4 resultados para National identity and writing

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ABSTRACT From a broader project, this paper presents a synthesis of theoretical reflections and principles of basic practical procedures for teacher training, focusing on teaching and learning of reading and writing in High School in Brazil. We present a brief history of the academic production, after the redemocratization of the years 1980/90 and we comment some topics proposed by the public policies. We emphasize writing specificities as a technological instrument, decisive for reading and producing texts. Finally, we present two reading practices based on methodological procedures for the graphic treatment of texts. The goal is to put the reader in a position to understand the processes of text construction in the position of authorship. Such practices mobilize "game" senses that affect the reader in the relations of language with writing as a graphic interface and analytical instrument.   Keywords: Reading, Writing; High school.

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This article presents an analysis of identity and representations of black women in the tales Keep Secret Esmeralda Ribeiro, Rosa and Fusilier and Voices d'Rachel de Queiroz Africa. The story of Esmeralda Ribeiro black author, published in Cadernos Negros: the best short stories (1998) reexamines Clara dos Anjos, Lima Barreto's novel character written between 1904 and 1922. In this work, the author lays bare, in a confessional tone, the daily life of Rio suburbs, from the perspective of racial prejudice, and is the protagonist as a passive woman, submissive, an object. Emerald, black writer, gives Clara a condition of the subject, building an identity as a woman and as a black. It is the chronicle of belonging. Rosa and the Marine and Voices of Africa Rose protagonist appointing chronic-tale first is the outcome of its history in the second text, both published in the first Rachel de Queiroz of chronic compilation entitled The Maiden and Moura Pie (1948 ). Rachel is the text representation of black women because they can not as white women have the lived experience as black to build identity and can do it in generalizing way considering his wife condition and his experience in the feminine universe. There are relations between the texts that go beyond the theme, Space Rio suburb and similarities between Rosa and Clara, Cassi and the Marines. You can see the works a dialogue between sex and race interests, identities and stereotypes, relationships that materialize in Literature.

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Regarding reading and writing practice, Higher Education context is one privileged setting for text study in order to provide knowledge acquisition and production for students. It is also recognizable that texts vary linguistically depending on the purpose and context of production which leads to academic literacy notion. In such context, courses are developed aiming to prepare students to master texts and practices in order to achieve academic success. Text Reading and Production I Course is an example of a course which has been introduced in the university programs. The paper aims to analyze the pedagogical practice that takes such projects as leading planning for reading and writing education at the university. It is part of a research carried out by the researcher who is a professor of Text Reading and Production I Course of a university center placed in the Taquari Valley/RS. The present essay aims to analyze texts the students read and wrote in the mentioned project. It is understood that (KLEIMAN, 2000, P. 238) literacy projects represent activities that result from real interest in students’ life and the implementation involves reading and writing as social practice. Data were collected from a group of students enrolled in the Text Reading and Production I Course during 2013/B term. One of the eleven projects developed by the students and the importance as literacy practices for reading and writing education at the university are analyzed.

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This work aims to approach the novel Ana em Veneza (1994), of João Silvério Trevisan, considering discussions around culture / national identity and exile that occur from the character Alberto Nepomuceno. Thereby it is discussed the impressions of a character who is faced with identity dilemmas, between a dominant western culture – european - and his roots whose character is multicultural and multifaceted, as well as when approaching the issue of exile in the work, this dilemma becomes even more evident. Therefore, as a theoretical basis, will be used studies about historical extraction narratives, in view of the historical rescue and biographical present in the work.