EPC Special Collection. Juncker’s Investment Package: essential background reading, 27 November 2014. Collection of papers recently published by the European Policy Centre reflecting on current social, political and economic affairs

This special collection combines the latest publications written by our experts on Europe's investment future. In chronological order, this package follows the developments of how European investment has been dealt with, and what would be needed to make for a more ambitious plan.

The western world; or, Travels in the United States in 1846-47: exhibiting them in their latest development, social, political and industrial; including a chapter on California.

Disbound Original Held in Oak Street Library Facility.

Realities and ideals; social, political, literary and artistic.

Partly republished from various sources.

Hungary and Transylvania; with remarks on their condition, social, political and economical.

Front of v. 1 wanting.

Lecture on the social, political and literary condition of Poland, and her future prospects.

Cover-title: ... Poland, Russia, and the policy of the latter towards the United States.

The Russian empire of to-day and yesterday; the country and its peoples, together with a brief review of its history, past and present, and a survey of its social, political, and economic conditions,

Bibliography: p. 477-480.

Pictures of southern life, social, political, and military.

A series of letters from various places in the South dated April 30 to June 23, 1861, and written from the standpoint of an outsider. This collection, with five additional letters (three dated from Washington March 29 to April 9) has also been published with title: The civil war in America ... Boston, G. A. Fuller [1861]

Honolulu: sketches of life, social, political, and religious, in the Hawaiian Islands from 1828 to 1861.

Mode of access: Internet.

Cries from Fiji and sighings from the South Seas. Being a review of the social, political, and religious relations of the Fijians.

Mode of access: Internet.

Temas político-sociais no ensino da Matemática

Este trabalho teve como objetivo propiciar condições para a aprendizagem de conceitos matemáticos e verificar se o conteúdo Estatística, abordado por meio da análise de tabelas e gráficos, trabalhado em grupos cooperativos, por intermédio da resolução de Problemas Ampliados por Temas Transversais/Político-Sociais, pode contribuir para a transformação do ensino e aprendizagem desse conteúdo e para a formação de seres humanos comprometidos com os aspectos políticos, culturais, sociais e ambientais da sociedade em que vivem.

Os livros didáticos de matemática para o ensino fundamental e os temas transversais: realidade ou utopia?

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Em Cristo, poetas denunciam a podridão da modernidade: uma análise da obra Tempo e eternidade

This assignment aims to do a critical and interpretative review of the masterpiece Tempo e Eternidade, published by the Brazilian poets Jorge de Lima and Murilo Mendes in 1935. It is a result of a project called Restaurando a poesia em Cristo, created by many different Brazilian poets as Tristão de Ataíde, Augusto Schimdt, and others. It is worth highlighting the importance of these poems, because of the period when they were published and for the modern proposal, as the theme, which the poets denounce the bad aspects of modernity of the century through the Holly Bible, as also for the new esthetics. In the 30s, Brazil was passing through many changes; in aspects of history - the transition between the governments of Oligarchy to the New State, in governance of Getúlio Vargas; and in the literary context, it was the beginning of the second phase of Modernism, from 1930 to 1945. This period remains the consolidation of the literary movement, in terms of esthetics, since the major proposal of Modernism is freedom of the verse and, in this second phase, the search for a renovation of the language and the enlargement of the themes in poetry, such in the religious aspect or the social-political' themes. In this perspective, it aims to show the importance of the masterpiece for the history of Brazilian literature, coated as part of a turning point between the first and second phase of Modernism, also for the thematic renovation in religious poetry and esthetics, with a new proposal of esthetics. The methodology for the analyses of the poems will be through Antonio Candido's proposal, in O estudo analítico do poema, based on interpretation and comments. Therefore it intends showing through the analyses the relevance of the masterpiece written by the Brazilian poets, to the area of religious poetry and for the literary movement of that time

Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany

Historically political song has often been perceived negatively, as a disturbance of the peace, summed up by the legendary line from Goethe’s Faust: “Politisches Lied – ein garstiges Lied”. In the period in Germany of the Vormärz (from 1815 up to the revolution of March 1848), however, we see how this perception may be changing as it increasingly becomes a means of self-expression in public life. This was the era of restauration, in which broader sections of German society are striving for political emancipation from the princes and kings. A whole host of political themes emerge in the songs (Freiheitslieder) of that period in which a new oppositional political consciousness is reflected. The themes range from freedom of speech, freedom from censorship, and the need for democratic and national self-determination to critiques of injustice and hunger, and parodies of political convention and opportunism. Sources of reception give indications about the social and political milieus in which these songs circulated. Such sources include broadsheets, handwritten manuscripts, song collections, commemoration events, advertisements in political press, memoires, police reports and general literature of the time. In many cases we see how these songs reflect the emerging social and political identities of those who sing them. One also sees the use of well known melodies in the popular dissemination of these songs. An intertextual function of music often becomes apparent in the practice of contrefacture whereby melodies with particular semantic associations are used to either underline the message or parody the subject of the song.