The electricity distribution network in Saint-Petersburg area and benchmark between Saint-Petersburg and City of Stockholm related distribution companies' performance

The main objective of the Thesis is the description of the electricity distribution networks in Saint-Petersburg area and Stockholm as well. Main similarity and differences in the construction and technicalperformance are presented in the study. Present and future development and investment into the electricity distribution network of OJSC Lenenergo are viewed. The Thesis presents the overview of the power industry reform in Russia. The current state of the electricity distribution sector is described. The study views the participation of the foreign investor "Fortum Power and Heat Oy" inthe development and management of the OJSC Lenenergo. Benchmark comparison of the prices and tangible assets of the main electricity distribution companies in Saint-Petersburg and Stockholm areas is done.

Modelling the Knowledge Interface between Sales and Production Functions of a Company. Case: New Service Development Process.

Yrityksen sisäisten rajapintojen tunteminen mahdollistaa tiedonvaihdon hallinnan läpi organisaation. Idean muokkaaminen kannattavaksi innovaatioksi edellyttää organisaation eri osien läpi kulkevaa saumatonta prosessiketjua sekä tietovirtaa. Tutkielman tavoitteena oli mallintaa organisaation kahden toiminnallisesti erilaisen osan välinen tiedon vaihto. Tiedon vaihto kuvattiin rajapintana, tietoliittymänä. Kolmiulotteinen organisaatiomalli muodosti tutkimuksen pääteorian. Se kytkettiin yrityksen tuotanto- ja myyntiosiin, kuten myös BestServ-projektin kehittämään uuteen palvelujen kehittämisen prosessiin. Uutta palvelujen kehittämisen prosessia laajennettiin ISO/IEC 15288 standardin kuvaamalla prosessimallilla. Yritysarkkitehtuurikehikoita käytettiin mallintamisen perustana. Tietoliittymä nimenä kuvastaa näkemystä siitä, että tieto [tietämys] on olemukseltaan yksilöiden tai ryhmien välistä. Mallinnusmenetelmät eivät kuitenkaan vielä mahdollista tietoon [tietämykseen] liittyvien kaikkien ominaisuuksien mallintamista. Tietoliittymän malli koostuu kolmesta osasta, joista kaksi esitetään graafisessa muodossa ja yksi taulukkona. Mallia voidaan käyttää itsenäisesti tai osana yritysarkkitehtuuria. Teollisessa palveluliiketoiminnassa sekä tietoliittymän mallinnusmenetelmä että sillä luotu malli voivat auttaa konepajateollisuuden yritystä ymmärtämään yrityksen kehittämistarpeet ja -kohteet, kun se haluaa palvelujen tuottamisella suuremman roolin asiakasyrityksen liiketoiminnassa. Tietoliittymän mallia voidaan käyttää apuna organisaation tietovarannon ja tietämyksen mallintamisessa sekä hallinnassa ja näin pyrkiä yhdistämään ne yrityksen strategiaa palvelevaksi kokonaisuudeksi. Tietoliittymän mallinnus tarjoaa tietojohtamisen kauppatieteelliselle tutkimukselle menetelmällisyyden tutkia innovaatioiden hallintaa sekä organisaation uudistumiskykyä. Kumpikin tutkimusalue tarvitsevat tarkempaa tietoa ja mahdollisuuksia hallita tietovirtoja, tiedon vaihtoa sekä organisaation tietovarannon käyttöä.

New Product Development (NPD) Success Factors: A Review of the Literature

This paper reviews the literature on managerially actionable new product development success factors and summarises the field in a classic managerial framework. Because of the varying quality, breadth and scope of the field, the review only contains post-1980 studies of tangible product development that are of a rigorous scientific standard. Success is interpreted as a commercial success. The field has gained insight into a broad set of factors that vary in scope, abstraction and context. Main areas that contribute to NPD success are top management support exhibited through resource allocation and communicating the strategic importance of NPD in the organisation. The right projects need to be selected for investment at the beginning of the process and should be aligned to the organisation's internal competencies and the external environment. The NPD process should use cross-functional teams and a competent project champions. Marketing research competency is crucial, as an understanding of the market, customers and competitors is repeatedly highlighted. Product launch competency was also consistently shown to be important. In terms of controlling the NPD process, strict project gates are required to maintain control.

Yrityskiinnitys ulosotossa ja konkurssissa: havaintoja yrityskiinnitysvelkojan näkökulmasta

Tutkielmassa tarkastellaan yrityskiinnityksen alaisen omaisuuden realisointia yrityskiinnitysvelkojan näkökulmasta ulosotossa ja konkurssissa. Tutkielma täydentää aikaisempaa tutkimusta (mm. Tuomisto 2007; Tuomisto 2005; Ojanen ja Sutinen 1991) tuomalla samanaikaiseen systemaattiseen tarkasteluun yrityskiinnitysomaisuuden realisaation niin ulosotossa kuin konkurssissa. Tutkielmassa käytetty tutkimusmenetelmä on lainoppi. Tutkimusta varten on myös haastateltu alan asiantuntijoita niin ulosotto- kuin konkurssirealisointeihin liittyen. Työn tuloksissa esitetään keskeiset erottavat tekijät yritysomaisuuden realisoinnissa ulosotossa ja konkurssissa. Nämä viisi erottavaa tekijää ovat menettelyjen välinen kilpailullinen suhde, jako-osuus, päätäntävalta omaisuuden myynnissä, myyntitavat ja vakuusoikeuden pysyvyys myynnissä.

Asiantuntijaorganisaation suorituskyvyn mittaus

Aineettoman pääoman katsotaan olevan merkittävä tekijä erityisesti yrityksen tulevaisuuden menestyksen kannalta. Johtamalla ja kehittämällä aineettomia resursseja varmistetaan se, että yritys menestyy ja säilyy elinvoimaisena myös tulevaisuudessa. Aineettoman pääoman johtaminen ja järjestelmällinen kehittäminen ja parantaminen edellyttävät ajantasaista ja käyttökelpoista tietoa yrityksen aineettomista resursseista. Suorituskyvyn mittausjärjestelmä voi toimia tällaisen tiedon lähteenä. Tämän tutkimuksen tavoitteena oli asiantuntijaorganisaation aineettoman pääoman suorituskyvyn mittaamisen viitekehyksen luominen ja sen soveltaminen yhteen case-organisaatioon. Suorituskykymittaristona tässä tutkimuksessa käytettiin tasapainotettua mittaristoa. Tutkimuksen tutkimusote oli toiminta-analyyttinen ja menetelmä kvalitatiivinen. Tutkimuksen tuloksia arvioitaessa huomataan, että aineettoman pääoman mittaaminen samalla mittaristolla aineellisen pääoman kanssa on haasteellista. Aineelliset tekijät korostuvat helposti aineettomien kustannuksella ja tämä voi aiheuttaa mittariston painopisteen kallistumisen aineellisen pääoman puolelle. Tapauskohtaista lisätarkastelua tarvitaan tulosten hyödynnettävyyttä arvioitaessa, mikä johtuu tutkimusotteesta ja menetelmästä. Tärkein yksittäinen tekijä aineettomaan pääoman suorituskyvyn mittauksessa on se, että organisaatio näkee aineettoman pääoman oman toimintansa kannalta kriittisenä tekijänä, joka on organisaation menestyksen kannalta elintärkeä ja jonka kehitykseen halutaan panostaa. Tämän havainnon jälkeen mittaristomallin valinta tehdään organisaation ja sen toimintojen perusteella.

Tuottojen tunnistaminen ja kustannuskertymän ennustaminen pitkäaikaishankkeissa: tapaustutkimus

Tutkimuksen tavoitteena oli kehittää Larox Oyj:n alihankintaprojektien kustannuslaskentaa. Yrityksessä oli havaittu, että pitkäaikaishankkeiden kustan-nusten kertymistä pitää pystyä ennustamaan tarkemmin. Konstruktiivisen tutkimusotteen mukaisesti tutkimuksessa luotiin esiymmärrys kohdeyrityksen nykytilanteesta, perehdyttiin vaikuttavaan lainsäädäntöön ja aikaisempaan tutkimustietoon. Kuvaus nykytilanteesta luotiin kohdeyrityksen ja alihankkijan edustajien haastatteluiden avulla, tutustumalla yrityksen toimintaohjeisiin ja keräämällä tietoa projektien kustannusten kertymisestä. Kerätyn tiedon perusteella luotiin konstruktiot eli ratkaisuehdotukset toiminnan kehittämiseksi. Tutkimuksessa kehitettiin raportointimalli alihankintaprojektien edistymisen raportointiin. Mallin tavoitteena on yhtenäistää alihankkijoiden raportointikäy-täntöjä ja tuottaa sellaista tietoa, jota Larox tarvitsee tuottojen tunnistamista varten. Toinen konkreettinen ratkaisu on alihankintaprojektien kustannuskertymän ennustetyökalu, jonka avulla voidaan ennakoida hankkeen valmiusasteen kehitystä projektin aikana. Malli on rakennettu yhden konetyypin projektien ennustamiseen, mutta siitä voidaan helposti muokata ennustemallit muidenkin projektityyppien tarpeisiin. Tarkempien ennusteiden avulla voidaan kehittää johdon raportointia ja parantaa kassavirtojen ennustettavuutta.

Aineettoman pääoman johtamisjärjestelmä ja raportointi teollisuusyrityksessä

Aineellisen pääoman johtamiseen perustuvasta taloudesta on länsimaissa siirrytty talouteen, jossa kehitystä ja kasvua saavat aikaan aineettomat voimavarat ja toiminnot, kuten innovointikyky ja osaaminen. Yritysjohto kokee kuitenkin vaikeaksi sovittaa yhteen aineettomien menestystekijöiden liiketaloudellisen tärkeyden ja niiden systemaattisen johtamisen. Tutkimusongelma käsittelee niitä kysymyksiä, joita aineettoman pääoman johtamisjärjestelmän kehittämiseen yleisesti liittyy. Case-tapauksena esitettiin aineettoman pääoman johtamisjärjestelmän laatiminen kohdeyritykseen, jossa käytettiin viitekehyksenä Tanskan mallina tunnettua aineettoman pääoman johtamis- ja raportointimallia. Tutkimusotteena käytettiin konstruktiivista tutkimusotetta. Tämän tutkimuksen tulokset vahvistavat aikaisempia tutkimustuloksia siitä, että suomalaiset johtajat kokevat aineettoman pääoman johtamisen tärkeäksi ja tarvitsevat siihen avukseen työkaluja. Lisäksi tämä tutkimus antaa tukea sille olettamukselle, että Tanskan malli soveltuu hyvin käytettäväksi aineettoman pääoman johtamisen välineenä. Myös Tanskan mallin käytännön soveltamista koskeva ohjeistus ja prosessimalli todettiin riittäviksi aineettoman pääoman johtamis- ja raportointijärjestelmän kehittämiseksi.

Diagnosing and developing knowledge management capability –Knowledge management capability in UPM-Kymmene Wood Oy

The purpose of this case study is to clarify how KM (knowledge management) capability is constructed through six different activities and to explore how this capability can be diagnosed and developed in the three case organizations. The study examines the knowledge management capability of the three factories in UPM-Kymmene Wood Oy, a major Finnish plywood producer. Forest industry is usually considered to be quite hierarchical. The importance of leveraging employee skills and knowledge has been recognized in all types of organizations – including those that mainly deal with tangible resources. However, the largest part of empirical knowledge management literature examines KM in so called knowledge-intensive or knowledge-based organizations. This study extends existing literature by providing an in depth case study into assessment and development of KM activities in these three organizations with little awareness of the KM discourse. This subject is analyzed through literature review, theoretical analysis and empirical research in the case organizations. The study also presents a structured method for evaluating KM activities of a company and for diagnosing the main weaknesses that should be developed in order to achieve KM excellence. The results help in understanding how knowledge management capability is constructed and provide insight into developing and exploiting it within an organization.

Beyond the obvious : three acts in educational drama

Researching research is not a common theme in educational drama. Nor is the educational drama process from a participant perspective a typical focus of research, at least not if the participants are disabled. Yet this is the theme of this thesis, a drama in three acts. The aim of this thesis is to describe, analyse, and discuss both the ways in which research within educational drama can be carried out and represented, and the experiences of the participants of the educational drama process. The theoretical framework that steers the research process is built up of two pairs of frames, each of them, like Russian nesting dolls, containing further frames. The first frame, relating to the outcomes of conducting research in educational drama, comprises philosophical, representational, and personal theories. As the second question asks what educational drama is, the subject related frame is built up of pedagogical, drama educational, and aesthetic theories. The study in its entirety follows the structure of the researcher’s hermeneutical learning process and takes the form of a journey starting from what is familiar, stretching towards what is new and different, and finally returning back to the beginning with a new view on what was there at the start. The thesis consists of two separate but related studies. The first, a familiar study conducted earlier, Alpha in Act I, was carried out among upper secondary school pupils. In the second, the new and therefore unfamiliar study, Omega in Act III, the participants are adult individuals who are physically and communicatively disabled. In between these two Acts an element of “Verfremdung” where the Alpha study is systematically scrutinized as the purpose is to teach and to manage the reader to think. Meta-discussions on the philosophical issues of the study are conducted throughout the text, parallel to the empirical parts. The outcomes of the first research question show that philosophical, methodical, and representational consistency is crucial for research. While this may sound like stating the obvious, this has nevertheless not always been considered fact, especially not within qualitative research. The outcomes further stress that representational issues are also to be recognized when presenting non-rational aspects of educational drama. By wording the world, through the use of visualising language, the surplus of meanings of educational drama can be, as they are within this study, made visible, sensible, and almost tangible, not only cognitively understandable. The outcomes of the second question point to the different foci of the studies, with Alpha focusing on the rationally retold experiences and Omega focusing on nonrational experiences. The outcomes expose educational drama as a learning process comprising doing, reflecting, and being. The doing aspect communicates the concrete efforts in creating a piece of theatre, while the being aspect relates experiences of being as situated, embodied and sensuous, reciprocal, empowering, aesthetic and artistic, and existential. Reflection is the twine that runs throughout the process and connects both doing and being. In summary, the outcomes could be formulated as “learning from learning how to make theatre”.

Under ytan, vid ytan och ovanför ytan : analys av tanken bakom tre läromedel i slöjd

This thesis is based on the personal experience gained related to the planning and production of three web-based teaching materials for the teaching subject knownas sloyd at the comprehensive school in Finland. After the teaching materials had been produced and published on the Internet at the Finnish textile teachers' website KässäBoxi, the idea for this thesis emanated from the questions: Why do the three teaching materials look the way they do and why do other textile teachers comment that they are different? In earlier sloyd educational research it has been stated that a scientific paradigm affects the individual ideology of a sloyd teacher. The aimfor my doctoral thesis is to continue on the topic. As the area of interest comprises the thought behind three teaching materials in sloyd, the aim of the thesis is to show how teaching and educational ideologies in sloyd appear in the teaching materials at hand. The research approach has parallels to research about another, tangible phenomena, namely the iceberg. In a similar way as an iceberg, a teaching material has a profound base, but the base is not always completely visible to the user of the teaching material. In this thesis I strive to show what there is under the surface, on the surface and above the surface of three teaching materials in sloyd. The research approach is defined as qualitative and phenomenologic-hermeneutic. The analysis results in knowledge about how the producer of a teaching material affects the character of a teaching material by choices concerning for example the form, structure, language and illustrations of the teaching material. The analysis also shows how the producers' individual educational and teaching ideologies within the teaching subject at hand appear by means of traces concerning the view on the pupil and the teacher, and the view on planning and conducting teaching in sloyd. The thesis also results in knowledge about how sloyd educational scientific theories and demands from society, as they are stated in the national core curriculum, appear in the three teaching materials. The application of the sloyd educational scientific theory of individual sloyd activity as a holistic educative system is also widened in the thesis. This thesis contributes to future research on producing teaching materials by information about what aspects a producer of teaching materials needs to consider and how the aspects become visible in the teaching materials. This kind of knowledge is valuable to teacher students in sloyd, to teachers in sloyd who intend to plan and produce teaching materials and to teachers who tutor the planning and production of teaching materials.

Projektinhallintaprosessin suorituskykymittariston kehittäminen

Yritysten toimintaympäristöjen muuttuminen, organisaatioiden rajojen hämärtyminen ja aineettoman pääoman merkityksen korostuminen vaikeuttavat sekä onnistuneen strategian luontia, että sen toteuttamista. Strategisten mittausjärjestelmien avulla pyritään kehittämään ja varmistamaan strategian toteutuminen liiketoiminnassa. Parhaimmillaan hyvä mittaristo kertoo mitkä ovat yrityksen strategiset tavoitteet ja mihin yritys tulevaisuudessa haluaa panostaa. Suorituskyvyn mittaamisessa on perinteisesti keskitytty taloudellisiin mittareihin. Taloudelliset luvut ovat usein menneeseen viittaavia seuraustekijöitä, ei tulevaisuuteen katsovia mittareita. Tämän tutkimuksen tavoitteena oli projektiliiketoimintaa harjoittavan yrityksen projektinhallintaprosessin suorituskykymittariston kehittäminen. Tavoitteena oli rakentaa projektinhallintaprosessille tasapainoinen suorituskykymittaristo, joka ottaa huomioon myös aineettoman pääoman. Tutkimuksen tutkimusote oli toimintaanalyyttinen, jonka lisäksi tutkimus sisältää konstruktiivisen ja kvalitatiivisen tutkimusotteen piirteitä. Tutkimuksen tuloksia arvioitaessa havaitaan, että valitut mittarit ovat kiinteästi sidoksissa projektinhallintaprosessin kriittisiin menestystekijöihin. Kriittiset menestystekijät puolestaan valittiin tunnistetuista menestystekijöistä, jotka määriteltiin yrityksen strategiaan ja visioon perustuen. Mittariston tasapainoisuus näkyy aineettoman ja aineellisen pääoman mittareiden välillä kattaen samalla tasapainon ennakoivien ja seurausmittareiden kesken. Haasteellisinta oli projektinhallintaprosessin aineettoman pääoman mittaaminen, jota ei aikaisemmin ole mitattu. Aineettoman pääoman mittaaminen tasapainoisen mittariston viitekehyksessä on mahdollista, mutta vaatii organisaation ymmärryksen miksi aineetonta pääomaa mitataan ja miten se vaikuttaa kokonaisvaltaiseen suorituskykyyn.

Immateriellt kulturarv som begrepp och process : folkloristiska perspektiv på kulturarv i Finlands svenskbygder med folkmusik som exempel

Cultural heritage has become something of an in-word in recent times. Intangible cultural heritage, however, is a category that has received relatively little attention. This folkloristic study focuses on intangible cultural heritage as concept and as process. Folkloristics as a scholarly branch emphasizes non-material culture. Consequently, there is a big potential in bringing existing knowledge of folklore together with current scholarly theories concerning cultural heritage in order to expand the understanding of intangible cultural heritage. In this thesis cultural heritage is regarded as a symbolic construct, which is spoken of and discussed in specific ways. The study of intangible cultural heritage (Swe. kulturarv) as concept focuses on this area. For a cultural component to be experienced as intangible cultural heritage it is, however, not enough to discuss it in those terms. Instead, cultural heritage status needs to be acted out during lengthy processes. This is demonstrated by the study of intangible cultural heritage as process. As a consequence performativity appears crucial to an understanding of cultural heritage – when a sufficient number of people speak and act as if a cultural component has a special status, it will also be perceived as cultural heritage. In this dissertation intangible cultural heritage is studied through cultural analysis, more specifically through discourse analysis. The usage of the concept intangible cultural heritage within cultural organizations, in scholarly use and in the Swedish-speaking press in Finland is examined. Traditional music in the Swedish-speaking districts of Finland is used as a case study of intangible cultural heritage as process. The examination concerns how traditional music, an intangible cultural component, has been discussed, transformed, standardized and objectified in a cultural heritage process. Cultural heritage is generally used as a token of value so that certain cultural components, both intangible and tangible, which are discussed in terms of cultural heritage are perceived to be valuable and should therefore be safeguarded. Intangible cultural heritage depends on performance, that is practitioners use their bodies to act out their traditional knowledge through song, handicraft, storytelling and so on. Intangible cultural components can be transmitted to other individuals in a performance situation, and they can also be documented. In Finland documentation and subsequent filing in archives have been associated with safeguarding of intangible cultural heritage. If the aim of safeguarding is to uphold traditional practices, which is the case for among others UNESCO’s programs aimed at intangible cultural heritage, other efforts are called for: forms of safeguarding that support performance and transmission.

Integrating user experience into early phases of software development

The value and benefits of user experience (UX) are widely recognized in the modern world and UX is seen as an integral part of many fields. This dissertation integrates UX and understanding end users with the early phases of software development. The concept of UX is still unclear, as witnessed by more than twenty-five definitions and ongoing argument about its different aspects and attributes. This missing consensus forms a problem in creating a link between UX and software development: How to take the UX of end users into account when it is unclear for software developers what UX stands for the end users. Furthermore, currently known methods to estimate, evaluate and analyse UX during software development are biased in favor of the phases where something concrete and tangible already exists. It would be beneficial to further elaborate on UX in the beginning phases of software development. Theoretical knowledge from the fields of UX and software development is presented and linked with surveyed and analysed UX attribute information from end users and UX professionals. Composing the surveys around the identified 21 UX attributes is described and the results are analysed in conjunction with end user demographics. Finally the utilization of the gained results is explained with a proof of concept utility, the Wizard of UX, which demonstrates how UX can be integrated into early phases of software development. The process of designing, prototyping and testing this utility is an integral part of this dissertation. The analyses show statistically significant dependencies between appreciation towards UX attributes and surveyed end user demographics. In addition, tests conducted by software developers and industrial UX designer both indicate the benefits and necessity of the prototyped Wizard of UX utility. According to the conducted tests, this utility meets the requirements set for it: It provides a way for software developers to raise their know-how of UX and a possibility to consider the UX of end users with statistical user profiles during the early phases of software development. This dissertation produces new and relevant information for the UX and software development communities by demonstrating that it is possible to integrate UX as a part of the early phases of software development.

St. Petersburg Court Chant and the Tradition of Eastern Slavic Church Singing

The present study examines the repertory of liturgical chant known as St. Petersburg Court Chant which emerged within the Imperial Court of St. Petersburg, Russia, and appeared in print in a number of revisions during the course of the 19th century, eventually to spread throughout the Russian Empire and even abroad. The study seeks answers to questions on the essence and composition of Court Chant, its history and liturgical background, and most importantly, its musical relationship to other repertories of Eastern Slavic chant. The research questions emerge from previous literary accounts of Court Chant (summarized in the Introduction), which have tended to be inaccurate and generally not based on critical research. The study is divided into eight main chapters. Chapter 1 provides a survey of the history of Eastern Slavic chant and the Imperial Court Chapel of St. Petersburg until 1917, with special emphasis on the history of singing traditional chant in polyphony, the status of the Court Chapel as a government authority, and its endeavours in publishing church music. Chapter 2 deals with the liturgical background of Eastern chant, the chant genres, and main repertories of Eastern Slavic chant. Chapter 3 concentrates on chant sources: it introduces the musical notations utilised, after which a typology of chant books is presented. The discussion continues with a survey of the sources of Court Chant and their content, the specimens selected for closer analysis, the comparative materials from other repertories, and ends with a commentary on some chant sources that have been excluded. The comparative sources include a specimen from around the beginning of the 12th century, a few manuscripts from the 17th century, and printed and manuscript chant books from the early 18th to early 20th century, covering the geographical area that delimits to the western Ukraine, Astrakhan, Nizhny Novgorod, and the Solovetsky Monastery. Chapter 4 presents the approach and methods used in the subsequent analytical comparisons. After a survey of the pitch organization of Eastern Slavic chant, the customary harmonization strategy of traditional chant polyphony is examined, according to which a method for meaningful analysis of the harmony is proposed. The method is based on the observation that the harmonic framework of chant polyphony derives from the standard pitch collection of monodic chant known as the Church Gamut, specific pitches of which form eight harmonic regions that behave like the usual tonalities of major and harmonic minor. Because of the considerable quantity of comparative chant forms, computer-assisted statistical methods are applied to the analysis of chant melodies. The primary chant forms and their respective comparative forms have been pre-processed into reduced chant prototypes and divided into redactions. The analyses are carried out by measuring the formal dissimilarities of the primary chant forms of the Court Chant repertory against each comparative form, and also by measuring the reciprocal dissimilarities of all chant versions in a redaction, the results of which are subjected to agglomerative hierarchical clustering in order to find out how the chant forms relate to each other. The dissimilarities are determined by applying a metric dissimilarity function that is based on the Levenshtein Distance. Chapter 5 provides the melodic and harmonic analyses of generic chants (chants used for multiple texts of different lengths), i.e., chants for stichera samoglasny and troparia, Chapter 6 of pseudo-generic chants (chants that are used for multiple texts but with certain restrictions), i.e., chants for heirmoi, prokeimena, and three other hymns, and Chapter 7 of non-generic chants, covering nine chants that in the Court repertory are not shared by multiple texts. The results are summarized and evaluated in Chapter 8. Accordingly, it can be established that, contrary to previous conceptions, melodically, Court Chant is in effect a full part of the wider Eastern Slavic chant tradition. Even if it is somewhat detached from the chant versions of the Synodal square-note chant books and the local tradition of Moscow, it is particularly close to chant forms of East Ukraine and some vernacular repertories from Russia. Respectively, the harmonization strategies of Court Chant do not show significant individuality in comparison with those of the available polyphonic comparative sources, the main difference being the part-writing, which generally conforms to western common practice standard, whereas the deviations from this tend to be more significant in other analysed repertories of polyphonic chant. Thus, insofar as the subsequent prevalence of Court Chant is not based on its forceful dissemination by authorities (as suggested in previous literature but for which little tangible evidence could be found in Chapter 1), in the present author’s interpretation, Court Chant attained its dominance principally because musically it was considered sufficiently traditional, and as a chant body supported by the government, was conveniently available in print in serviceable harmonizations.

Effects of Country of Origin on Consumer Product Evaluations: Finnish clothing products in the minds of Russian tourists

Companies operating in today’s highly internationalized markets consider product differentiation the key priority in pursue to attain a constant competitive advantage in challenging global environment (Baker and Ballington 2002, 158). The main driver affecting companies’ differentiation actions was described as early as 1912 by one of the marketing pioneers A. W. Shaw (1912, 710) as meeting human wants more accurate than the competition, and thus increasing customers’ perceived value and satisfaction. Dickson and Ginter (1987, 2) point out in their study based on earlier research by Chamberlin (1965) and Porter (1976) that differentiation can be based on either tangible characteristics of a product such as design or intangible characteristics such as a brand name and country of origin (hereafter referred to as COO). The concept of COO and its impact on consumers’ evaluation of a product as an extrinsic product cue has been one of the most noteworthy topics in international marketing, having been voluminously examined by over 780 authors in more than 750 academic publications in the past 40 years (Papadopoulos and Heslop 2002, 294). Many of these studies accentuate the significant effect the COO has on consumers’ product attribute evaluations. People routinely associate country images with products and services in order to judge and categorize them based on perceived quality and risk levels; thereby COO can influence the likelihood of a purchase (Peterson and Jolibert 1995, 883-884; Verlegh and Steenkamp 1999, 523). Based on the vast research related to COO in the field of international business, it is widely recognized that the country associated with a product can act in a similar way as the name of a brand and even become a part of product’s total image. Thereby depending on customer’s values and perceptions, the product-country image can either increase or decrease perceived value.