Thoughts on the development of writing on language settings contact

This scientific paper presents the results of an ethnographic study and it is aimed at reflect about the development of writing in language contexts in contact through reflective analysis of the interferences of speech in the writing production of children enrolled in the 7th grade of elementary school. The languages contexts in contact pay attention due to the complexity than the teaching of standard variety takes on linguistic diversity that enters the school. In this sense, we base this research on the theory Educational Sociolinguistic, based on authors: Bortoni-Ricardo (2004, 2005 and 2011) and Damke (1988, 2009 and 2013). The results demonstrate that the marks of the languages in contact that are present in the writing, are regulars and depend on the linguistic contact of the speaker, blending with the linguistic variation of the Portuguese language, and what it allow create pedagogical intervention activities that consider specifics contexts writing.

LADIES AND GENTLEMEN, THE PLAY O AUTO DA COMPADECIDA GOES TO THE TELEVISON!

 This paper aims to present the results of a study on the translation of the narrative structure of the play Auto da Compadecida, by Ariano Suassuna, into the homonymous TV mini-series, directed by Guel Arraes (Globo,1999). The play has in its structure a representation within another - the auto (designation of the medieval miracle plays in the Latin Culture) is represented as part of a circus presentation, having as its narrator a clown that, in the role of the author, presents the story, its characters and, throughout the play, interferes and interacts with the spectator (reader). Arraes, in turn, establishes a different configuration to the narrative structure of his text, once he changes the circus representation for an audiovisual one. In this perspective, the auto by Arraes presents the film The Passion of Christ within the TV mini-series O Auto da Compadecida. In general, we observe that Arraes brings to his translation the audiovisual language technology of his time, rewriting the sertanejo’s beliefs from the mass media point of view. Within this study, we propose reflections on the adaptation process as a translation act and also on the intertextuality between genres deriving from this intersemiotic process.    KEY WORDS: Intersemiotic Translation; Literature; TV mini-series. 

LA TRADUCCIÓN DE TEXTOS TÉCNICOS ESPAÑOL/PORTUGUÉS: INTERFERENCIAS E (IR)RESPONSABILIDADES

Em artigo publicado em Cuadernos Cervantes de la Lengua Española nº 36, analisamos os problemas – e uns tantos quantos disparates – encontrados em algumas traduções impressas nas embalagens de produtos vendidos nos supermercados de vários países da América do Sul, visando o aproveitamento desse material nas aulas de E/LE (Espanhol/Língua Estrangeira). Seguindo a mesma linha de pensamento, desta vez analisaremos a tradução de textos técnicos (embalagens, manuais de instruções e outros) do ponto de vista das interferências entre dois idiomas genética e tipologicamente tão próximos como é o caso do português e do espanhol. Focalizaremos também a importância de alguns princípios da análise contrastiva aplicados à tradução, quer seja na hora de realizar esse tipo de trabalho, quer seja para usá-los como fonte para atividades didáticas nas aulas de espanhol, com o propósito de detectar e evitar tais interferências. E abordaremos o tema da responsabilidade profissional, comparando as exigências da tradução juramentada e da tradução técnica. Finalmente, daremos exemplos autênticos de traduções técnicas que poderão ter um uso prático nas aulas de E/LE.