repetition as the most frequent strategy, which has almost eliminated the creative power of wordformation mechanisms in Spanish and their ability to convey the stylistic effects found in the English versions.

A reassessment of traditional lexicographical tools in the light of new corpora: sports Anglicisms in Spanish

There is no question nowadays as to the international and powerful status of English at a global scale and, consequently, as to its presence in non-English speaking countries at different levels. Linguistically speaking, English is one of the languages which have mostly influenced Spanish throughout its history and especially from the late 1960s. In this study, the impact of English on Spanish is considered in the language of sports; particularly, sports Anglicisms and false Anglicisms are analysed. Due attention is paid to the different forms that an Anglicism may adopt and to which of those forms are more widely accepted or rejected by prescriptivists and speakers at large, in the light of a contrastive analysis of their appearance in the Nuevo diccionario de anglicismos, the Diccionario de la Real Academia Española and the Corpus de Referencia del Español Actual.

Awareness of L1 and L2 word-formation mechanisms for the development of a more autonomous L2 learner

Unlike traditional approaches, new communicative trends disregard the role of word-formation mechanisms. They tend to focus on syntax and/or vocabulary without analyzing the mechanisms involved in the creation of lexical items. In this paper, based on the analysis of the use of prefixes by L2 learners in oral and written productions, as provided by the SULEC, we emphasize the advantages that word-formation awareness and knowledge may have for the learners in terms of production, creativity, understanding, autonomy, and proficiency. Through the teaching of word-formation learners may more easily decipher, decode and/or encode messages, create words they have never seen before, etc.

Some reflections on the impact of globalization in the teaching and learning of English in socalled “expanding circle” countries

This article deals with the ongoing debate on the complex role of English as an International Language, be it understood as a homogeneous entity (one language with an international role [EIL]) or a heterogeneous one (different varieties (WE or ELF) grouped under one label, «English») as well as on the implications of this «globalising» status for its teaching in non-native settings. Given the complexity of this phenomenon, whose study is still in its infancy, we attempt neither to provide definitive answers nor adopt a prescriptive attitude, but simply contribute to the discussion and clarification of this, to some extent, emergent, controversial situation.

False anglicisms in the Spanish language of fashion and beauty

Many works have already dealt with anglicisms in Spanish, especially in science and information technologies. However, despite the high and growing number of English terms incorporated daily by the language of fashion, it has received comparative less attention in lexicographic and terminological studies than that of other areas, such as science or business. For several reasons, which include prestige or peer pressure, Spanish has not only adopted English words with new meanings and usage, but also contains other forms based on English patterns which users seem to consider more accurate or expressive. This paper concentrates on false anglicisms as indicators of some of the special relationships and influences between languages arising from the pervasive presence of English. We shall look at the Spanish language of fashion, which, in addition to genuine anglicisms, has for some time been using English words with different meanings, or even created items of its own (or imported them from other languages) with the appearance of English words. These false anglicisms, which have proven extremely popular in receiving languages (not only in Spanish) have frequently been disseminated by youth magazines and the new digital media, both in general spheres and in fashion-specific contexts.

Comisión de plan de estudios de la titulación de Ingeniería Técnica de Telecomunicaciones, especialidad en Sonido e Imagen de la EPS

La red docente de la Comisión de plan de estudios de la titulación de Ingeniería Técnica de Telecomunicación, especialidad en Sonido e Imagen de la EPS ha realizado durante el curso 2007/08 un estudio de los objetivos y competencias del futuro título de grado, así como el análisis y diseño de la posible estructura en bloques y asignaturas obligatorias en la que se podría distribuir dicho título. El estudio toma como base los resultados obtenidos en redes de cursos anteriores (ver memoria de redes 2005/06 y 2006/07), las cuales estaban orientadas al diseño curricular dentro del marco de los créditos ECTS para la convergencia al Espacio Europeo de Educación Superior, y sobre todo, se basa en la experiencia de los propios participantes en trabajos o redes previas. El objetivo principal de este proyecto es el diseño curricular del futuro título de grado en Ingeniería de Telecomunicación en Sonido e Imagen, directamente relacionada con la actual Ingeniería Técnica de Telecomunicación, especialidad en Sonido e Imagen, que se imparte en la Universidad de Alicante. Para ello se han seguido las pautas generales establecidas por el Real Decreto de ordenación de Enseñanzas Universitarias Oficiales (BOE, 30 de octubre de 2007), así como otros documentos elaborados por el Colegio Oficial de Ingenieros Técnicos de Telecomunicación y la Comisión de Universidades de Ingeniería Técnica de Telecomunicación.

Materiales y metodologías docentes en el EEES: informe general de primer curso de la titulación de Telecomunicación

La red docente durante el curso 2006/07 ha realizado un estudio en cuanto a materiales y metodologías docentes en las asignaturas de primer curso de Ingeniería Técnica de Telecomunicación, especialidad en Sonido e Imagen. Esta titulación es impartida en la Escuela Politécnica Superior de la Universidad de Alicante. Dicho estudio está encaminado a suplir las necesidades que marca el nuevo Marco Europeo de Aprendizaje. Se ha definido una ficha de la asignatura (cuyos contenidos y estructura se detallan) que permita al alumnado una visión directa y lo más concisa posible de las actividades que se desarrollarán en cada asignatura a lo largo de su periodo lectivo. El conjunto de estas fichas conformará la denominada Agenda del Estudiante, que fomentará la organización personal de cada alumno. La puesta en común de las experiencias y conocimientos de los diversos miembros de la red debe redundar en una mayor eficacia de la docencia. En este trabajo se incluyen las experiencias de las siete asignaturas implicadas en el proceso.

Aspectos formales y visuales en los cuestionarios de salud y calidad de vida

Una falta de atención en el formato de los cuestionarios de salud y calidad de vida ocasiona que muchas preguntas no se contesten porque no se pueden leer bien. Se hace aquí una reflexión sobre tales aspectos visuales, analizando siete de los cuestionarios genéricos en lengua inglesa más utilizados en el mundo y comparándolos, a su vez, con sus traducciones al español. Los resultados que se obtienen subrayan la idea de la importancia que tiene la presentación del cuestionario para conseguir la máxima información.

Aspectos socioculturales en la traducción de cuestionarios de salud estadounidenses

La mayor parte de los cuestionarios de salud se han desarrollado en inglés para su uso en países de lengua inglesa. De este modo, en el proceso de traducción y adaptación de instrumentos de salud a otros países se deben considerar no solo la lengua a la que se traduce, sino también la cultura y la población implicadas. Al acometer esta tarea, hemos de tener en cuenta que no podemos efectuar una simple traducción literal, sino que debemos realizar una completa adaptación cultural. Esta adaptación pondrá de relieve las diferencias entre el cuestionario original y la versión traducida.

When Spanish owns English words

The English language and the Internet, both separately and taken together, are nowadays well-acknowledged as powerful forces which influence and affect the lexico-grammatical characteristics of other languages world-wide. In fact, many authors like Crystal (2004) have pointed out the emergence of the so-called Netspeak, that is, the language used in the Net or World Wide Web; as Crystal himself (2004: 19) puts it, ‘a type of language displaying features that are unique to the Internet […] arising out of its character as a medium which is electronic, global and interactive’. This ‘language’, however, may be differently understood: either as an adaptation of the English language proper to internet requirements and purposes, or as a new and rapidly-changing and developing language as a result of a rapid evolution or adaptation to Internet requirements of almost all world languages, for whom English is a trendsetter. If the second and probably most plausible interpretation is adopted, there are three salient features of ‘Netspeak’: (a) the rapid expansion of all its new linguistic developments thanks to the Internet itself, which may lead to the generalization and widespread acceptance of new words, coinages, or meanings, hundreds of times faster than was the case with the printed media. As said above, (b) the visible influence of English, the most prevalent language on the Internet. Consequently, (c) this new language tends to reduce the ‘distance’ between English and other languages as well as the ignorance of the former by speakers of other languages, since the ‘Netspeak’ version of the latter adopts grammatical, syntactic and lexical features of English. Thus, linguistic differences may even disappear when code-switching and/or borrowing occurs, as whole fragments of English appear in other language contexts. As a consequence of the new situation, an ideal context appears for interlanguage or multilingual word formation to thrive: puns, blends, compounds and word creativity in general find in the web the ideal place to gain rapid acceptance world-wide, as a result of fashion, coincidence, or sheer merit of the new linguistic proposals.

Patronazgo literario en la Inglaterra medieval (SS. VII-XIV): una visión panorámica

Este artículo ofrece una aproximación panorámica a la práctica del patronazgo literario en Inglaterra desde el s. VII al XIV. Durante el período anglosajón las relaciones de patronazgo fueron principalmente de dos tipos: (1) un poeta o scop que quedaba vinculado a una corte (p. ej. Déor) y (2) un intérprete o gleoman que desarrollaba su actividad no creativa de forma itinerante ante públicos diversos (p. ej. Wídsid). Caso aparte es el del pastor Cadmon, quien por intervención divina se convirtió en poeta bíblico y fue acogido en un monasterio. Tras la conquista normanda se introdujo un modelo de patronazgo aristocrático que favoreció la aparición de la figura del autor (p. ej. Wace) que componía sus obras en anglonormando, mientras el inglés era usado por juglares anónimos para deleite de las clases populares. La literatura en lengua inglesa no asistiría a la aparición de sus primeros autores (p. ej. Chaucer y Gower) hasta el siglo XIV, gracias en parte al patronazgo del rey Ricardo II.

Raluca L. Radulescu and Cory James Rushton, eds. 2009: A Companion to Medieval Popular Romance. Studies in Medieval Romance 10. Cambridge: D. S. Brewer. XIV + 209 pp. ISBN 9781843841920

This review is part of a research project funded by the Spanish Ministry of Science and Innovation (ref. FFI 2008-02165).

Manchester, Chetham's Library MS 8009 (Mun. A.6.31): A Codicological Description

This article presents a complete codicological description of Manchester, Chetham's Library, MS 8009 (Mun.A.6.31), a late fifteenth-century production that contains a combination of secular and religious texts. The manuscript's significance for both the literary and textual scholar was recognized by Derek Pearsall when he suggested its suitability for a facsimile edition. The restrictions imposed by the Governors of the Library for reproduction under the present conditions, however, suggest that Pearsall's recommendation may have to wait for some time. The purpose of this paper is to fill that void by correcting some inaccuracies in previous descriptions and completing them with supporting visual evidence.

The Conference Interpreter

The Conference Interpreter es un videojuego de simulación de la labor del intérprete de conferencias, en el que se reproduce un audio en lengua inglesa y en el que, con un lapso de un segundo y medio, aparece la transcripción del audio con determinados huecos para los que el jugador ha de seleccionar entre las distintas unidades semánticas propuestas en la parte inferior de la pantalla.

Spanish Literature and Film

Material docente para la enseñanza de cine y literatura española