962 resultados para city life
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Colección de textos que explora la emoción, las tensiones y las injusticias de la vida urbana. Una variedad de pasajes, extractos de novelas, artículos periodísticos, poemas y cuentos, conforman cada una de las cinco secciones temáticas. La colección incluye escritos, entre otros, de William Blake, Bill Bryson, Charles Dickens, Robert Harris, Beverley Naidoo, Jon McGregor, Jeanette Winterson. Hay notas sobre los autores.
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Masterman, C. F. G. Realities at home.--Lawrence, F. W. The housing problem.--Bray, R. A. The children of the town.--Buxton, N. and Hoare, W. Temperance reform.--Wilson, P. W. The distribution of industry.--Pigou, A. C. Some aspects of the problem of charity.--Head, F. W. The church and the people.--Gooch, G. P. Imperialism.--Trevelyan, G. M. The past and the future.
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"The majority of the sketches in this volume were written in New Orleans, in the years 1846 and 1847; and have appeared from time to time in the 'Literary world'."--Introd.
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Previously published in part in the New York Evening Post, 1858-59. cf. Pref., p. iii.
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Thesis (Master's)--University of Washington, 2016-06
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At the centre of this research is an ethnographic study that saw the researcher embedded within the fabric of inner city life to better understand what characteristics of user activity and interaction could be enhanced by technology. The initial research indicated that the experience of traversing the city after dark unified an otherwise divergent user group through a shared concern for personal safety. Managing this fear and danger represented an important user need. We found that mobile social networking systems are not only integral for bringing people together, they can help in the process of users safely dispersing as well. We conclude, however, that at a time when the average iPhone staggers under the weight of a plethora of apps that do everything from acting as a carpenter’s level to a pregnancy predictor, we consider the potential for the functionality of a personal safety device to be embodied within a stand alone artifact.
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A Sibyl fallen into everyday life. The enfolding of the identity of modern woman in Marja- Liisa Vartio s novel Kaikki naiset näkevät unia ( All Women Have Dreams ). --- Marja-Liisa Vartio played a remarkable part in renewing Finnish literature. My thesis examines her novel Kaikki naiset näkevät unia (1960), which describes the life of a middle-aged housewife, Mrs. Pyy ( Mrs. Hazel Hen ). She has moved from country to city and lives now in a suburb, in the Helsinki of the 1950 s. In Finnish literature, the novel is the first significant description of a modern city woman accomplished by modernistic means. My research examines the identity of a woman in the Finland of the 50 s, an epoch marked by the inevitable transition into modernity. My aim is to look into the ways in which the female identity enfolds in Kaikki naiset näkevät unia, how it takes its form, how it is described and commented. The primary method is contextual close reading; the novel is seen in the social, cultural and historical context of the time it was published. Essential elements in this study are literary motifs and images in the novel, and particularly transtextual relations as defined by Gérald Genette. The focus is on hypertextuality, intertextuality and paratextuality. Kaikki naiset näkevät unia emerges as a modern version of Madame Bovary by Gustave Flaubert. A woman s life spent in illusive dreaming is transferred from a 1900th century bourgeois town in France to a middle class Finnish suburb in the 1950 s. Vartio s novel is a variant of an ancient Finnish ballad I, a bird without a nest , making it into a modern narration of transition. The inner, mental journey from country to city is of great length, and the liminal life in a suburb does not make the passage any easier. Like the lyrical voices in the poetry of Edith Södergran, also Mrs. Pyy finds it hard to discover any values of sisterhood or those of ideal femininity in modern times. In earlier studies of Marja-Liisa Vartio s prose, stress has been laid on the discourse of her narrators and characters, as well as on its modern literary form. In this research, however, urgent allusions to paintings, old and new, are taken into account, since Mrs. Pyy mirrors herself against art, both classical and modern. Principal images in this context are Michelangelo s Sibyls in the ceiling of the Sistine Chapel, and a modern painting, which remains unidentified. Mrs. Pyy turns out to be a tragicomic character, who has magnanimous illusions about herself, but is compelled to accept the fact the she is only a mediocre person. She is nothing more than a first generation city dweller; she is not a modern, aloof outsider but a mere dilettante, who desperately tries to live out modern city life. Kaikki naiset näkevät unia is a striking picture of the 1950 s, a picture that is construed in the consciousness of Mrs. Pyy. We are shown everyday life growing more and more modern after the war and woman s role growing more and more subject to increasing pressure for change.
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Five fishing villages in Lake Chad Basin region of Borno State (Nigeria) were assessed for the roles of children in fishing activities in the area. The villages surveyed include: Bundaram, Yobe, Daba masara, Dumba and Doro. The results show that the children were largely between 12-18 years of age in the villages. Generally, the younger children (less than 12 years) participate in activities that require no technicality and little physical strength, while the older children (12 years and above) engage in skillful fabrication of gear and fishing activities. Some activities in the surveyed villages were gender specific. Such activities include fish processing (smoking) which is exclusive for female and few male children, who carry out preliminary cleaning of fish before any processing method is applied. 80% of the children in the five fishing villages claimed proper understanding of the techniques and procedure involved in most fishing activities. About 65% of the children sampled showed willingness to become full time fishermen while 22% were uncertain and claimed that they do not know what the future holds for them. 15% of them resolved to migrate to town so that they could live a city life
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Nessa dissertação procede-se à análise das narrativas do jornal O Globo durante a ocupação da favela da Rocinha pelas forças oficiais, em novembro de 2011. Pretende-se identificar as representações veiculadas pela mídia nesse especial momento da vida da cidade, que convive com a implantação do projeto das Unidades de Polícia Pacificadora UPPs e a expectativa de recepcionar, nos próximos anos, dois megaeventos esportivos internacionais: a Copa do Mundo (2014) e as Olimpíadas (2016). O mote da pesquisa foi, através da análise das representações sobre o processo de ocupação, descobrir pistas que permitissem pensar o impacto dessa medida sobre a cidade e seus habitantes. Foi possível perceber que, diferentemente do que ocorria nas últimas décadas, a violência urbana não se apresentou como questão de grande interesse para o jornal, aparecendo apenas incidentalmente como eventos pontuais em um contexto predominantemente pacífico. Prevaleceu o discurso otimista em relação à cidade e seu futuro. Nesse sentido, diversas matérias registraram o sucesso da operação policial, comemorando a substituição da política policial de confronto pelas ações de inteligência, fator que teria permitido a retomada do morro sem que um tiro sequer fosse disparado. Ênfase especial foi dada às UPPs, sistematicamente representadas de forma positiva pelo jornal, moradores, empresários e especialistas, que apontariam o projeto como fator responsável pela onda de esperança e otimismo que envolve a cidade. As UPPs seriam, ainda, o elemento que permitiria, aos cariocas, ressignificar as favelas da cidade, afastando a aura de violência a elas associadas, fazendo desaparecer o medo que esses espaços da cidade historicamente causam na população em geral, integrando as favelas na cidade formal. O processo de pacificação das favelas do Rio de Janeiro, personificado nas UPPs, seria a ponte que permitiria, à cidade, se redescobrir, se reinventar, recuperando a alegria e a auto-estima, deixando para trás as décadas de pessimismo e desesperança. Observou-se, assim, que durante o período pesquisado, a dinâmica das narrativas rompeu com o padrão anterior de representação de cidade violenta, privilegiando o discurso da cidade pacificada, embora com episódios violentos pontuais.
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O trabalho pretende apresentar uma cartografia das atividades desenvolvidas pelos profissionais de saúde mental que prestam assistência aos moradores dos serviços residenciais terapêuticos do município de Carmo, no Estado do Rio de Janeiro. Estas moradias constituem uma etapa do processo de desinstitucionalização de um hospital psiquiátrico estadual do tipo colônia agrícola, fundado na década de 40 do século passado, onde estavam internados cerca de 280 pacientes. A partir de 2003, com a extinção do hospital coordenada pelo gestor estadual e a municipalização dos recursos, uma pequena parcela dos internos retornou ao seio familiar, mas a maioria (cerca de 160) foi alocada em moradias assistidas, espalhadas pelas áreas urbana e rural do município. Tomando a tarefa de reinserção social como o viés político da Reforma Psiquiátrica Brasileira, o trabalho cotidiano da equipe multiprofissional é focalizado. Neste plano relacional o texto busca a conceitualização de Política e de um trabalho político, através das idéias de Arendt, Gramsci, Deleuze e Guattari, entre outros; já a ergologia possibilita uma metodologia para a abordagem do trabalho humano. Com base na pesquisa de campo, a cartografia revela como a tarefa política é realizada, nas atividades dos técnicos, quer dizer, na micropolítica dos encontros dos profissionais uns com os outros, com a sociedade civil e com os moradores, onde os valores da Reforma Psiquiátrica são negociados. No fim, trata-se de uma etapa em um processo, ainda a meio caminho entre a gestão estadual e a gestão municipal, onde a proposta mantém-se sustentada pela vontade política do gestor e, na via da hegemonia, deve ser trabalhada entre os profissionais e na sociedade civil. O panorama é heterogêneo, e a dinâmica revela a diversidade de entendimentos e interesses. No cenário do trabalho cotidiano, conceitos como autonomia e cidadania se atualizam em atividades que caracterizam a vida nas cidades e se desdobram em torno de certos temas, como o uso do dinheiro, ou a apropriação do espaço. A experiência dos técnicos envolvidos mais diretamente com os moradores, como os cuidadores, produz uma técnica de escuta e mobilização, que não admite cartilhas nem regras pré-estabelecidas ou imutáveis. Este trabalho conjunto, formador de redes e sustentado na interação, é indicador de integralidade na execução da proposta da Reforma Psiquiátrica.
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At the beginning of the twentieth century, composers Béla Bartók and Zoltán Kodály collected thousands of folksongs from the rural regions of Hungary. In an effort to preserve a part of their culture that they feared would be lost, they not only transcribed and catalogued these folksongs, but also incorporated the folk traditions they encountered into their own compositional style. This dissertation deals with violin music written by Bartók, Kodály and their Hungarian contemporaries that have in common the use of rhythms, modes, melodies, figurations and playing techniques sourced in folk traditions. The use of the Hungarian folk idiom in classical music was not exclusive to the twentieth century. From the late eighteenth century until the first decades of the twentieth century, composers utilized aspects of a popular eighteenth-century form of Hungarian folk music called verbunkos. What makes the use of folk music unique in the twentieth century is that, thanks to the work of Bartók and Kodály, composers found inspiration in the more authentic “peasant music.” Unlike the popular, urban verbunkos music, peasant music was the product of the more secluded village-music tradition, largely untouched by the influences of city life. In addition to stimulating a new focus on peasant music, Bartók and Kodály fully assimilated the folk idiom into their compositional toolkits, creating a new style of folk-inspired art music that influenced a generation of Hungarian composers. The new style included characteristic elements of both peasant music and the verbunkos tradition, such as ancient modes and scales, accompanimental and melodic rhythmic patterns, ornamentation, and phrase structures sourced in folk song. To demonstrate the implementation of the folk idiom by twentieth-century Hungarian composers, three recital programs were given at the University of Maryland that included works by Béla Bartók, Sándor Veress, Leo Weiner, Zoltán Kodály, Ernő Dohnányi, Zoltán Székely and György Kurtág. The works can be divided into two main categories: settings or transcriptions of folk material (e.g. Bartók’s Hungarian Folksongs) and compositions using classical forms that include the Hungarian folk idiom (e.g. Bartók’s Contrasts). Recital collaborators include Li-Tan Hsu, Evelyn Elsing, Elizabeth Brown, Shelby Sender and Samantha Angelo.
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El interés de este estudio de caso es comparar las dinámicas de uso y apropiación del espacio público en parques de origen formal e informal, y discutir sus implicaciones en la vida social y urbana, teniendo como zonas el parque Villa de la Torre (informal) y el parque Cayetano Cañizares (formal). Este trabajo se enmarca en conceptos de uso y apropiación del espacio público, a partir de los cuales se examinan las dinámicas de formalidad e informalidad de los parques zonas de estudio, explorando qué efectos puede tener su origen, y revisando si el parque informal implica falta de apropiación y usos conflictivos, o si por el contrario, las dinámicas que en espacios públicos se dan pueden incluir dinámicas positivas y negativas indistintamente de su origen.
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During the last twenty years, consumer choice in high income countries is no longer merely dictated by price and the organoleptic characteristics of a product, but also by other features some of which are not patently tangible. The growing importance of such attributes in the process of consumer choice is not only due to income increase, but also to changes in lifestyle such as migrations from the countryside, a generalized urbanization and consequential city life style, female emancipation and work outside the domestic walls for women, the drastic decrease in hard physical labor and the process of internationalization. The present survey study aims to explore the importance that Italian consumers give to fresh cut buying attributes and which of these attributes should be taken into consideration by industries in order to satisfy the needs of the most critical shoppers. Where possible, market and survey data for fresh cut products will be compared with those for cooked products and before presenting the results and conclusions of the study, the technical issues of processing will be highlighted owing to the fact that they affect the marketing of these products, the recent market situation with regard to consumption will be illustrated and the methodology used will be described.