An uncanny vernacular : comparing the radical modernisms of Lorine Niedecker and Lesbia Harford

The article demonstrates the similarity in the ways poets Lesbia Harford and Lorine Niedecker explored radical modernism. It notes the formal and thematic resemblances between the poets' writing and careers. It cites their uncanniness of poetics as an indicator of the effective global dissemination and specific political and aesthetic applications of Marxist ideologies in the early 20th century. The poets' attention to and resistance to the limitations of a gendered agency are also discussed.<br />