A crítica cultural do jovem Glauber Rocha no suplemento dominical do jornal do Brasil: impasses e estratégias adotados na chegada ao Rio de Janeiro

Glauber Rocha’s arrival at Rio de Janeiro can be considered a milestone for the Brazilian Cinema Novo movement in the early 1960s. In 1959, Glauber starts his collaborations in the Suplemento Dominical do Jornal do Brasil. This paper examines Rocha’s major contributions in this newspaper for the purpose of pointing out the strategies and formulations of the young intellectual from Bahia to promote a debate on the forms of modern Brazilian cinema and its relationship to other art forms in the 1960s.

Um estudo das [possíveis] contradições da cultura no capitalismo do pós-guerra: uma abordagem do teatro da vertigem

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Dilemas na tradução de Muse & Drudge (Musa E Mula), de Harryette Mullen: negritude, dissonância e miscigenação

This paper aims to discuss a project of translating part of the work Muse & Drudge, by the award-winning African-American poet Harryette Mullen, into Brazilian Portuguese, with focus on a single poem. In Muse & Drudge Mullen combines cultural critique with humor, lyricism and punning, which has unfolded the frontiers between cultural and racial identity, and has put into question the opposition between popular and high culture. This work analyzes to which extent the proposed translation produces a new set of intertextual relations that might culminate in “unexpected” meanings. It is a goal to understand how the effects of such “unexpected” meanings reveal the “encounter” between the so-called racial “black/white” dichotomy, predominant in the US culture, and the notion of “miscegenation” and “racial democracy” in Brazil.

Edgar Allan Poe, Machado de Assis e Julio Cortázar: três visões do conto em conjunção

Based on the essay Kafka y sus precursores, by Jorge Luis Borges (1899-1986), the present essay looks for coinciding views from Edgar Allan Poe (1809-1849), Machado de Assis (1839-1908), and Julio Cortázar (1914-1984) on thatliterary genre. A possible connection between the three writers, regarded asmasters of the short story, is suggested having the Borgean essay as a startingpoint, while emphasizing the similarities of their views on what guides theartistic elaboration of the short stories. The confirmed relationship between Poeand Machado de Assis, and between Poe and Cortázar are emphasized, openinga door to the possibility of also thinking of a close relationship between Machadode Assis and Cortázar.Keywords:Short story; Compared Literature, Edgar Allan Poe, Jorge Luis Borges, JulioCortázar.

A tradução da obra Inferno, de Patrícia Melo, à luz da Linguística de Corpus

Neste artigo, apresentaremos um estudo da tradução da obra Inferno da autora Patrícia Melo, com o título Inferno, por Clifford Landers. Buscamos refletir sobre como são projetados no exterior uma visão da realidade violenta de grandes centros urbanos brasileiros e sobre o quanto o tradutor conseguiu resgatar da nossa sociedade no texto traduzido. Partimos do pressuposto de que o tradutor, consciente ou inconscientemente, usa recursos durante o processo de mediação entre o texto de partida e o texto de chegada, que tornam a leitura da obra traduzida mais fácil. Baker (1996) propõe a investigação de tipos de comportamento linguístico característicos de textos traduzidos. O objetivo desse trabalho é identificar aspectos de normalização presentes na tradução. Para a investigação, recorremos aos Estudos da Tradução Baseados em Corpus (Baker, 1993, 1996; Camargo, 2005, 2007), à Linguística de Corpus (Berber Sardinha, 2004) e aos estudos sobre normalização de Scott (1998). Pode-se observar a ocorrência de mudança de registro de linguagem, omissões, adições, diferenças no comprimento das sentenças e relacionadas a imprecisões de expressões. Espera-se que o presente trabalho possa contribuir para uma maior conscientização das tendências apresentadas pelos tradutores, e para apresentar as possibilidades oferecidas pela intersecção dos Estudos da Tradução Baseados em Corpus e da Linguística de Corpus.

Confidências: os ensaios críticos de Kate Chopin

Between 1894 and 1899 Kate Chopin (1850 – 1904), one of the main exponents of American Realism and Feminism, published seven critical essays in newspapers and journals. To this number, it might be added the sketch ―Confidences‖ and the two first entrances of Impressions, her second diary, totalizing nine texts. These texts unveil a refined critical spirit, an outspoken and edge-cutting style in writing, sometimes sarcastically merciless, and an eager reader, all of them aspects that would be put into practice by the Feminist criticism expressed in the author‘s novels and short stories. To introduce and briefly discuss these essays are the main purposes of this paper.

A representação do ato de ensinar: continuidades e rupturas da concepção de ensino na pedagogia tradicional, na psicologia histórico-cultural e na pedagogia histórico-crítica : uma análise a partir das teses e dissertações no Portal da CAPES

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Ideologia e cultura no brasil: sugestões para uma análise do nosso processo cultural, à luz da teoria crítica da sociedade

A ideologia da cultura no Brasil, abordada do ponto de vista de uma cultura mais e mais administrada e burocratizada. Os problemas decorrentes da falta de integração cultural do país — integração esta obstaculizada a nível da ideologia — e a necessidade de se formular uma teoria que dê conta dos mecanismos ideológicos engendrados nesse processo, e que atuem a nível do cotidiano, destruindo as possibilidades integradoras do processo cultural.

Contribuições da psicologia histórico-cultural para a pedagogia histórico-crítica

This article aims to show elements based on historical-cultural psychology, which are reiterative of historically systematized scientific knowledge transmission as condition of human development and essential function of school education. In that way, it points the sign appropriation as decisive mark in the natural psychic basis overcoming towards to culturally established psychophysical properties formation, characterizing the psychism as an interfuncional system answerable for the constitution of the subjective image of objective reality. In the face of such presuppositions, it firms the role of school education in the mentioned image formation, highlighting the qualitative differences resultant of education based to quotidian and spontaneous concepts, as well as scientific ones. It pleads that the defense of sign quality offered to appropriation by school education is the main intersection point between the historical-cultural psychology and the historical-critical pedagogy.

Fundamentos psicológicos da pedagogia histórico-crítica e fundamentos pedagógicos da psicologia histórico cultural

This article presents the theoretical and methodological unity between the historical-critical pedagogy and cultural-historical psychology. It highlights, in addition to the membership of both theories to historical-dialectical materialism, the basic premises that point toward the affirmation of school education as a condition of humanization of individuals, as well as the transmission of historically systematized knowledge as one of the requirements for the achieving this purpose. In this direction, we aim to demonstrate that the historical-critical pedagogy contains, in its innerness, a solid psychological foundation, consistently built by a cultural-historical conception of man, society and educative nature that guides the relationship between them through the human vital activity, that is, through the work. It is in the core of those fundamentals that the alliance between this pedagogical theory and cultural-historical psychology is evident.

A internalização de signos como intermediação entre a psicologia histórico-cultural e a pedagogia histórico-crítica

This article highlights the theoretical and methodological unity existing between the culturalhistorical psychology and the historical-critical pedagogy, taking the category of mediation as a central element of analysis. This fact is justified since that category is emerging as an essential premise of the historical-materialist dialectical method; and this method, in turn, is the foundation of both the historicalcultural psychology and the pedagogy historical-critical. For achieving the stated aim, the text is organized around two themes. The first goes back to the historical-cultural conception of psychism, highlighting of internalization of signs as a condition for the development of that psychism; the second brings into focus the relationship between internalization of signs and concept formation, in order to demonstrate that the quality of the concepts in the training school is the intervening variable in the psychological development. By the way of concluding remarks, it is said the internalization of signs as a central element of mediation between historical-cultural psychology and historical-critical pedagogy.

Teoria histórico-cultural e suas implicações na atuação do professor de educação física escolar

This article presents a theoretical search and aims to introduce the main categories of historical-cultural theory and discuss its implications for the physical education teacher's work inside the school and also emphasizes this theory and its methodological proposal as an important way to build the scholar physical education in a critical perspective aiming to change the school and the students conscious and personality. The Vigotskian school of human development it is taken as an important reference to understand the scholars in their vital process of development and helps the teachers in general, and physical education teachers in specific, to consider the activity ( vital activity) as important instrument to get the humanization and liberty of human being, inside the school and inside the contemporary society.

Contribuições da teoria histórico-cultural para o processo de avaliação psicoeducacional

Cet article a comme objectif présenter la contribution de la Psychologie Historique-Culturelle pour l'analyse critique de l'évaluation psychoéducationnel traditionnel et postuler les fondements pour la nouvelle modalité évaluative. Cette proposition se justifie à cause de l'actuelle révitalisation de l'usage des testes padronisés pour la mensuration des fonctions psychologiques, dues à la vulgarisation de la neuropsychologie. Historiquement les testes padronisés servent comme instrument pour attester cientifiquement l'idéologie de l'égalité entre les hommes dans la societé capitaliste que se maintient à travers de l'expropriation et de l'exclusion. En outre, il existe une forte tendence à attendre que les résultats expliquent l'intelligence comme inée ou considèrent les prédispositions héréditaires pour apprendre, ce qu'on oppose à la comprehénsion que les fonctions mentales sont formées dans le proccès de développement historique-social à travers l'appropriation de la culture humaine. Il est nécessaire donc une évaluation qui considère les médiations sociales (des instruments et des signes) comme constituants des fonctions psychologiques encourageant le développement de tous les individus et la non légitimation de l'exclusion sociale.