994 resultados para fontana, domenico


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In Rom entstand im ausgehenden 16. Jahrhundert die Gattung des „Tempietto-Katafalks“, eines Trauergerüsts in Form eines überkuppelten Zentralbaus, der anlässlich der feierlichen Exequien eines hochrangigen Verstorbenen die symbolische Totenbahre als anspruchsvolle ephemere Kleinarchitektur überfängt. Anhand dreier herausragender Beispiele, der Katafalke für Kardinal Alessandro Farnese, Papst Sixtus V. und Principe Carlo Barberini, sollen die architektonische Gestalt der Funeraltempietti und ihre symbolische Aussage näher beleuchtet werden. Dabei soll weniger die Ikonographie der figürlichen Ausstattung im Mittelpunkt stehen als vielmehr die “Sprachfähigkeit” der gewählten architektonischen Formen, die bei den hier vorgestellten römischen Katafalken ein zentraler Teil der Gesamtkonzepts ist. Dabei sind sowohl der Festanlass – die Memoria des verstorbenen Würdenträgers – als auch die Architektur selbst zum Thema gemacht.

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Mode of access: Internet.

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Mode of access: Internet.

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Dissertação de Mestrado em Filosofia Política

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UANL

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Constructed, beginning in 1576 by the architect Domenico Fontana, the Villa Montalto, named after the Cardinal Felice Peretti Montalto, was for a long rime described as having surpassed the splendor of all the villas in Rome. Located to the north of the city in an arid and practically deserted zone, between vineyards, Antique ruins and early Christian churches, the villa occupies a privileged place within the history of urban landscape. Elected pope in 1585, under the name of Sixtus V, Felice made his villa the largest that had ever existed inside of the walls, establishing the upper city of the Monti, the Città Felice, as a new economic and religious center, crystallizing his ambitions for a major territorial reform. By simultaneously focusing on the gardens, the painted decorations, the literature, and the architecture of the villa, but also on its economic and social role, this article proposes an original interpretation of the Villa Montalto, demonstrating the fundamental importance of the imagined landscape in the Rome of Sixtus V. Through the ideal space of his villa, the Pope sought to propose a new model of economic and social development necessary to the reform of the then poor and insalubrious Rome. The ultimate goal was none other than the reestablishment of a Christian Eden on Earth. Sixtus V thus placed himself within the lineage which, since Adam, had attempted through the virtue of agricultural labor, to atone for the original sin.

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The final objective of this work will be to develop a study collating the theses defended for the historian Paul Kennedy and sociologist Domenico De Masi, presenting the ma in factors that influence in the process of migration of the jobs for the developed countries or in its maintenance in the countries in development, verifying if it has signals of flexibility in such process as reply to the fast technological development andl or the expansion of the "creative leisure". The present work has for purpose to search not them last and projected taxes of growth of work, but yes the factors that appear less in the threshold of related centuries XX and XXI to the human work and a possible route of migration of the existing jobs in the developed countries for the nations richest of the planet what it would lead, for consequence, to a still bigger inequality it enters the poor nations richest and, leading to a social collapse caused by the aggravation of the inequality in this distribution of income between the peoples.

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Pós-graduação em Geociências e Meio Ambiente - IGCE