26 resultados para Short stories, French.

em Consorci de Serveis Universitaris de Catalunya (CSUC), Spain


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The idea of Chineseness as a geographic, cultural-specific and ethnically-charged concept, and the pivotal role assumed by memory linger throughout the writings of most authors hailing from Chinese community in Southeast Asia. Among these communities, being the Malaysian Chinese the more prolific in terms of number of writers and pieces of literature produced, this paper deals specifically with it. Its focus is put on the literature produced by Malaysian Chinese authors residing in Taiwan, which topic constitutes an important part of the first chapter, and on one of its main representatives, Ng Kim Chew, to whom chapter two and three are fully dedicated. A literary analysis of one of his short stories, Huo yu tu, will allow the reader to have a first-hand experience, through excerpts from the original text, of the importance of Chineseness and memory in the literary production of Ng and of many authors sharing with him similar life and literary experiences. I started this research from the assumption that these authors make large use of their own memories and memories from their own community in their writing as a way to re-tie themselves to the Chineseness they left in their places of origin. However in the case of Ng Kim Chew, the analysis of his works led be to theorizing that the identity he is imbued with, if there is one, is not Chinese, nor Malaysian, but purely and distinctively Malaysian-Chinese. This paper can also serve as an introduction for the general public to the field of Sinophone literature from Southeast Asia and to promote wider and innovative paths of research within the realm of Chinese studies that go beyond China proper.

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This research paper seeks to bring into view the present-day situation of Native-American narrative in English. It is divided into four chapters. The first deals with the emergence of what we might call a Native-American narrative style and its evolution from 1900 up until its particularly forceful expression in 1968 with the appearance of N. Scott Momaday’s novel House Made of Dawn. To trace this evolution, we follow the chronology set forth by Paula Gunn Allen in her anthology Voice of the Turtle: American Indian Literature 1900-1970. In the second chapter we hear various voices from contemporary Native-American literary production as we follow Simon J. Ortiz’s anthology Speaking for the Generations: Native Writers on Writing. Noteworthy among these are Leslie Marmon Silko and Gloria Bird, alongside new voices such as those of Esther G. Belin and Daniel David Moses, and closing with Guatemalan-Mayan Victor D. Montejo, exiled in the United States. These writers’ contributions gravitate around two fundamental notions: the interdependence between human beings and the surrounding landscape, and the struggle for survival, which of necessity involves the deconstruction of the (post-)colonial subject. The third chapter deals with an anthology of short stories and poems by present-day Native-American women writers, edited by Joy Harjo and Gloria Bird and entitled Reinventing the Enemy’s Language: Contemporary Native Women’s Writings of North America. It too exemplifies personal and cultural reaffirmation on a landscape rich in ancestral elements, but also where one’s own voice takes shape in the language which, historically, is that of the enemy. In the final chapter we see how translation studies provide a critical perspective and fruitful reflection on the literary production of Native-American translative cultures, where a wide range of writers struggle to bring about the affirmative deconstruction of the colonialised subject. Thus there comes a turnaround in the function of the “enemy’s language,” giving rise also to the question of cultural incommensurability.

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El treball d'investigació té per objecte oferir un inventari raonat de novel•les i contes curts d’autors sicilians d’entre 1860 i 1898, de Giovanni Verga a la Simonetta Agnello Hornby, diferents en edat, cultura i condició social. Vol fer evident la persistència de la reflexió sobre el Risorgimento "traït", i ajudar a comprendre com hi havia un marc d’unitat política i institucional en el què no es donava cabuda a les diferències entre el Nord i el Sud d’Itàlia

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Desarrollo de una aplicación Android dirigida especialmente a niños para que aprendan otro idioma (inglés). El proyecto contiene 3 cuentos diferentes: "La caperucita roja", "Los tres cerditos" y "La ratita presumida".

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Al final dels anys setanta neix una nova manera d'explicar contes, a partir de contistes sovint urbans i cultes, utilitzant recursos no directament tradicionals, i amb una relació amb l'auditori que s'apropa més aviat a l'espectacle instituït que no pas a la transmissió de coneixements i fantasies deis nostres avantpassats. Es configura una etapa caracteritzada per l'arraconament i l'oblit del conte popular catala; paral-lelament van desenvolupant-se noves técniques que proporcionen educació i basicament distracció als nens i nenes.

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El presente trabajo analiza hasta qué punto el paso del tiempo y la evolución de la lengua pueden afectar a las traducciones que derivan de un mismo original. Esta comparación se ha realizado a partir del cuento Vom Fischer und seiner Frau, recogido por los hermanos Grimm en su antología.

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Tim Burton sitúa su versión de Las aventuras de Alicia en el país de las maravillas (1865), de Charles Lutwidge Dodgson, más conocido por su pseudónimo Lewis Carroll, en la Inglaterra victoriana durante la segunda mitad del siglo XIX. Presenta a una Alicia, con 19 años, que vuelve a la mansión donde había vivido de niña.

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Estudi sobre els microrelats i la xarxa de 140 caràcters.

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La col·lecció «La Novel·la Estrangera» és constituïda per trenta-vuit títols d’aparició quinzenal en una primera etapa i setmanal en una segona i última. De dimensions reduïdes (entre 40 i 80 pàgines), no va arribar, amb alguna excepció, a publicar novel·les, sinó tan sols narrativa curta. Pel format, el disseny, el contingut, el preu i la forma de distribució i venda, la col·lecció anava destinada a un públic ampli. La selecció d’autors traduïts, eclèctica, respon també a la voluntat d’arribar a un sector extens de lectors. Iniciativa d’escriptors joves, la trajectòria de la col·lecció estigué marcada per la precarietat de l’estructura editorial adoptada, cosa que la va condemnar a la fallida.

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Una de les fites psicològiques més rellevants de l’edat infantil (0-6 anys) és l’anomenada ‘comprensió social’, és a dir, el conjunt de processos que permeten entendre, interpretar i predir el comportament de les persones basant-se en estats intencionals com creure, pensar, desitjar o témer (Carpendale i Lewis, 2006)

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Edicions Mentora fou una breu aventura editorial en català a la Barcelona dels anys 1920. Tot i la seva curta existència, Mentora és un agraït objecte d’estudi per als historiadors de la traducció, atès que introduí, sovint amb la col·laboració d’escriptors notables de l’època com Josep Carner o Carles Soldevila, un tipus de novel·la estrangera adreçada a un ampli ventall de públic. Aquesta nova literatura popular, generalment de procedència francesa o anglosaxona, que es podria ja anomenar «de consum», es nodria de llibres d’aventures per a joves i de novel·les sentimentals per a un públic femení.

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Much of the research on industry dynamics focuses on the interdependence between the sectorial rates of entry and exit. This paper argues that the size of firms and the reaction-adjustment period are important conditions missed in this literature. I illustrate the effects of this omission using data from the Spanish manufacturing industries between 1994 and 2001. Estimates from systems of equations models provide evidence of a conical revolving door phenomenon and of partial adjustments in the replacement-displacement of large firms. KEYWORDS: aggregation, industry dynamics, panel data, symmetry, simultaneity. JEL CLASSIFICATION: C33, C52, L60, L11

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This paper explores the real exchange rate behavior in Mexico from 1960 until 2005. Since the empirical analysis reveals that the real exchange rate is not mean reverting, we propose that economic fundamental variables affect its evolution in the long-run. Therefore, based on equilibrium exchange rate paradigms, we propose a simple model of real exchange rate determination which includes the relative labor productivity, the real interest rates and the net foreign assets over a long period of time. Our analysis also considers the dynamic adjustment in response to shocks through impulse response functions derived from the multivariate VAR model.

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A major achievement of new institutionalism in economics and political science is the formalisation of the idea that certain policies are more efficient when administered by a politically independent organisation. Based on this insight, several policy actors and scholars criticise the European Community for relying too much on a multi-task, collegial, and politicised organisation, the European Commission. This raises important questions, some constitutional (who should be able to change the corresponding procedural rules?) and some political-economic (is Europe truly committed to free and competitive markets?). Though acknowledging the relevance of legal and normative arguments, this paper contributes to the debate with a positive political-scientific perspective. Based on the view that institutional equilibria raise the question of equilibrium institutions, it shows that collegiality was (a) an equilibrium institution during the Paris negotiations of 1950-51; and (b) an institutional equilibrium for the following 50 years. The conclusion points to some recent changes in the way that European competition policy is implemented, and discusses how these affect the “constitutional” principle of collegial European governance.