Spór o wspólnotę w perspektywie badań nad miastem postindustrialnym

Wydział Nauk Społecznych: Instytut Kulturoznawstwa

Miasto Poznań w perspektywie badań interdyscyplinarnych

Książka podzielona została na cztery części. W każdej z nich znajdują się teksty ukazujące inną stronę badań miasta wynikających z odmiennych perspektyw badawczych prezentowanych przez nasz interdyscyplinarny zespół badaczy. Książka dofinansowana ze środków: Prof. dr hab. Jacka Witkosia, prorektora Uniwersytetu im. Adama Mickiewicza w Poznaniu ds. nauki i współpracy międzynarodowej Prof. dr hab. Hanny Kóčki-Krenz, dziekan Wydziału Historycznego Prof. dr hab. Michała Buchowskiego, dyrektora Instytutu Etnologii i Antropologii Kulturowej

Miasto Równe : kartka z kroniki Wołynia /

Includes bibliographical references.

Danieli Hodrovej mit i poetyka miasta

The author analyses the theoretical and historical work of the Czech literary theoretician entitled “Citlivé město (eseje z mytopoetiky”), Praha 2006, ss. 416. Hodrova’s work is focused on the topic of the city as an architectural creation and a complicated social and cultural phenomenon. In the post-modern anthropological thought the city is the subject of interest as an area that defines the identity of the human being through urban notions. The historical model of Hodrova’s reflection is the Czech Prague seen through the eyes of writers, artists, architects but also through the European tradition of presenting the city. Ipso facto, the monograph that reconstructs the artistic means of presenting Prague transforms into a dispute in the area of social psychology, mythical studies and anthropology.

Integracja europejska w mikroperspektywie. Graniczne miasta blizniacze w Europie Zachodniej i Srodkowo-Wschodniej

The dynamization of integration processes in Europe has generated numerous research topics for political analysis. Border integration is an expression of the broader unification processes of certain structures. It is also a manifestation of the observation that people think globally, but function locally. The European integration perspective is therefore practically implemented in micro structures, exemplified by border twin towns. The objective of this paper is to revive the micro perspective as a useful approach in the investigation of integration processes. This perspective is applied in the field of border studies, which focus on research into the transformation of European borders resulting from integration processes, as well as on the transformations of the concepts of statehood, territoriality and sovereignty. It is assumed that these phenomena are definitely more observable at the outskirts of states than in their centers. Theoretical and empirical considerations are based on the example of border twin towns, as the European units of local government that integrate across borders. The main differences between the integration of towns in Western Europe and Central and Eastern Europe are also indicated in the analysis.

Sacrum w drodze. Moskwa-Pietuszki Wieniedikta Jerofiejewa i Pulp Fiction Quentina Taranino w kluczu montażowego czytania

The aim of this monograph is the attempt of reading the poem Moscow-Petushki by Venedikt Erofeev and the film Pulp Fiction by Quentin Tarantino using the comparative approach, in which we go beyond the range of factual relationships, historical influences or similarities functioning in the structure of the presented world. The purpose of the book is to see both works of art from the angle of the montage theory of Sergei Eisenstein – the outstanding and highly regarded Russian director and film philosopher – which means studying cultural phenomena in their mutual intertextual relationships. The book focuses on the interpretation of the selected Tarantino’s and Erofeev’s texts of culture, in which the subject of the city, the search for the concept of the body at the end of 20th century and the problem of addictions constitute the dominant thematic issues. The monograph also offers the insight into the nature of the phenomenon of postmodernism and treats Eisenstein’s philosophy as the specific type of anticipation of postmodern tendencies in cinematography.