275 resultados para tradução e poéticas da identidade


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The purpose of this study is to reflect on some formally similar lexical units belonging to different foreign languages that although having had the same origin, their meanings today are considerably different from their original meanings. This complex process is understood, however, when a diachronic path of these lexical units is established in order to find justification or probable occurrences for the causes that triggered the semantic changes observed. These reflections aim to foster discussion about the consequences of such changes in the emergence of the so-called “false cognates”.

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O presente trabalho propõe uma reflexão que é uma tentativa de resgatar a matriz temática do estrangeiro como questão relacionada com a própria estrutura do texto literário. Essa relação parte essencialmente da noção de alteridade, ou seja, da relação com o outro – o estranho-estrangeiro da obra no original – e que está presente desde o momento de sua gênese. Um exemplo concreto do desafio que se apresenta ao tradutor será analisado a partir do próprio título da obra em questão: L’épreuve de l’étranger nos coloca num impasse – é a experiência, ou a prova? Do estrangeiro ou do estranho?

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The main purpose of this article is to investigate the aspects of explicitation in English translation of terms and expressions in two of Darcy Ribeiro’s anthropological works. The methodology used is that of Corpus-Based Translation Studies (BAKER, 1993, 1995, CAMARGO, 2005, 2007), Corpus Linguistics (BERBER SARDINHA, 2004) and Terminology (BARROS, 2004). According to Baker (1996), explicitation is the tendency to explain, in the translated text, parts of the original text that had been left implicit. Results show that these tendencies may be found in Ribeiro’s translated texts, indicating the difficulty of conceptualizing the Brazilian universe in English.

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The main purpose of this paper is to observe the Portuguese into English translational process regarding the metaphors of specific lexical units related to erogenous zones and to intercourse in the context of the literary work Maira (1978), written by Darcy Ribeiro, as well as in its translation, Maíra (1985), performed by Goodland e Colchie. We based our study on an interdisciplinary proposal that associates the theoretical framework of Lexical Studies (BIDERMAN, 1996; LAKOFF; JOHNSON, 2002; ORSI, 2007, 2009; ORSI; ZAVAGLIA, 2007; 2012; PRETI, 1984; XATARA; RIVA; RIOS, 2002; XATARA, 2004), Corpus-Based Translation Studies (BAKER, 1993, 1995; CAMARGO, 2005), Corpus Linguistics (TYMOCZKO, 1998; BERBER SARDINHA, 2004), and, in part, Terminology (COELHO, 2003; BARROS, 2004; FAULSTICH, 2004). Concerning the methodology, we used the program WordSmith Tools, which provided the tools WordList and Concord, for collection and observation of data. We thus verified the value attributed to the erotic-obscene lexicon in Darcy Ribeiro’s literary-textual construction, and we also analyzed the reformulation of taboo lexicon in English. Finally, we intended to reflect on the process of translation of these lexical units considered socially disreputable, in an attempt to provide a possible support fortranslators, linguists, writers and social scientists.

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This paper is part of a larger project that is being developed at our university, whose goal is to enable students of Literature and Translation to detect and analyze linguistic phenomena based on electronic corpora, consisting of original texts and texts translated, which show the general language, literary language and specialized language. One of its aspects is the analysis of medical abstracts and their translation process. Thus, this undergraduate research project, we seek to observe the technical-scientific English language by performing translations of abstracts of scientific articles of Neurology and Oncology.

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Artigo vinculado ao projeto de pesquisa Léxico e Dicionários.

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This paper presents the analysis and the methodological procedures adopted in order to compile a parallel corpus comprised of two short stories by David Roas (2007; 2010), originally written in Spanish “Tránsito” and “Das Kapital”, and their translation into Portuguese carried out both by a native speaker of Spanish (fluent in Portuguese) and a native speaker of Portuguese (fluent in Spanish). We analyzed the texts translated by them, focusing on the most frequent vocabulary and its semantic implications on their respective contexts. The theoretical and methodological approach was based on corpus linguistics, corpus based translation studies (BAKER, 1996; HUNSTON, 2002; LAVIOSA, 2002; BERBER SARDINHA, 2004; MEYER, 2004; OLOHAN, 2004) and some concepts from Fantastic Literature (ROAS, 2001, 2011; TODOROV, 2003; ALAZRAKI, 2001). The data were extracted by using the WordSmith Tools Suite®. Results show that dialogue and focus on lexicon, making use of computer corpus, play an important role in understanding the translation process. It is also important to mention that while exploring translation possibilities presented by the two translators this approach unlocked a window to reflect on translation pedagogy based on corpus.

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This work aims on an approach concerning on Translation Theories, as well as the translational difficulties, the linguistic barriers with which the translator must know how to deal, the role of the translator as a conscious subject of his work while creating new texts and producing meanings. We will develop a discussion focused on the audiovisual translation practice which means the translation for subtitles and dubbings. It will be shown the translation process on both modalities and also the issue about the translation of humor in each of them, as the translator must use his translational skill, cultural and linguistic knowledge and creativity, not only to circumvent the rules imposed by the audiovisual translation market, but also to be able to create a new language for each character presented in the original material, so that the translation in Portuguese language may contain proper traces of humor from the Brazilian culture. Our main goal is an attempt to explain the reason for so many questions from the public who does not know the rules in the market for subtitling and dubbing translation and sometimes criticize the work of the translator if they realize any ‘loss of information’ or ‘a translation very poorly done’. Theories and arguments which prove that no translation is done badly, but it goes through recreations and modifications whenever it is necessary will be presented. By the explanation of this translation process, citation of translators who work in this area telling about their experiences and selected examples of translations from the ‘Everybody hates Chris’ sitcom, we hope to reflect and clarify such doubts.

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This paper aims to examine some challenges to translation training,particularly in the context of the discipline of translation theory, starting withthe belief in its impossibility. Other topics focused are the Italian adage traduttori,traditori, the opposition between theory and practice, the notion that thetranslator should not interfere in his/her work and the sacralization of the original text.