77 resultados para Portuguese visual culture
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Trabalho de project de Mestrado em Antropologia de Direitos Humanos e Movimentos Sociais
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Although Josquin is by far the best-represented foreign composer in Gonçalo de Baena's Arte novamente inventada pera aprender a tanger (Lisbon, 1540), his music is undeniably under-represented both in the extant sixteenth-century Portuguese manuscripts containing Franco-Flemish polyphony and in volumes imported from the Netherlands such as Coimbra MM 2 and VienNB 1783. Josquin’s reputation made him, along with Ockeghem, a symbol in Portuguese humanistic culture, but up to at least the late 1530s his name seems to have been much better known than his music. Nevertheless, possible allusions to specific works by Josquin can be found in early- and mid-sixteenth-century Portuguese polyphony. By the 1520s, the general technical and stylistic characteristics of his and the following generation of northerners had begun to permeate locally produced polyphony. This eventually replaced the late-fifteenth- and early-sixteenth-century pan-consonant and homorythmic style associated with the Aragonese and the so-called Spanish court repertory.
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Complutum, V. 12, pp. 297-309.
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A Work Project, presented as part of the requirements for the Award of a Masters Degree in Management from the NOVA – School of Business and Economics
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Este trabalho aborda uma proposta de utilização do filme etnográfico no contexto do processo de reabilitação sócio urbanística do bairro da Mouraria, em Lisboa. Foca-se numa tentativa de criação de um diálogo entre as duas mais marcantes visões face à nova reconfiguração sócio espacial: a institucional e a popular. Juntamente com o filme, Explora a utilização da antropologia visual de três diferentes formas, na análise da cultura visual e na fotografia. Ainda, considera a hipótese da utilização do filme etnográfico como mediador comunicativo, capaz de criar um espaço para a consciencialização do outro, afirmando-se como um contributo à participação integrada e ao desenvolvimento de metodologias comunicativas.
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O presente relatório tem como objectivo descrever o trabalho desenvolvido na Biblioteca Nacional de Portugal, concretamente no Arquivo de Cultura Portuguesa Contemporânea (ACPC), no sentido da conclusão do Mestrado de Edição de Texto ministrado pela Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa. O estágio foi acompanhado pela Drª. Fátima Lopes, responsável pelo ACPC, e realizou-se na Sala de Leitura de Reservados. No encontro anterior ao início do estágio, foi proposto pela mesma realizar o Inventário de um autor português contemporâneo e facultada a lista de «Elenco dos Acervos Existentes em setembro de 2014», para seleccionar o autor. Era importante ter em conta que só podia escolher os autores que tinham como menção na coluna de observação a informação «guia preliminar» e não os que tinham «inventário». O contacto com o espólio d’ O Medo do escritor Al Berto foi imprescindível para a realização do trabalho de inventariação. Surgiu a proposta de complementação ao inventário, a qual tinha como objectivo escolher um texto para observar as várias versões a que o mesmo foi sujeito até à sua publicação, tendo sido seleccionado Luminoso Afogado. O relatório apresenta quatro capítulos. Após a introdução do mesmo, inicia o primeiro capítulo, o qual centra-se na história da instituição onde decorreu o estágio, para além da abordagem da importância da arquivística textual. O segundo capítulo introduz o autor e as obras trabalhadas. No terceiro capítulo é exposto todo o trabalho de descrição, identificação e inventariação e a análise das versões de Luminoso Afogado. Por fim, o quarto capítulo destina-se aos resultados do trabalho efectuado. Procede em seguida com uma Conclusão, a Bibliografia e os anexos com os inventários e exemplos ilustrativos do trabalho desenvolvido.
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Dissertação apresentada como requisito parcial para obtenção do grau de Mestre em Estatística e Gestão de Informação
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Part of the objects that anthropologists can now find in Lisbon result from the existence of networks with rather diverse historical, social and cultural origins, linking Angola, Mozambique, Cape Verde, Guinea-Bissau, Brazil and Portugal, as well as the countries which have attracted all these countries’ diasporas. The publishing of papers by Portuguese and Brazilian anthropologists in this dossier dedicated to consumption might come to generate a productive collaboration between researchers from both countries, which for over five centuries have seen arriving from the other side of the Atlantic strange objects that, in turn, have taken the routes of the diasporas mentioned above, from luxurious and whimsical items as the indigenous leaders’ feathers and the carriages of the Portuguese royalty, to common and irreplaceable goods as the havaianas.
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Ethnographic film is often associated with many European countries’ past as colonial powers and the way these countries used film to depict African, American and Asian territories and populations they once ruled. However, ethnographic film also has a European tradition of its own, closely interlaced with the history of ethnography and anthropology as autonomous sciences and with the desire of scholars to represent local, regional and national cultural identities. This paper presents a Portuguese attempt of this sort dating from 1938, when the authoritarian regime organized a national contest to determine which would be Portugal’s most “authentic” village – something other European countries also did. As part of this metonymic contribution to the construction of Portugal’s national identity as an agrarian utopia, a short documentary was shot, sponsored by the same official propaganda office that had organized the contest. In this film, the viewer’s gaze is made to coincide with the one of the national jury visiting the final selection of 12 villages and to whose benefit local scholars had organized all sorts of colourful peasant traditions hoping to cause the strongest impression. The film makes a strong case for the importance of ethnographic film as a relevant instance not only of the iteration of existing European national cultures, but also of the construction of so many of Europe’s national identities and traditions. Suffice to say that even today the village of “Monsanto”, which won the 1938 contest, is still referred to as “Portugal’s most Portuguese village”.
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Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em História Medieval
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Dissertação para obtenção do Grau de Mestre em Engenharia do Ambiente Perfil Gestão de Sistemas Ambientais
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Dissertação para obtenção do Grau de Mestre em Engenharia do Ambiente Perfil de Gestão de Sistemas Ambientais
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This Work Project presents human resources as one of the major challenges that Portuguese leaders meet in Angola and Mozambique. The main goal is to understand the role of leaders in translating this challenge into benefits for their own business and the African society. To conduct this study 13 leaders who work in Portugal and Africa were interviewed. Then, a framework was constructed based on the two ways these leaders recognize the importance of their employees for sustainable growth – financial incentives or/and personal development. The main conclusion here is that individually, incentives and personal development are not effective methods. Because of this, an employee empowerment process is proposed that encloses both, along with the leaders’ personal qualities needed to implement that “ideal” process.
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The stylistic categorization of the Estado Novo has been intensely discussed by Portuguese art historians. The square Alameda Dom Afonso Henriques in Lisbon (Alameda) can be seen as paradigmatic for the architecture of power of the Estado Novo. The Alameda forms a gardened valley between two hills. There you find two prominent and highly propagandist buildings: The Instituto Superior Técnico (IST) and the Fonte Luminosa are dedicated to modern sciences and respectively to the harmonious contribution of nature to the city. The iconography of the Alameda as well as its incorporation into the propagandist use of urban planning in the 1930s and 1940s exemplify the visual politics during Salazarism. Urban planning programs intended to create cities that would preserve the character of a traditional catholic society and at the same time answer to the need to modernize the country and evoke the image of a progressive state. Thus, public buildings and urban squares such as the Alameda contributed to design a corporate image and to the ‘spirit’ of the regime.
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This qualitative research analyzes the individual life experiences of Portuguese expatriate leaders who left their home country to work at organizations in Angola, a place that offers better job opportunities. Through interviews with those professionals and their followers, a prototype of a Portuguese expatriate leader in Angola has been developed. Even though Angola is a former Portuguese colony, it was at war for many years and so the economic situation and culture of the country are distant from what Portuguese workers are used too, which requires them to adapt and be open-minded to change.