Ruumiin merkityksestä

Kirjallisuusarvostelu

Det gyldne snitt : den estetiske dimensjon, en kilde til helse oget etisk anliggende

Within caring science, investigations and explorations have been carried out on the ontology of caring, and many aspects of the field have been the subject of scientific research. The main subject for this study is grounded on the human need for aesthetics. The purpose is to find how the aesthetic dimension is taken into consideration and how the aesthetic surroundings are evaluated and attended to, in the general hospitals in Norway. The theoretical perspective is founded basicly on the study of litterature from caring science and philosophy. The aim is to develop a disposition for a framework on the aesthetic surroundings in the hospitals, and to develop phenomenological and ontological knowledge and understanding of the aesthetic dimension. The study aspires to attain a deeper understanding of the aesthetic acknowledgment and of the aesthetic needs. The focus is how the aesthetic dimension can promote health and wellbeing, both for patients and for the caring staff, in the general hospitals and why the aesthetic dimension should be obligatory in `evident care¿. The study concentrates on 11 selected categories in the hospital environment, where aesthetics is of importance. The research is implemented on 5 part studies: 1. part is a study of caring science and philosophical theories about aesthetics, as a framework for the investigation. 2. part is a survey of the physical environment, in Norwegian somatic hospitals, with focus on aesthetics. This by analyzing the strategy plans for the hospitals. 3. and 4. part is questionnaires to patients and nurses to get their opinion and evaluation of the aesthetic environment in the hospitals they are connected to, and their opinion on how this influences the health and wellness for both patients and caring staff. 5. part is qualitative interviews with 16 experts, to get their opinion and evaluation of the aesthetic environment in hospitals they are or have been connected to. How would the experts like the aesthetic surroundings to be, and also their opinion on what influence they think aesthetics has on health and wellness. The main literature of caring science is rooted in K. Erikssons caring theory as well as philosophic literature; mainly I. Kant, Platon and Y. Hirn's theories on aesthetics. Various scientificresearchers of aesthetics have also been referred to. The methodological approach is a triangulation with a hermeneutic exploration, where H.G. Gadamer and Ricoeur provides the inspirational foundation. The findings and conclusions result in the development of new hypothesis for the caring science foundation and suggestions, a disposition for a framework related to future planning of the aesthetic environments in general hospitals. It might be said that a common thread arises/appears in the invariance's (invariables) that are discerned from the analysis and interpretation of the interviews and also important angles shows in the variances that crystallized. Based on the conclusions the study confirms that there is a clearconnection between health, wellness and aesthetics in the environment and that it is an ethical obligationfor those in the caring professions to be aware of and attend to the aesthetic dimension.

Ruumiillista globalisaatiota

Kirjallisuusarvostelu

Surrealismin taidehistoriaa psykoanalyyttisesti

Kirjallisuusarvostelu

Tietoisuuden arvoituksia

Kirjallisuusarvostelu

Refleksiivinen modernisaatio

Kirjallisuusarvostelu

Towards conceptually comprehensive and integrated theory of entrepreneurial opportunity

Insufficient understanding of entrepreneurial opportunities characterizes entrepreneurship research (Companys & McMullen 2006, 302). Subsequently, the purpose of this study was to analyze the concept of entrepreneurial opportunity and to explore and synthetize the integrated theory of entrepreneurial opportunity. A theoretical and concept analytical approach was adapted. Findings of this study was that entrepreneurial opportunity concept was used for variety of different phenomena. No commonly accepted definition existed. Altogether 24 attributes that described the concept were found. The most frequently attached attributes were agent and action, new goods and services, market, value, new means ends or both, and future. Further, the results implied that opportunity could be best understood as a part of a process. Opportunity emerges out of intervened factors. Changes in the environment together with factors related to knowledge, cognition and social ties are the most important drivers of opportunity. Preventing factors that impeded the emergence of opportunity were typically related to cognitive and organizational factors. This study found a tendency towards more integrated theory of entrepreneurial opportunity. The integrated theory acknowledged the usefulness of both discovery and creation theories of opportunity in explaining opportunity. Yet three argument types of integrating two different opportunity theories were identified. These were process category, contextual category and complementing category. Opportunity is at the same time cognitive, social and linguistic construct, although it is shaped by the objective environment. Opportunity requires linguistic endeavors to become explicit. Materialization of opportunity occurs in a social context. Moreover, it is always characterized by some extent of subjectivity, as opportunities cannot appear without the agent and their action. Due to these the concept remains always to some extent ambiguous. Tolerating and harnessing change and investing in human and social capital create the preeminent environment for the entrepreneurial opportunity to be identified.

Spekulaation materiaalinen paluu ja välttämätön kontingenssi

Kirjallisuusarvostelu

“Valley co-creation” – exploring the emergence of a cultural product in an entrepreneur-driven value network: Case study: Black Weekend festival

The interconnected domains are attracting interest from industries and academia, although this phenomenon, called ‘convergence’ is not new. Organizational research has indeed focused on uncovering co-creation for manufacturing and the industrial organization, with limited implications to entrepreneurship. Although convergence has been characterized as a process connecting seemingly disparate disciplines, it is argued that these studies tend to leave the creative industries unnoticed. With the art market boom and new forms of collaboration riding past the institution-focused arts marketing literature, this thesis takes a leap to uncover the processes of entrepreneurship in the emergence of a cultural product. As a symbolic work of synergism itself, the thesis combines organizational theory with literature in natural sciences and arts. Assuming nonlinearity, a framework is created for analysing aesthetic experience in an empirical event where network actors are connected to multiple contexts. As the focal case in study, the empirical analysis performed for a music festival organized in a skiing resort in the French Alps in March. The researcher attends the festival and models its cocreation process by enquiring from an artist, festival organisers, and a festival visitor. The findings contribute to fields of entrepreneurship, aesthetics and marketing mainly. It is found that the network actors engage in intimate and creative interaction where activity patterns are interrupted and cultural elements combined. This process is considered to both create and destruct value, through identity building, legitimisation, learning, and access to larger audiences, and it is considered particularly useful for domains where resources are too restrained for conventional marketing practices. This thesis uncovered the role of artists and informants and posits that particularly through experience design, this type of skilled individual be regarded more often as a research informant. Future research is encouraged to engage in convergence by experimenting with different fields and research designs, and it is suggested that future studies could arrive at different descriptive results.

Tietoperusteinen päätöksenteon prosessi

Yhteiskunnan tietovaltaistumisen seurauksena ovat julkisten organisaati-oiden toimintaympäristöt monimutkaistuneet ja luoneet haasteita tiedon käyttämiselle päätöksenteon prosessissa sekä sen tukena. Tämän tutki-muksen aiheena oleva tietoon perustuva päätöksenteon prosessi sekä sen vaiheiden sujuvuus ovat strategisesti merkittäviä kaikessa päätöksen-teossa. Tutkimus toteutettiin kvalitatiivisena tutkimuksena, jonka empiirinen osuus suoritettiin tapaustutkimuksena kunnallisessa organisaatiossa. Haastatteluaineisto kerättiin kunnallisen päätöksenteon ylintä päätäntävaltaa käyttäviltä kaupunginvaltuutetuilta. Tutkimuksen mukaan tietoperusteisen päätöksenteon prosessin vaiheita ovat tavoitteen ja päämäärän asettaminen, vaihtoehtojen asettaminen, vaihtoehtojen ja niiden vaikutuksien arvioiminen, päätöksen tekeminen sekä päätöksen vaikutuksien arvioiminen. Tiedon käyttäminen keskittyy vaihtoehtojen asettamiseen sekä vaihtoehtojen ja niiden vaikutuksien arvioimiseen tiedon hankkimisen ja hyödyntämisen kautta. Monitahoisuus ja -ulotteisuus sekä subjektiivisuus ja kontekstisidonnaisuus vaikuttavat merkittävästi tietoperusteisen päätöksenteon prosessin vaiheisiin.

Soraääniä, sitaatteja ja suunnitelmallisuutta. Moniäänisyys Eira Stenbergin romaanituotannossa

Tutkin väitöskirjassani Eira Stenbergin (s. 1943) romaanituotannon moniäänisyyttä, joka liittyy niin subjektiin, kertomisen prosessiin kuin todellisuuskäsityksiin. Aineistonani ovat Stenbergin 1980–1990-luvulla kirjoittamat, tutkimusongelmani kannalta keskeiseen ajanjaksoon kuuluvat romaanit Paratiisin vangit (1984), Häikäisy (1987), Kuun puutarhat (1990) sekä Gulliverin tytär (1993). 1980-luvulla postmodernista tuli kirjallisen kulttuurin keskeisimpiä aiheita Suomessa, ja subjektista tuli ongelma jopa siinä määrin että puhuttiin sen kuolemasta. Ääni oli 1980-luvulla osa subjektia koskevaa keskustelua: yhtäältä nousevan feministisen liikkeen identiteettipoliittisena ja emansipatorisena metaforana, toisaalta jälkistrukturalismin antihumanismin uhkakuvana, joka koski subjektin ääntä alkuperän lähteenä ja persoonan ilmaisuna. Äänen käsitteen voidaan katsoa implikoivan jonkinlaista käsitystä subjektista, ja tarkastelenkin tutkimuksessani erityisesti henkilöhahmoja, kertojia ja kertomisen prosessia, mutta myös tekijän suunnitelmallisuutta ja kuulijaa kohti orientoitumista. Yhdistelen tutkimuksessani retorista kertomuksen teoriaa dekonstruktioon sekä feministisiin subjektiteorioihin. Myös Mihail Bahtinin käsitys moniäänisestä romaanista on työssäni keskeinen. Problematisoin tutkimuksessani äänen kytköksen sisimmän ilmaisuun, omistamiseen ja auktoriteettiin ja ymmärrän sen keskustelualueena, jossa kohtaavat erilaiset arvot ja näkemykset maailmasta. Tällöin kaikenkattava puhe subjektin kuolemasta sekä käsitykset 1980-luvun kirjallisuudesta maailmasta vieraantuneena ja yksityisen alueelle vetäytyvänä problematisoituvat. Stenbergin tuotannon perusteella voi sanoa, että kirjallisuuden äänet saavat merkityksensä vasta erilaisina äänensävyinä konkreettisissa ja ainutkertaisissa konteksteissa. Tämä viittaa tarpeeseen ymmärtää kirjallisuusteoreettisessa keskustelussa usein historiattomana ja universaalina nähty käsite historiaan paikantuneena: eivät vain erityiset aineistot, vaan myös erityiset kontekstit määrittelevät äänen saamia merkityksiä.