Disrupting assumptions about vernacular education in Papua New Guinea

During 1999 and 2000, the author was employed by the Papua New Guinea Department of Education. Part of her duties at the Papua New Guinea Education Institute was to deliver in-service professional development programs to teachers who were implementing the country’s new curriculum. A focus of this curriculum is the use of two languages in early education; it also responds to the notion of the “bridging years” when children in Papua New Guinea develop skills and knowledge in two cultures and two languages. In this article, the author casts a critical gaze on the implications of developing literacy technologies for oral languages in Papua New Guinea. She uses examples drawn from the in-service course she developed for practicing teachers, as well as referring to theoretical understandings of the importance of literacy practices being learned in social and cultural contexts.

Sveta Bogorodica (The Church of the Holy Mother), Zavoj, Macedonia : writing about an insignificant vernacular building

Sveta Bogorodica (Church of the Holy Mother), Zavoj, is a small church built in 1934 in a village in the Republic of Macedonia. It presented a quintessential architectural division between a richly ornamented interior and a pure white formal exterior. The paper will examine the question of tradition in relation to architecture. What of the formal Byzantine architectural tradition is inherited in this folk vernacular church building? Secondly, tradition as an inherited liturgical ritual and ceremony. How are these two forms of tradition autonomous or intertwined, and how the question about transcendence in architecture pursued in the 2005 paper on Hagia Sofia might be understood within the parameters offered by this church building, will be explored in the paper .

An uncanny vernacular : comparing the radical modernisms of Lorine Niedecker and Lesbia Harford

The article demonstrates the similarity in the ways poets Lesbia Harford and Lorine Niedecker explored radical modernism. It notes the formal and thematic resemblances between the poets' writing and careers. It cites their uncanniness of poetics as an indicator of the effective global dissemination and specific political and aesthetic applications of Marxist ideologies in the early 20th century. The poets' attention to and resistance to the limitations of a gendered agency are also discussed.

Study on the visual performance of a vernacular dwelling in Egypt

Vernacular dwelling buildings located in hot arid regions are well known for their sensitive architecture response to the region’s climatic conditions and the socio-cultural norms. The architectural value of these buildings is not only limited to their historical merit, but also to the human conscious adaptation to its context and the optimum utilisation of natural resources creating both a pleasant and a functional environment. The majority of these traditional dwellings are well recognised for their unique perforated fenestration system and courtyard arrangement that evolved to control the harsh solar, climatic conditions without compromising the quality of space and occupants’ wellbeing. However, the successful design of these features and solutions cannot be fully appreciated without understanding the nature of daylight and solar radiation in which these buildings are revealed. This paper investigates the impact of the characteristic of the dense narrow streets of medieval cities on the visual performance of a typical courtyard house in Cairo.The paper examines the daylight  behaviour of one of the well-known historic alleys and of a courtyard house in Cairo. The paper analyzes and measures the variability in the visual perception and comfort for a typical pedestrian street and the occupants of the house using a simulation modelling tool (Integrated Environmental Solutions (IES) software). The paper gives an insight into the overall visual performance of the urban fabric that shapes of the microclimate, which is an important ingredient of the overall identity of the place.

Is the migrant house in Australia an Australian vernacular architecture?

This report seeks to understand the meaning of the migrant house in Melbourne, Australia. Following a discussion of the Australian vernacular house, it asks what it is that makes the migrant house a unique category, different from other, nonmigrant houses in Australia. Reporting on research on seventeen migrant houses in the suburbs of Melbourne, it then shows how three architectural elements - the facade, the terrace, and the back yard - differentiate these houses from other examples of the Australian vernacular. Finally, it argues that, through their different "migrant aesthetics," the three architectural elements illustrate how soda-spatial features have facilitated and eased the adaptation of migrants to life in Australia.

Investigating the sustainability of a vernacular village

Vernacular architecture, as an attractive product of the society, is an expression of the cultural beliefs, geographical characteristics and available local materials, which inevitably reflects on its territory and context. The vastness of countries such as Iran, with different climatic zones, has initiated the development of logical design solutions via vernacular architecture. The vernacular heritage with self-efficient local materials and climate responsive design is a manifestation of sustainability. This paper presents the principles and methods of vernacular architectural design, used in a historical village, Abyaneh, in the central part of Iran, to address how sustainability has been achieved through vernacular design in this region. This paper also explores how physically sustainable urban settlements can lead to socially sustainable and viable communities. There are many lessons to be learnt from the vernacular architecture of traditional villages, like Abyaneh, which have been shaped organically, throughout the centuries. Through investigation of vernacular strategies, we need to find economically viable and context responsive design solutions in today's contemporary architectural designs. This study is based on the systematic review of the existing literature, site observations and field studies.

Commemorating migrant camps: vernacular memories in official spaces

Bonegilla, Australia's largest post-war migrant processing and reception centre, re-emerged in the public sphere from the late 1980s. A reunion festival was staged on the grounds of the former centre in 1987. Widely attended by former residents, it was considered a success by its organisers, a grass-roots committee of former residents. Another reunion was held ten years later, this time by a committee led by local council members. Both these reunions are important moments in the formation of Bonegilla's public history and its orientation to a narrative of progress and Australian multiculturalism. Analysing them highlights wider changes in heritage discourses and management, and in the evolution of multiculturalism in Australia. Many recent studies of public commemorations in Australia have argued that vernacular or participatory commemorations can be, and almost inevitably are, overtaken and dominated by state-sanctioned narratives. In this article, I will focus on these two reunions in order to argue that despite the progressive dominance of official or institutional powers over Bonegilla's public history, participants’ voices endure within or alongside official frameworks. Despite the obvious differences between the 1987 and 1997 reunions, collective and individual recollections from ex-residents and their families creatively operate within established and seemingly official narrative frameworks. These are not restrictive, nor do they silence alternative articulations. Some ex-residents actively draw on the narrative frameworks available to them to attribute new significance to their experiences, whether melancholy or fond, and consequently include alternative stories that add further to Bonegilla's public multi-vocality.

Under western eyes again : rights vernacular and the gender culture 'clash'

Gender features prominently in debates about the clash between human rights and culture, where ‘culture’ is often portrayed as a supreme obstacle to the realisation of women’s rights. Sometimes framed as an ethical conundrum between universalism and cultural relativism, the clash between culture and rights recites one as always and inevitably undercutting the other — culture undermines rights, and the imposition of human rights damages culture. An innovative attempt at recasting this clash has been a focus less on abstract philosophical debates and more on the cultural politics of rights — in particular, how they are made relevant to everyday life. Anthropologists Merry (2006; 2008a) and Levitt and Merry (2009; 2011) propose the analytical and ethnographic study of vernacularisation by demonstrating how, in local contexts, women’s human rights are remade in the vernacular. This approach has yielded rich knowledge about the myriad ways in which expectations of female inferiority and masculine entitlement to violence are contested — not through the import of Western ideas of human rights, but through the local idiom. This article considers the productive contribution of vernacularisation to this contested terrain, while also pointing to the limits that issue from its dependence on distinguishing the global from the local. Today, these two spaces are not so clearly discerned — particularly in multicultural settings where the local and the global are fused, and where human rights are translated into a vernacular of current political anxieties to do with racial and cultural difference. This is a vernacular that disguises or disavows racism through the language of human rights. These themes are illustrated and explored through the case study of a small community event in an outer suburb of Melbourne, where gender, culture and religion play out through both local and international rights vernacular.

Weaving the web - From myth to modernity

The discovery, development or invention of new objects and phenomena by humankind, requires a new set of words to be coined or adopted to describe it. This is also true of the Information Communication Technology (ICT) world. Words are not neutral, regardless of which dialect or language they occur in. They carry with them associations and connotations based on their previous applications and alliances, and augmented by their shapes, sounds, rhymes and rhythms. The subtext that word choice creates, while often not recognised or acknowledged, is important in considering how communication operates in, and shapes Information Technology (IT) environments. Many words that are now embedded in the ICT lexicon continue to be informed by these earlier meanings, some of which, in the English lexis, are drawn from myths. The vernacular of the ICT lexis reflects its openness to new ideas, the nature of its users, its English language roots and its Western cultural origins. This contributes to a particular communication style. But such lexis can prove problematic for non-English speaking background users and/or those from different cultures. As the ICT vocabulary continues to evolve, these language and cultural underpinnings are coming under challenge, suggesting a language and cultural future very different to the past. This in turn, will create a subtext that affects all users.

Resisting assimilation : the mild aesthetics and wild perceptions of the migrant house

The physical adaptation, remaking and maintenance, or building of the house plays a significant role in immigrants’ sense of belonging to a community, especially in contexts of first generation elderly immigrants with minimal English language skills. Psychoanalytic theories propose that objects are integral to a subject’s identity, but that the path of effect between the subject and object is not causal or direct, rather it goes via the unconscious. This paper seeks to examine the relationship between immigrants and their houses through these theories adapting them to an analysis of the houses. It draws its data from field research of three elderly immigrant households. The iconography of the house has always been perceived as central to the analysis of dreams, here the thesis is that the house is the most significant object of the immigrant because it mediates the many worlds inherent to the migrant’s imaginary landscapes. The analysis will seek to understand this role of the house.

Secondly, while many houses in which migrants live can barely be differentiated in clear physical ways from the typology of houses built in Australia, the perception that they are different is a strong myth. At the least it has resulted in very little, if any, study of this vernacular of new Australian houses. It would be easy to argue that to build a house in Australia is the most important mode of assimilation because a way of life is intrinsically set by this suburban paradigm. But for the reason of this perception of difference I will explore an idea about ethnic aesthetics as a mode of resisting assimilation. In writing on taste in his seminal book, Distinction, the sociologist, Pierre Bourdieu, has argued that taste is a way of classifying people into classes, race, culture, but it is also a way for dominant and ruling classes to resist challenges from other parties, and maintain a particular hierarchy of society. In this case those other parties are ethnic communities in Australia whose tastes are not always the same as that of the dominant Anglo-Celtic community.

Protecting the spirit of Hutong : a case study of Nanchizi Precinct, Beijing

This paper uses a case study of Nanchizi precinct to assess the impact of the spirit of hutongs in Beijing. The renewal of historic precincts rejuvenates old quarters on the one hand, on the other, it may pose threats not only to the built fabric but also to the spirit of historic precincts. Hutong is a living cultural landscape in Beijing representing of unique characteristics, complex historical layers as well as the way of life of its citizens. The recent decade witnesses the renewal of historic precincts in Beijing, which has greatly changed the historic vernacular landscape. How to accommodate changes while retain the spirit of Beijing’s traditional habitat is a question facing the heritage management. This paper argues that continuity and change of the landscape are inter-related, and that an effective conservation regime needs the enhanced awareness of the history of interaction between people and place.

New village models : examining the sustainability of existing realities and hypothetical visions

Zavoj is a mountain village in the Republic of Macedonia. While the village has become a site of emigration due to the mass exodus of its inhabitants, new house constructions have appeared. Scattered through deteriorating vernacular dwellings are new houses, and new fragments of houses attached to old houses. These new houses and house-fragments are introduced by emigrants returning to the village temporarily, and not by the remaining local village inhabitants. In the new millennium their number has dramatically increased. Migration has produced an incongruous mixture of architectures giving rise to questions about sustainable development in relation to new constructions in traditional environments? New buildings in the village are symptomatic of a much more universal phenomenon that is transforming vast rural landscapes into loosely urbanized regions. In contrast to this existing reality, a program in the Faculty of Architecture, Ss. Kiril & Metodij University, Skopje, Republic of Macedonia, is exploring alternative visions for the revitalization of the village. Can these offer more sustainable design approaches to the village? This paper examines sustainability in the dialectic between new constructions in existing villages and hypothetical visions for the new village.