The evil in the story "Intruge-se", from Guimarães Rosa: an experience for learning

This paper analyzes the short story "Intruge-se" within the book Tutameia (1967) from the brazilian writer João Guimarães Rosa. We shall approach the relation between the main character and a mystery involving a murder he decides to solve. The tale reveals a twofold perspective, that allows, not just bare reading, but a meditation about the human nature. We will tour the tale with thorough look and proposed to find, in the intricacies of writing rosiana, the multiple meanings that involve the actions and choices of the main character and how, through them, the author seeks to represent one of the most pressing questions of humanity. We intend to show how the aesthetic element acts in the formation of the individual, providing in addition to an objective experience of leisure, also a spontaneous learning ability which inexcusably enforces the reader's restlessness and need to reflect. This work is an observation about the story and what makes it what it is. Guimarães Rosa traces this story about subjectivity worlds, worlds that involve a context that triggers the story, which want to refer the reader out of it, which provides a spiral, by nature of its form, the most varied questions about the actions and feelings humans. The experiences with this observation, as well as those arising from variations, resulting in a rich learning, in that it enables and habituate critical eye, doubt and reflection. With that purpose, literature functions as a learning gear, according to what is sustained by Antonio Candido.

READING CONCEPTIONS IN THE LANGUAGE TEACHING

In this paper, we reflect on the reading concepts, since it is relevant to explain them, because they guide the development of reading comprehension activities, the use of texts in class and the analysis of some issues presented in textbooks. For organizational purposes, we classify the different theoretical lines that discuss the reading from the unilateral and multilateral perspectives of the information processing, which integrate three broad approaches: ascending, descending and interactive. We do not see them as completely exclusive, but as complementary in many ways to characterize the aspects that underlie the reading and comprehension process, if we consider the text, the reader, the production and reading context of the text.