Black and white and re(a)d all over again: Indigenous minstrelsy in contemporary Canadian and Australian theatre

This essay considers processes by which community identities are challenged by discussing the use of whiteface as an activist strategy in recent indigenous theatre in Canada and Australia. To understand whiteface, I employ Susan Gubar's notion of racechange, processes that test and even transgress racial borders. I also situate whiteface in relation to the history of blackface minstrelsy. Noting the ways these racial performances affirm the hierarchies of color and how power becomes invested in such color codings, the essay highlights indigenous employment of whiteface as a potential form of critical historiography. I then analyze how whiteface functions in two productions, Daniel David Moses's Almighty Voice and His Wife (1991) in Canada and the Queensland Theatre Company's 2000 revival of George Landen Dann's Fountains Beyond in Australia. My analysis posits that such indigenous performances of whiteface can affirm the identity of the marginalized other even as they destabilize the fixity of race and its meanings.

Historical and dialectical perspectives on the teaching of Aboriginal and Torres Strait Islander musics in the Australian education system

Indigenous studies (also referred to as Aboriginal and Torres Strait Islander studies) has a double identity in the Australian education system, consisting of the education of Indigenous students and education of all students about Aboriginal and Torres Strait Islander cultures and histories. Through explanations of the history of the inclusion of Aboriginal and Torres Strait Islander musics in Australian music education, this article critiques ways in which these musics have been positioned in relation to a number of agendas. These include definitions of Aboriginal and Torres Strait Islander musics as types of Australian music, as ethnomusicological objects, as examples of postcolonial discourse, and as empowerment for Indigenous students. The site of discussion is the work of the Australian Society for Music Education, as representative of trends in Australian school-based music education, and the Centre for Aboriginal Studies in Music at the University of Adelaide, as an example of a tertiary music program for Indigenous students.

Burocracia e a revolu????o gerencial: a persist??ncia da dicotomia entre pol??tica e administra????o

Este ensaio trata da integra????o entre pol??tica e administra????o no contexto da chamada revolu????o gerencial. O texto est?? estruturado em cinco segmentos. Os dois primeiros delineiam uma interpreta????o weberiana do problema da burocracia: a dicotomiza????o entre pol??tica e administra????o, tanto no n??vel te??rico da governan??a contempor??nea, onde prop??e-se um quadro de refer??ncia anal??tica ?? integra????o entre pol??tica e administra????o, quanto no contexto da moderniza????o da administra????o p??blica brasileira. O terceiro segmento busca caracterizar os atributos do modelo ideal de administra????o p??blica preconizado pela revolu????o gerencial, a partir da contraposi????o de outros paradigmas reconstitu??dos da literatura: um ortodoxo, um liberal, outro empreendedor. O quarto segmento sustenta que os modelos de administra????o p??blica preconizados pela revolu????o gerencial apresentam o mesmo car??ter dicotomizante entre pol??tica e administra????o t??pica da burocracia. O sexto segmento ensaia algumas reflex??es sobre a validade da revolu????o gerencial, sua contribui????o para a experi??ncia brasileira e sobre o advento de uma revolu????o p??s-gerencial.

Tentativas e perspectiva de forma????o de uma burocracia p??blica no Brasil

An??lise da quest??o da forma????o da burocracia p??blica no Brasil, desde a cria????o do Conselho Federal do Servi??o P??blico Civil em 1936 at?? as condi????es dadas pela Constitui????o Federal de 5 de outubro de 1988. Perspectivas e dificuldades de sua consolida????o na situa????o atual. As experi??ncias ocorridas no per??odo: o Estado Novo, o processo de Redemocratiza????o de 1946, o governo Kubitschek, o Movimento de 1964 e as grandes reformas sob o Decreto-Lei n?? 200, de 1967, a crise dos anos 80, a Constitui????o de 1988 e a Administra????o P??blica sob a Carta atual. Discuss??o dos temas em debate no momento sobre a quest??o da Administra????o P??blica: estabilidade, regime jur??dico, concurso p??blico, previd??ncia.

Ambient assisted living technology: comparative perspectives of users and caregivers

Developed societies are currently facing severe demographic changes: the world population is ageing at an unprecedented rate. This demographic trend will be also followed by an increase of people with physical limitations. New challenges are being raised to the traditional health care systems, not only in Portugal, but also in all other European states. There is an urgent need to find solutions that allow extending the time people can live in their preferred environment by increasing their autonomy, self-confidence and mobility. AAL4ALL is a project currently being developed in cooperation with 34 Portuguese interdisciplinary partners, from industry to academia, R&D and social disciplines, which employs a novel conceptual approach through the development of an ecosystem of products and services for Ambient Assisted Living (AAL) associated to a business model and validated through large scale trial. This paper presents a comparative perspective of the needs and attitudes towards technology of the AAL users and caregivers identified in the analysis of a set of three different surveys: a users survey targeted at the Portuguese seniors and pre-seniors; an informal caregivers survey targeted at the family, friends and neighbours who provide care without any financial compensation; and a formal caregivers survey targeted at physicians, nurses,psychologists, social workers, and direct-care workers providing care to elders. The first results indicate that AAL solutions must be affordable,user friendly and have a true perceived benefit to their users.

Contribution towards a reflection about methodological strategies in design education and the function of drawing in design

This work presents a reflection on Design education and specifically on the role of Drawing in this area. As a subject, Design has expanded its field of action expanding into new areas such as Experience Design or Service Design. It became necessary for the designer to have more than an education based on technological knowledge or know-how. Many authors like Meredith Davis, Don Norman or Jamie Hobson point out the urgency to review the curricula of Design courses because nowadays “… design is more than appearance, design is about interaction, about strategy and about services. Designers change social behavior” (Norman 2011). When shifting from a product-centered design to a person-centered design (in a structure, a service or in a relationship) what should the function of drawing in a design course be? What should its curriculum be? Our work methodology will be to confront today’s perspectives on design theory and practice in an attempt to add to the discussion on the methodological strategies in design teaching in the contemporary context.

Contribution towards a reflection about methodological strategies in Design Education and the function of Drawing in Design

This work presents a reflection on Design education and specifically on the role of Drawing in this area. As a subject, Design has expanded its field of action expanding into new areas such as Experience Design or Service Design. It became necessary for the designer to have more than an education based on technological knowledge or know-how. Many authors like Meredith Davis, Don Norman or Jamie Hobson point out the urgency to review the curricula of Design courses because nowadays “ … design is more than appearance, design is about interaction, about strategy and about services. Designers change social behavior” (Norman, 2011) When shifting from a product-centered design to a person-centered design (in a structure, a service or in a relationship) what should the function of drawing in a design course be? What should its curriculum be? Our work methodology will be to confront today’s perspectives on design theory and practice in an attempt to add to the discussion on the methodological strategies in design teaching in the contemporary context.