Kitāb Bahjat al-asrār wa-maʻdan al-anwār fī baʻḍ manāqib al-quṭb al-Rabbānī wa-al-ghawth al-Ṣamadānī wa-al-baḥr al-zākhir al-nūrānī ṣāḥib al-maqām al-ʻalī Muḥyī al-Dīn Abī Muḥammad ʻAbd al-Qādir al-Jīlī

taʼlīf Nūr al-Dīn Abī al-Ḥasan ʻAlī ibn Yūsuf Abī Faḍl al-Shaṭnūbī. Wa-bi-hāmishihi Kitāb Riyāḍ al-basātīn fī akhbār al-Shaykh ʻAbd al-Qādir al-Jīlī Muḥyī al-Dīn taʼlīf Muḥammad al-Amīn al-Kīlānī al-Tūnisī.

Dīwān al-khuṭab al-sanīyah lil-jumaʻ al-Ḥusaynīyah [microform] /

Microfilm.

Significación de los relatos de ‘ağā’ib dentro de la riḥla de Ibn al-Ṣabbāḥ

La obra de Ibn al-Ṣabbāḥ concita en su interior diversos géneros, y en especial el género riḫla. Sin embargo, como toda obra árabe medieval, posee características de otros géneros, como el geográfico, el autobiográfico y, en el caso del presente estudio, reúne relatos de ‘ağā’ib o ‘maravillas”. El artículo muestra ejemplos de cómo el unicum titulado Niṣāb al-ajbār wa-taḏkirat al-ajyār recoge la tradición de la literatura de maravillas o de ‘ağā’ib de la literatura árabe clásica.

Mawlid al-Nabī

taʼlīf ʻĀyishah al-Bāʻūnīyah.

Nawādir Mawlānā al-ʻālim al-ʻallāmah al-ḥibr al-baḥr al-qudwah al-fahhāmah al-ustādh Aḥmad Shihāb al-Dīn al-Qalyūbī

Date and imprint taken from colophon.

İzhar-ı hakikat /

Özege, M.S. Eski harflerle,

Dinî, vatanî, askerî risale-yi irşadiye /

Özege, M.S. Eski harflerle,

The origins of the Islamic state, being a translation from the Arabic, accompanied with annotations, geographic and historic notes of the Kitâb fitûh al-buldân of al-Imâm abu-l Abbâs Ahmad ibn-Jâbir al-Balâdhuri,

Pub. also as thesis (Ph. D.) Columbia university, 1915.

Philosophy as a Path to Happiness : Attainment of Happiness in Arabic Peripatetic and Ismaili Philosophy

The aim of the dissertation is to explore the idea of philosophy as a path to happiness in classical Arabic philosophy. The starting point is in comparison of two distinct currents between the 10th and early 11th centuries, Peripatetic philosophy, represented by al-Fārābī and Ibn Sīnā, and Ismaili philosophy represented by al-Kirmānī and the Brethren of Purity. They initially offer two contrasting views about philosophy in that the attitude of the Peripatetics is rationalistic and secular in spirit, whereas for the Ismailis philosophy represents the esoteric truth behind revelation. Still, they converge in their view that the ultimate purpose of philosophy lies in its ability to lead man towards happiness. Moreover, they share a common concept of happiness as a contemplative ideal of human perfection, which refers primarily to an otherworldly state of the soul s ascent to the spiritual world. For both the way to happiness consists of two parts: theory and practice. The practical part manifests itself in the idea of the purification of the rational soul from its bodily attachments in order for it to direct its attention fully to the contemplative life. Hence, there appears an ideal of philosophical life with the goal of relative detachment from the worldly life. The regulations of the religious law in this context appear as the primary means for the soul s purification, but for all but al-Kirmānī they are complemented by auxiliary philosophical practices. The ascent to happiness, however, takes place primarily through the acquisition of theoretical knowledge. The saving knowledge consists primarily of the conception of the hierarchy of physical and metaphysical reality, but all of philosophy forms a curriculum through which the soul gradually ascends towards a spiritual state of being along an order that is inverse to the Neoplatonic emanationist hierarchy of creation. For Ismaili philosophy the ascent takes place from the exoteric religious sciences towards the esoteric philosophical knowledge. For Peripatetic philosophers logic performs the function of an instrument enabling the ascent, mathematics is treated either as propaedeutic to philosophy or as a mediator between physical and metaphysical knowledge, whereas physics and metaphysics provide the core of knowledge necessary for the attainment of happiness.

The Oud Across Arabic Culture

This study is a compilation and compendium of information on the oud, the most important instrument in Arabic classical music. It has grown out of my own long-time involvement in studying and playing the oud, and in particular out of my interest in the lack of sources and knowledge available to the vast majority of oud players and researchers, as well as for the readers. My own path started from an intensive study of the oud, which included exposure to several treaties; some housed in museums around the globe, and some only available in the Arabic language. The study combines archival research (including Arabic poetry and pre-Islamic Era and medieval treaties), symbolism, new archaeological discoveries, field interviews, and analysis of existing scholarship, and draws on my professional performance experience for detailed stylistic analysis of the oud's performance practice and its historical development. The study consists of participant observation, personal performance, and interviews conducted in person, via telephone, and/or via e-mail, according to the choice of the performers. The performers have been selected from networks of musicians who perform regularly at lounges, concert halls, and private events. These performers have been chosen according to their musical knowledge, technical skill, experience, and activity in Arabic music and oud performance. Chapter one deals with the purpose of this study and the methods of investigation, as well as giving a brief overview of the history of the oud. In addition, there will be an introduction to the Arabic musical system (mâqâm), which is primarily based on the mechanics and sound production of the oud. Chapter two deals with the oud in Arabic sources: the first source is Arabic poetry in the pre-Islamic Era. The second source is Arabic poetry in the medieval era, in which I found a significant number of poets who allude to the oud, providing accurate descriptions of the player, singers, and the scenes within the contexts of oud performance. The third source is the Arab scholars' intensive treatises with meticulous accounts of the instrument's apparatii, including descriptions and measurements of the parts, strings, and tuning. While chapter three deals with the classification, the development of the oud, chapter four deals with topics such as: the symbolism of the oud and its relation to cosmology, astronomy, mathematics and anatomy. In most of the pertinent Arabic writings, philosophers mention a significant correlation between the oud and the other sciences. Chapter five deals with recreating the performance practice of the oud. A case study of the oud performers focuses on their style, technique, training, and personal experiences. Topics such as improvisation and ornamentation, the oud in the Arabic musical ensemble, the social uses and functions, and gender in musical performance practices will be included in detailed analysis. Other important topics will be analyzed such as traditional vs. modern technique, and the repertoire of the oud. Specifically, in regard to technique, the study outline the style of the music, the role of the oud in Arabic ensembles, the function of the oud in music composition, and the form of the ensembles in Arabic performance and practice.

Writings on Islamic divination : manuscript, [ca. 1592]

Title supplied by cataloger.

[ Islamic hymns] : manuscript, undated

Title supplied by cataloger

Studies in Arabic literary papyri.

Bibliographical footnotes.

Arabic-English lexicon /

"Supplement to parts VII and VIII": pt.8, p.[2981]-3064.