Heroínas e Vilões: os símbolos na obra Heroes and Villains de Angela Carter

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Território, cultura e regionalismo: aspectos geográficos em símbolos estaduais brasileiros

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

História e memória do negro em São Paulo: efemérides, símbolos e identidade (1945-1978)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A Seleção Brasileira de Futebol nos jogos da Copa do Mundo entre 1930 e 1958: o esporte como um dos símbolos de identidade nacional

Pós-graduação em História - FCLAS

A construção simbólica do espaço através da representação geográfica nos símbolos nacionais

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O Modelo do Sistema de Esquema de Ações e Operações sobre Símbolos e Signos

The objective of this paper is to introduce a model, called the Model of the System of Schemes of Actions and Operations on Symbols and Signs (MoSSAOSS), that articulates a systemic, systematic, and synthetic view of some of the principal theoretic and experimental results obtained by Piaget and his coworkers. Here, the term model means a schematic representation of experience, the relation of whose elements can be explored by means of logic and mathematics in order to deduce properties that correspond, in a sufficiently accurate form, to direct observable empirical properties. The MoSSAOSS model is intended to reveal in an abstract and simplified form, and through explicit hypothesis and definitions, the general structure and function of the System of Schemes of Actions and Operations on Symbols and Signs. It is this system that furnishes the elements that make possible the diverse structures necessary for the knowledge of the epistemic subject, the subject of knowledge, the stages in their construction, and the attribution of significations to objects, to situations, and to the actions and operations of the subject itself.

Tutaméia: labirinto de imagens e símbolos

Pós-graduação em Estudos Literários - FCLAR

Intertextualidades, símbolos e mitos entre o romance Mygale e o filme A pele que habito

The award-winning and controversial movie by Pedro Almodóvar “The skin I live” (2011) is an adaptation of Mygale’s novel (1984), the French writer Thierry Jonquet (1954-2009), translated into Portuguese in 2005 as Tarântula. It is a horror story, full of suspense, in which a renowned surgeon, Robert Ledgard, played by Antonio Banderas, switches, without any scruples, the sex of the young Vincent. What it shown to the viewer since the first images of the movie is, therefore, Vicente/Vera in her new and perfect female body. Flashbacks clarify during the movie the events that culminated in the opening scene that is presented to us, surprising us and, of course, shocking us. References to myths and symbols can be noticed in the movie. They bring with them, to be recognized by the viewer, issues related to the creation or metamorphosis, among others, as the Pygmalion and Galatea myth, which binds to artistic creation. Artistic metamorphosis operated equally by the filmmaker in his modern version of the doctor and the monster, for example, but, especially, in the rereading of the Jonquet’s novel. This study seeks to highlight some of the major myths and symbols inserted in Almódovar’s movie and what interpretations such insertions may ensue.

A ressignificação na terapia cognitiva: uma análise a partir do modelo do Sistema de Esquema de Ações e Operações sobre Símbolos e Signos

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)