Home Is Where the Self Is: Monodrama, Journey-Play Structure, and the Modernist Fairy Tale

The first decade of the twentieth century witnessed the creation of two of the most beloved works of children’s literature ever produced. L. Frank Baum’s 1900 novel The Wizard of Oz and Maurice Maeterlinck’s 1908 play each gave rise to many adaptations, including, well beloved film versions, and both have become a deeply ingrained part of the cultural memory and construction of childhood in both Europe and the United States. And while these works are deeply original in content and detail, the structure of these works harkens back to the form of the journey play (traceable, on some level, back to the medieval morality play Everyman), a form that had undergone a considerable revival in the second half of the nineteenth century in the work of writers such as Henrik Ibsen and August Strindberg. This article explores the structural and conceptual links between Baum and Maeterlinck’s children’s classics, Ibsen’s Norwegian folk play Peer Gynt, and August Strindberg’s Lucky Per’s Journey and The Road to Damascus, Part I. In these works, the protagonists, disenchanted with their homes or current situations, set out on an epic journey in which they come upon characters and situations that act as commentary upon their situations before the journey. Ultimately, the characters return to where they started, with the journey seeming to have been a dream or merely a pointless excursion. But in these journeys of self-discovery, the protagonist that emerges at the end has undergone a significant transformation, a process at the heart of all of these works.

The DietCompLyf study: A prospective cohort study of breast cancer survival and phytoestrogen consumption

DietCompLyf is a multi-centre prospective study designed to investigate associations between phytoestrogens - naturally occurring plant compounds with oestrogenic properties - and other diet and lifestyle factors with breast cancer recurrence and survival. 3159 women with grades I-III breast cancer were recruited 9-15 months post-diagnosis from 56 UK hospitals. Detailed information on clinico-pathological, diet, lifestyle and quality of life is collected annually up to 5 years. Biological samples have also been collected as a resource for subsequent evaluation. The characteristics of the patients and associations between pre-diagnosis intake of phytoestrogens (isoflavones and lignans; assessed using the EPIC-Norfolk UK 130 question food frequency questionnaire) and breast cancer (i) risk factors and (ii) prognostic factors are described for 1797 women who had complete data for all covariates and phytoestrogens of interest. Isoflavone intakes were higher in the patients who were younger at diagnosis, in the non-smokers, those who had breast-fed and those who took supplements. Lignan intakes were higher in patients with a higher age at diagnosis, in ex-smokers, those who had breast-fed, who took supplements, had a lower BMI at diagnosis, lower age at menarche and were nulliparous. No significant associations between pre-diagnosis phytoestrogen intake and factors associated with improved breast cancer prognosis were observed. The potential for further exploration of the relationship between phytoestrogens and breast cancer recurrence and survival, and for the establishment of evidence to improve dietary and lifestyle advice offered to patients following breast cancer diagnosis using DietCompLyf data is discussed.

Hypofractionated radiotherapy versus conventionally fractionated radiotherapy for patients with intermediate-risk localised prostate cancer: 2-year patient-reported outcomes of the randomised, non-inferiority, phase 3 CHHiP trial

BACKGROUND: Patient-reported outcomes (PROs) might detect more toxic effects of radiotherapy than do clinician-reported outcomes. We did a quality of life (QoL) substudy to assess PROs up to 24 months after conventionally fractionated or hypofractionated radiotherapy in the Conventional or Hypofractionated High Dose Intensity Modulated Radiotherapy in Prostate Cancer (CHHiP) trial.

METHODS: The CHHiP trial is a randomised, non-inferiority phase 3 trial done in 71 centres, of which 57 UK hospitals took part in the QoL substudy. Men with localised prostate cancer who were undergoing radiotherapy were eligible for trial entry if they had histologically confirmed T1b-T3aN0M0 prostate cancer, an estimated risk of seminal vesicle involvement less than 30%, prostate-specific antigen concentration less than 30 ng/mL, and a WHO performance status of 0 or 1. Participants were randomly assigned (1:1:1) to receive a standard fractionation schedule of 74 Gy in 37 fractions or one of two hypofractionated schedules: 60 Gy in 20 fractions or 57 Gy in 19 fractions. Randomisation was done with computer-generated permuted block sizes of six and nine, stratified by centre and National Comprehensive Cancer Network (NCCN) risk group. Treatment allocation was not masked. UCLA Prostate Cancer Index (UCLA-PCI), including Short Form (SF)-36 and Functional Assessment of Cancer Therapy-Prostate (FACT-P), or Expanded Prostate Cancer Index Composite (EPIC) and SF-12 quality-of-life questionnaires were completed at baseline, pre-radiotherapy, 10 weeks post-radiotherapy, and 6, 12, 18, and 24 months post-radiotherapy. The CHHiP trial completed accrual on June 16, 2011, and the QoL substudy was closed to further recruitment on Nov 1, 2009. Analysis was on an intention-to-treat basis. The primary endpoint of the QoL substudy was overall bowel bother and comparisons between fractionation groups were done at 24 months post-radiotherapy. The CHHiP trial is registered with ISRCTN registry, number ISRCTN97182923.

FINDINGS: 2100 participants in the CHHiP trial consented to be included in the QoL substudy: 696 assigned to the 74 Gy schedule, 698 assigned to the 60 Gy schedule, and 706 assigned to the 57 Gy schedule. Of these individuals, 1659 (79%) provided data pre-radiotherapy and 1444 (69%) provided data at 24 months after radiotherapy. Median follow-up was 50·0 months (IQR 38·4-64·2) on April 9, 2014, which was the most recent follow-up measurement of all data collected before the QoL data were analysed in September, 2014. Comparison of 74 Gy in 37 fractions, 60 Gy in 20 fractions, and 57 Gy in 19 fractions groups at 2 years showed no overall bowel bother in 269 (66%), 266 (65%), and 282 (65%) men; very small bother in 92 (22%), 91 (22%), and 93 (21%) men; small bother in 26 (6%), 28 (7%), and 38 (9%) men; moderate bother in 19 (5%), 23 (6%), and 21 (5%) men, and severe bother in four (<1%), three (<1%) and three (<1%) men respectively (74 Gy vs 60 Gy, ptrend=0.64, 74 Gy vs 57 Gy, ptrend=0·59). We saw no differences between treatment groups in change of bowel bother score from baseline or pre-radiotherapy to 24 months.

INTERPRETATION: The incidence of patient-reported bowel symptoms was low and similar between patients in the 74 Gy control group and the hypofractionated groups up to 24 months after radiotherapy. If efficacy outcomes from CHHiP show non-inferiority for hypofractionated treatments, these findings will add to the growing evidence for moderately hypofractionated radiotherapy schedules becoming the standard treatment for localised prostate cancer.

FUNDING: Cancer Research UK, Department of Health, and the National Institute for Health Research Cancer Research Network.

Do exoplanets spin up their host stars?

We have collected initial evidence that tidal interaction between a late-type star and its close-in, massive planet can lead to a spin-up of the host star. We propose to explore this further by studying a small sample of proper motion pairs in which one of the stars is orbited by a Hot Jupiter. We will determine if the activity-estimated age appears to be strongly different for the two stars, which would indicate a tidal spin up of the Hot Jupiter host star. We propose to observe 4 such systems with Chandra/ACIS-S, and to perform a similar observation of one additional system with large angular separation using XMM-Newton/EPIC. The total proposed exposure times are 141 ks (Chandra) and 38 ks (XMM).

Where are the mid-sized flares of ultracool M dwarfs?

We propose to observe the M8.5 dwarf SCR J1845-6357 with XMM-Newton EPIC for 60 ks. Very low-mass M dwarfs show a distinct drop in X-ray luminosity compared to slightly more massive M dwarfs. Surprisingly, this does not happen at the mass threshold where M dwarfs become fully convective (M4), but at significantly lower masses (M8). These very low mass stars seem to have a flaring behaviour different from earlier type stars: they display either occasional large flares or a very low-level "flickering" in their X-ray light curves, but not the canonical power-law flare-energy distribution observed for the Sun and other cool stars. Our aim is to collect a long-duration light curve for one of the most nearby ultracool dwarfs to quantify how its flare-energy distribution differs from earlier type stars.

The marriage of João de Alarcão and Margarida Soares and the creation of a transnational Portuguese-Spanish nobility

The main aim of this chapter is to analyze the social and political effects of dynastic marriages between the Portuguese and Castilian-Aragonese crowns on the configuration of transnational, aristocratic families during the sixteenth and seventeenth centuries. To illustrate these questions we have chosen to follow the Soares de Alarcão family (known in Spain as Suárez de Alarcón) and the paths it took between the royal houses of Portugal and Castile for seven generations. The working hypothesis of the chapter is that the identity of the Iberian nobility during this era was characterized by a shared noble culture rather than by any particular features derived from the family’s land of origin. That assumption allows us to discuss whether the use of a particular language or culture indicates ties or political loyalties based on criteria of nationality, or, at the very least, place of birth. Therefore, this essay discusses the miscegenation of Iberian nobilities derived from dynastic marriages. It articulates the structural characteristics of this group and its political impact with the individual trajectories and historical contexts in which they developed. While these topics can be of interest for the comprehension of Portuguese early modern history, they can also help us to reflect more broadly on processes of identity construction.

Marcial e a "Epopeia do quotidiano" : a dimensão épica de um poeta

O século I, que desabrochou numa Idade de Ouro, não findaria sob o signo da boa Fortuna inaugurada pelo primeiro Princeps. O século de Augusto conheceria o seu fim! A Literatura não pôde furtar-se ao fatum de todo um Império e, depois de 69, juntamente com a Magna Vrbs, aguardava um tempo que fosse, finalmente, capaz de uma renovação. Para os anos oitenta do século I, prometiam os Flavianos e as suas consecuções uma nova Aurea Aetas… Porém, revelou-se impossível recuperar o passado: então, como nunca antes, os abastados demandavam a púrpura e a populaça clamava por panem et circenses. E a mudança definitiva dos tempos tinha na produção artística das suas maiores provas — a clientela condenara os autores ao abandono! Longe os círculos de Mecenas, apoiando Horácios e Virgílios que podiam abraçar em exclusivo a sua arte… Marcus Valerius Martialis foi não apenas um autor cuja existência se ressentiria dos constrangimentos que esta época reservou aos poetas, como o que faria da sua obra o mais fiel espelho do seu tempo. Aliás, não fora a sua obra e não se compreenderia cabalmente como foi possível a um escritor sobreviver a esses tempos e trazer à luz o seu trabalho — a uma luz muito especial, na verdade: Hic est quem legis ille, quem requiris, / toto notus in orbe Martialis (1.1.1-2)! Para cantar o novo Império e o seu quotidiano, onde conviviam, a um tempo, a grandeza e a torpeza, nada melhor que uma rude auena, jocosa e mordaz... O epigrama, não a epopeia, era a nova voz de Roma! E Marcial, elevando a sua auena, aplicou toda a sua mestria na celebração da sua Roma e dos Romanos seus concidadãos — hominem pagina nostra sapit (10.4.10). Teremos nós perdido um épico talentoso que se devotou e à sua arte a um género menor ou teremos ganho um cantor ímpar que viveu em perfeita harmonia com o seu tempo? Alcançando a imortalidade, reservada, antes, para os épicos, Marcial alcançou o seu objetivo: si […] / [...] fas est cineri me superesse meo (7.44.7- 8). E, no entanto, o feito singular de Marcial foi dar cumprimento às suas palavras — angusta cantare licet uidearis auena, / dum tua multorum uincat auena tubas. (8.3.21-22) —, escrevendo, sob a forma de epigramas, a primeira e, talvez, a única epopeia do quotidiano!

O interesse socioeducativo (e as dificuldades) de traduzir em português-espanhol

O Projeto que apresentamos insere-se nos estudos do Mestrado em Tradução Especializada dentro da vertente da Saúde e Ciências da Vida; é por isso que, partindo de um texto/suporte que visa promover uma alimentação saudável nas escolas (manual de referência difundido pelos Ministérios da Educação e Ciência e Ministério da Saúde de Portugal), procedemos à tradução (de português para espanhol) de um conteúdo que suscita, nos nossos dias, um grande interesse socioeducativo e cultural. É preciso destacar que o facto de ter nascido e vivido na Venezuela durante doze anos permitiu-me superar com êxito os meus estudos de espanhol na Licenciatura e no referido Mestrado; mas, ao mesmo tempo, tive que me adaptar, enquanto cidadã portuguesa, ao complexo e inacabado processo de ir interiorizando estas duas línguas – português/espanhol – tão próximas e no entanto com sistemas linguísticos bem distintos. Esta evidência encontra a sua maior justificação no grande capítulo dos erros (de forma e de significado) que consegui detetar e analisar graças à ajuda da minha professora orientadora, ao longo deste meu primeiro trabalho académico (texto traduzido para espanhol). Só agora, depois da minha primeira e “ingénua” tradução desse texto/manual, sou capaz de perceber com toda nitidez a dimensão do erro na atividade tradutora, assim como das suas consequências. Além desta importante reflexão, também o facto de elaborar este projeto permitiu-me abordar um aspeto linguístico da língua espanhola que me cativa pessoalmente (no que me diz respeito): o das variantes lexicais do castelhano nos países hispanofalantes. Não duvido em apontar um outro aspeto fundamental: o esforço de ter tido que corrigir minuciosamente e com rigor esta tarefa tradutora (com os seus respetivos comentários tradutológicos) converteu-se numa fonte de múltiplas satisfações pessoais; são aquelas que têm a ver com o cultivo de valores tais como o esforço, o espírito de superação, o exercício da responsabilidade e o (re)conhecimento da honestidade intelectual, entre outros.

Revival: The Aesthetics of Revival Subcultures and Re-enactment Groups Explored Through Fashion Image-making

This research aims, through performance, fashion photography, video making and the theatrical devices that accompany such practice, to explore the style of a contemporary, largely male, subcultural collective. The common term that joins these loosely bound groups is revival as they appear driven by an impulse to simulate and re-enact the dress, rites and rituals of British and American subcultures from a perceived golden era. The similarities with re-enactment societies are also explored and exploited to the end of developing new style- based aesthetics in male fashion image-making formed around an elaborate re- enactment of Spartacus and the Third Servile Wars. Examined through comparative visuals (revivalists / re-enactors) a common thread is found in the wearing of leather as a metaphor for resistance, style and a pupa-like second skin. Subsequent findings of this research suggest that the cuirass of popular culture emerges as the motorcycle jacket of both the sword and sandal epic and the historical re-enactor. Addressing extremes in narcissistic dress and behaviour amongst certain individuals within these older male communities, this study also questions parts of established theory on subcultural development within the field of cultural studies and postulates on a metaphorical dandy gene. Citing two leading practitioners in the field of fashion photography the work of both Richard Prince and Bruce Weber is viewed through the lens of the subcultural aesthete and conclusions drawn as to their role as agents provocateurs in the development of the fashion image with a revival based narrative. In addition the often used term retro is examined, categorised and granted its own genre within fashion image- making and defined as being separate from the practice element of this research. Reflecting a multi-disciplinary approach that engages the researcher as Bricoleur and participant observer this research operates in the reflexive realm and uses simulation as a key method of enquiry. The practice-led outcome of this investigation takes the form of a final research exhibition that takes the form of a substantial installation of photography, video, clothing and textile prints. Key terms: dandy gene, historical re-enactment groups, internal theatre, narcissism, narrative image-making, reflexive practice, revival as theatre, subcultures,

Corre mãe! Corre!: trabalho de projecto

Trabalho de Projeto submetido à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Teatro - especialização em Teatro do Movimento.

A "Portrait" of Book XII of the Æneid: the Mosaic of the «House of the Medusa» (Alter do Chão, Portugal)

This paper addresses the study of a mosaic discovered in 2007 at the archaeological site of Alter do Chão, Portugal, whose central panel represents the penultimate scene narrated in the last Book of the Æneid – a Roman epic composed by the poet Publius Vergilius Maro (70 BC – AD 19), at the request of Gaius Julius Cæsar Octavianus Augustus (63 BC – AD 14): it shows the very moment when Turnus, the Latin king of the Rutuli, kneels before Æneas, considered the precursor to the foundation of Rome (Virgil, Æneid, XII, 926-950).

Nord de L.-F. Céline : une réécriture des chroniques médiévales

À partir du projet d’écriture d’une chronique que Céline met en avant lorsqu’il parle de son œuvre dans l’après-guerre, ce mémoire examine l’hypothèse selon laquelle le genre des chroniques médiévales fait, dans Nord, l’objet d’une réécriture permanente et déterminante pour la version de la Seconde Guerre mondiale de Céline. La notion d’horizon d’attente de Jauss permet d’abord de démontrer comment Nord reconstruit le discours testimonial et l’éthos de la vérité qui fondent la légitimité de chroniqueurs comme Villehardouin ou Clari afin d’accréditer une version illégitime des événements de 39-45. Au récit magnifié de la « Libération », Céline oppose en effet une chronique de l’épuration et un témoignage sur la vie quotidienne dans l’Allemagne de 1944. Idéologiquement nationalistes, les chroniques médiévales forment une lignée de la francité à partir de laquelle Céline crée une fiction politique passéiste qui projette sur les événements de 39-45 la géopolitique d’une Europe médiévale afin de cautionner les partis pris d’extrême droite de l’auteur. Par ailleurs, Nord accentue la propension autobiographique de certaines chroniques et la confond avec une lignée de mémorialistes disgraciés. Ceux-ci lui fournissent le plaidoyer pro domo qui orchestre toute la rhétorique d’autojustification de l’écrivain dans l’après-guerre : s’autoproclamer victime de l’histoire afin de justifier a posteriori les pamphlets antisémites et ainsi s’exonérer de tout aveu de culpabilité. Enfin, Céline qualifie Nord de « roman » par référence à la part d’affabulation des chroniqueurs. Pour représenter l’histoire en une Apocalypse advenue sans justice divine et sans héros, Nord procède en effet à une réactivation des genres fictionnels comme la légende, l’épique et le chevaleresque qui s’entremêlaient à l’histoire dans les Chroniques de Froissart. Cette réécriture entre fabula et historia est donc d’abord une création de romancier qui, dans le contexte de crise de la fiction de l’après-guerre, procède à un épuisement du roman par l’histoire.

L’intertextualité classique dans la production littéraire du Québec des années 1850-­1870.

La littérature québécoise du XIXe siècle souffre de lourds préjugés que la critique contemporaine semble difficilement dépasser. Il est principalement reproché aux auteurs d’écrire de mauvais romans, privilégiant le fond au détriment de la forme. Pourtant, la lecture des œuvres publiées durant cette période indique clairement que certains écrivains font un usage massif de références à la culture classique. Ce recours intertextuel systématique leur permet d’inscrire le littéraire dans leurs œuvres tout en les rattachant aux genres épique et bucolique. Or, l’intertextualité gréco latine intervient précisément dans une période agitée par des querelles sur l’enseignement des œuvres classiques dans les collèges. Au cœur de cette polémique, une mouvance intellectuelle marquée par les idées de Monseigneur Gaume reproche à la littérature païenne de pervertir la jeunesse et prône un enseignement exclusif du latin chrétien. L’ampleur du débat dans la presse de l’époque est telle que les écrivains – qui ont tous été scolarisés dans des collèges classiques – ne pouvaient en aucun cas l’ignorer. La présente thèse étudie ainsi le dialogue intertextuel mené dans la production littéraire québécoise entre 1850 et 1870. Analysant l’image et la fonction de la culture gréco-latine dans les milieux littéraires québécois durant toute la querelle gaumiste, elle projette un nouvel éclairage sur les textes et met en évidence le savant travail littéraire effectué par leurs auteurs.

Modéliser la polarisation électronique par un continuum diélectrique intramoléculaire vers un champ de force polarisable pour la chimie bioorganique

Thèse numérisée par la Division de la gestion de documents et des archives de l'Université de Montréal

Rilettura della storia e attivismo politico nei romanzi dei Wu Ming

Ma thèse propose une analyse attentive de la ré-écriture de l'histoire articulée dans trois romans du collectif d'écrivains italiens publiant sous le pseudonyme Wu Ming: "Q", "54" et "Manituana". Partant du pamphlet publié par les Wu Ming en 2008 sur leur conception du roman historique et de l’écriture romanesque en général, the New Italian Epic (NIE), je propose deux angles d’approche pour mettre en évidence la relecture de l’histoire se dessinant dans les romans cités ci-dessus: la notion du regard oblique (qui est mentionnée dans le NIE); et le concept de multitude. La technique du regard oblique implique une réflexivité de la narration, une mise en abîme du processus narratif qui est effectuéé par le biais d’un point de vue insolite. Ce dernier peut provenir d'un animal, d’un objet animé, ou même d’un objet mystérieux comme le flux immatériel. Cette technique a déjà des précédents littéraires dans l’oeuvre d’écrivains tels que Italo Calvino ou Thomas Pynchon, mais dans la nouvelle forme qu’elle acquiert dans les textes des Wu Ming, elle permet l’articulation d’une relecture transversale de l’histoire. Cette relecture transversale émergeant dans les romans des Wu Ming est analysée dans la première partie de la thèse. La conceptualisation du regard oblique que je développe dans cette partie se base sur la théorie de l'anamorphose de Jacques Lacan, ainsi que sur le concept de la "troisième personne" proposé récemment par le philosophe Roberto Esposito. La seconde partie de la thèse aborde la problématique de la confrontation de l'écriture des Wu Ming à la situation socio-politique internationale contemporaine, soit comment leur ré-écriture de l'histoire s'insère dans la situation biopolitique globale. Dans les romans des Wu Ming on voit surgir une interprétation de cette situation globale qui dépasse les notions classiques de l'État et du citoyen. Le concept du biopolitique se prête à diverses interprétations: dans ses écrits des années 1970, Michel Foucault, qui est un des théoriciens majeurs du biopouvoir et de la biopolitique, ne parvient pas à proposer une interprétation unique et précise de ce dernier concept. Plusieurs philosophes italiens ont repris ce discours en le développant chacun à sa manière. Certains, comme Paolo Virno et, un peu plus tard Toni Negri, voient dans la notion de la Multitude une possibilité pour équilibrer le rapport pouvoir/personne et par conséquent pour développer de nouvelles possibilités révolutionnaires pour la déconstruction du biopouvoir. Les Wu Ming semblent suivre la voie positive de la multitude, qui selon leur conception correspond plus à une interprétation néo-marxiste de l’histoire.