Combater a desistência de adultos nos cursos EFA escolar, nível secundário

Trabalho de projecto de mestrado, Ciências da Educação (Formação de Adultos), Universidade de Lisboa, Instituto de Educação, 2010

Contributos da educação : (re)viver na prisão

Relatório de estágio de mestrado, Ciências da Educação (Educação Intercultural), Universidade de Lisboa, Instituto de Educação, 2011

Dinamizadores comunitários e a sua dimensão intercultural

Relatório de estágio de mestrado, Ciências da Educação (Educação Intercultural), Universidade de Lisboa, Instituto de Educação, 2011

Cooperação, motivação e tecnologias : processo de aprendizagem em Oficina de Expressão Plástica, 7.º ano

Relatório da Prática de Ensino Supervisionada, Ensino de Artes Visuais, Universidade de Lisboa, 2013

Desenvolvimento comunitário e diversidade cultural no K’Cidade

Relatório de estágio de mestrado, Ciências da Educação (Educação Intercultural), Universidade de Lisboa, Instituto de Educação, 2013

Educar nas virtudes:programa de intervenção para alunos do 1º ciclo de ensino básico

Tese de doutoramento, Psicologia (Psicologia da Educação), Universidade de Lisboa, Faculdade de Psicologia, 2014

Motivos de beleza e amor no cancioneiro popular português e sérvio

Tese de doutoramento, Linguística (Linguística Aplicada), Universidade de Lisboa, Faculdade de Letras, 2014

Partilhar, comunicar e cooperar : a utilização de recursos digitais de apoio à disciplina de educação física

Trabalho de projeto de mestrado, Educação (Área de especialização em Educação e Tecnologias Digitais), Universidade de Lisboa, Instituto de Educação, 2014

Relatório de estágio em nutrição em pediatria

Relatório de estágio de mestrado, Nutrição Clínica, Universidade de Lisboa, Faculdade de Medicina, 2014

Estética natural e ética ambiental, que relação?

This paper defends that environmental aesthetics provides a consistent basis for environmental philosophy, whereas aesthetic value plays an important role in the defense and preservation of natural areas. For several environmental philosophers the natural beauty is an inherent part of the ethical concern. Leopold states that “a thing is right when it tends to preserve the integrity, the balance and the beauty of the biotic community”. Notwithstanding, aesthetic value is still not a central issue in the environmental debate. On the other hand, the “positive aesthetics” (Allen Carlson), which is a recent approach that reevaluates “positively” natural beauty in the ethical context, obtains a core of objections. This paper sketches a few arguments defending the contiguity between environmental aesthetics and environmental ethics: (i) the emotional perception of inclusiveness and engagement on the aesthetics appreciation of nature; (ii) the feelings of grace and love toward nature inherent to the nature’s aesthetic appreciation which according Kant announces the moral feeling; (iii) the ecological knowledge of natural beauty in order to understand the full meaning of it, and that includes some natural entities seen as not beautiful.

A valorização da função do objecto de design em contexto museológico : lógicas expositivas - a museologia do design industrial

The design objects give us a testimony of those who imagined, designed, developed, manufactured and used them. Each object, intentionally or not, portrays its own story, all the visible details are part of a decision taken by someone at some time of its chronology. The act of collecting objects, as well as private collections are the basis for the creation of museums as we know them today. Musealization - taking objects into a museum - means that one is restoring, preserving, enhancing some objects compared to others. And when restoring these objects, one is restoring their symbolic capacity, i.e. the fact that they tell a story, means you are restoring its message. In a museum, although out of context and deprived of most of the functions to which they had been designed for, the objects acquire other function(s), preserving their importance. Design museums give us the possibility to have a closer view of the objects, rather than just look at them, along with the pedagogical function. Thus presents a proposal for museography regarding industrial design, which is based on the appreciation of the function of anonymous design objects, based on expository logic, that takes the visitor to see, instead of just looking at objects, offering the possibility of interaction with the same, increasing the relationship between human being - object - museum, including groups with special needs, which are often forgotten in these exhibitions. This dissertation is a reflection and a projectual intervention on the design object in a museum, clarifying the concepts of object and museum, covering issues regarding the relevance of design museums, and culminating in the presentation of a museography project, where the function of an object prevails