5 resultados para Leygues, Georges (1857-1933) -- Correspondance

em Portal de Revistas Científicas Complutenses - Espanha


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Après une analyse de l'Agropyretum mediterraneum l'auteur montre qu'à la lumière dees conceptions actuelles de la Phytosociologique et sur la base des nombreuses données récemment récoltées sur le litoral méditerranéen, cette association historique correspond en fait à un groupe.

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La primera propuesta de sistematización fitosociológica, a nivel de alianza, de las comunidades vegetales de las dunas litorales de las costas europeas, fue la de Braun-Blanquet (Jahrb. St. Gallischen Naturwiss. Ges. 57(2): 346. 1921); allí se describe la alianza Ammophilion para incluir dos asociaciones: “Ammophila-Medicago mnarina-Assoziation” y “Crucianelletum”. La primera es el holotipo de la alianza (CEN, Art. 18), puesto que la segunda no fue válidamente publicada (CPN, Art. 7). Posteriormente el mismo autor (Braun-Blanquet, Prodr. Groupements Vég. 1: 5. 1933) describe el orden Ammophiletalia para incluir las alianzas Ammophilion (holotipo del orden) y Ononidion angustissimae all. prov.

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The work analyse from a journalistic point of view the history radio divulgation of health during the Second Republic and the start of the Franco era. For it, printed sources of the health broadcast conferences have been analysed. The most frequently used radio genre was a combination of informative monologue and monologue opinion. Questions relating to maternal-juvenile health were the most disseminated. In general, the radio language employed responded to the needs for clarity, as well as adapting the message to the target audience. With Francoism, the political slogans were incorporated and the gender discussions were given more importance.

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This paper studies the influence of cynic philosophy in the construction of the myth of the good savage. In the first part it studies the importance of cynicism in the XVI century and how the cynic influence of Erasmus, More and Montaigne was fundamental to the way that Europe approached the American indigenous. In the second part it studies the cynic motives that could have influenced in the construction of the myth of the good savage.

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Women’s contribution to abstract art in the interwar period is a subject that, to date, has received very little attention. In this article we deal with the untold story of the participation of women artists in Abstraction-Création, the foremost international group dedicated to abstract art in the 1930s. Founded in Paris in 1931, the group took on the work of two previous collectives to become a platform for the dissemination and promotion of abstract art and consisted of around a hundred members. Twelve of these were women, whose writings and works were published in the group’s annual magazine, abstraction creátion art non figuratif (1932-1936), and who participated in a number of the group’s exhibitions. Compared to what had occurred in previous groups, the participation of women, although reduced in number, was comparable to that of the male artists and being members of the group had a generally positive impact on the women’s careers. However, all this came at the expense of relinquishing any gender specificity in their work and the public presentation of it, and demonstrates that the normalization of women’s contributions to the avant-garde could only be brought about alongside a questioning of the more dogmatic views of modernity.