4 resultados para DANZAS POPULARES Y NACIONALES

em Repositório Institucional UNESP - Universidade Estadual Paulista "Julio de Mesquita Filho"


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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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This introductory text to the 40th Issue of "Pensamiento Propio" refers to the diversity in the search to expand and deepen democracy in the continent. Even after a decade of left-wing parties who prioritized implementing high-impact policies on social inequality which characterizes Latin America, the democratic deficit persists, both in the context of local and national governments and of the multilateral organizations of the hemisphere. Reflecting on the participation of civil society in the control of governments and the State in the past few decades is an absolute necessity for those who acknowledge the need to strengthen our political citizenship.

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This article is the result of a domain analysis of the articles published in the congresses of ISKO in Brazil, Spain and North America, aiming at identifying the themes and scientific collaboration characteristics, as an input for future studies on research trends and promoting the growth of the participation in each community. So it was characterized as an exploratory research focused on the analysis domain. The results showed that the Brazilian, North American and Iberian ISKO Chapters have been building a large space of scientific production with some convergent subjects like the epistemological questions, but also considering the regional specific ones. In this vein, the presence of researchers in the three studied academic spaces reveals a concern on establishing dialogical basis in KO research, whose main research institutions are São Paulo State University (UNESP, Brazil), University of Wisconsin Milwaukee (UWM, United States) and University Carlos III de Madrid (UC3M, Spain), which have deeply intensified their collaboration in joint publications.

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Las músicas populares urbanas participan en la construcción, transmisión y deconstrucción de las imágenes de género. Es trascendental comprender su influencia entre los oyentes. Para ello, realizamos una investigación basada en encuestas a jóvenes universitarios que mostró la permanencia de prejuicios y una escasa capacidad crítica, lo que refuerza algunas de las hipótesis de la sociología de la música de T. W. Adorno y plantea cuestiones importantes para la musicología feminista. Es necesario tener conciencia de la existencia de estos prejuicios si pretendemos una educación emancipatoria.