The Library of Congress : comprising a series of architectural and mural decorations which have attracted the greatest attention and admiration.

The plates are mounted.

Young children, adolescents and alcohol - Part II: Reputation enhancement and self-concept

The research reported builds on our earlier work (Houghton, Carroll, & Odgers, 1998) which explored young children's and adolescents' views pertaining to knowledge and awareness of alcohol and alcohol-related issues. In this second study 640 (286 male and 354 female) school students randomly selected from five primary schools and five high schools in Perth, Western Australia participated. Data were obtained using The Which Group picture booklet questionnaire which comprises five parts and utilises illustrations (drawn by a professional children's artist) to gather information about children's and adolescents' orientations towards alcohol risk social situations, reputation enhancement, self-concept, and other related issues. Of the sample, 73% of males and 70.6% of females had tried alcohol, with beer being consumed most often. Significantly more participants in higher Year levels had tried alcohol. Over 90% said they drank at a party. Multivariate analysis revealed that nine of the 11 dependent variables contributed to the significant main effect of alcohol risk group, of which three were self-concept variables and six were reputation enhancement variables. It appears that individuals with the highest levels of orientation to alcohol risk believe that they are liked by their families, are physically attractive and have greater confidence in themselves. They also have higher levels of Admiration of Alcohol Related Activities and also of prosocial activities. While striving to attain a non-conforming reputation these individuals also wish to be ideally perceived by others as conforming. Gender and Age differences are investigated.

KANT E A ADMIRAÇÃO DA NATUREZA

RESUMO: O parágrafo 62 da Crítica do Juízo, cuja função é definir o conceito de conformidade a fins objetiva (objektive Zweckmässigkeit), começa com uma declaração do filósofo segundo a qual todas as figuras geométricas se relacionam com uma conformidade a fins objetiva e admirável. Embora não seja aqui essencial para a definição do princípio dessa conformidade a fins, a afirmação de Kant de que ela é muitas vezes digna de admiração exerce um importante papel para a sua própria definição. O objetivo deste texto é tecer algumas considerações em torno dessa relação entre o princípio estritamente lógico da conformidade a fins e o sentimento em geral, seja de admiração da natureza, ou em todas as suas variações, tais como aparece na sequência do mesmo parágrafo 62: o entusiasmo, a alegria e a estupefação. Embora de antemão se reconheça que tais sentimentos não podem intervir no mecanismo estritamente lógico desse princípio, que, segundo Kant, é transcendental, pretende-se mostrar como o seu uso relaciona-se sempre e de algum modo com um sentimento. Para isso, é preciso mostrar que a afirmação de Kant segundo a qual o juízo teleológico não possui nenhuma relação com o sentimento de prazer e desprazer não implica necessariamente que esse tipo de juízo não possua relação nenhuma como nenhum tipo de sentimento.

Diez aportaciones del empleo de la metodología cualitativa en una auditoría de comunicación interna en Atención Primaria.

Qualitative methodology, originally belonging to the Social Sciences domain, has progressively incorporated to Health Research to the scepticism of many and the admiration of others. Nowadays, validity and fiability of these qualitative techniques is still questioned by a great amount of health researchers and their use provokes doubt among reviewers and other members of the scientific community. This article presents as a fundamental measure for the validity of the qualitative methodology its precise use to approach determinate research objectives specific to them and, echoing the extra issue of the Health Services Research on December 1999 on this methodology, gathers the contribution of the use of these techniques from a complementary point of view, in a Internal Communication Audit conducted in the Primary Care Services of four Regional Health Systems: Area II of the INSALUD (National Health Institute), Basque Health System, Canary Health System and Andalusian Health System.

La traduzione poetica del Cinquecento e le "Metamorfosi d'Ovidio" dell'Anguillara

La thèse est articulée en trois grandes sections, consacrées respectivement: (I) à la traduction poétique en Italie à partir des années 1540 jusqu'à la fin du XVIème siècle (II), à la réception des Métamorphoses d'Ovide à travers la réflexion théorique et les réécritures en italien (III), à la plus célèbre des versions italiennes du poème latin, celle de Giovanni Andrea dell'Anguillara (1507-1570 env.), parue à Venise en 1561. Le premier chapitre (La traduzione poetica nel Cinquecento) prend en considération plus d'une trentaine de traductions d'auteurs classiques parues en Italie entre 1540 et 1580. L'examen détaillé du péritexte qui accompagne les éditions (préfaces, commentaires, dédicaces) montre l'existence d'un riche débat autour de la traduction littéraire ainsi que la présence d'un public vaste et diversifié comme destinataire de ces oeuvres. Dans ce contexte, la traduction en langue vulgaire de l'oeuvre d'Ovide, et particulièrement des Métamorphoses, constitue un cas fort intéressant. Le deuxième chapitre (Aspetti della ricezione delle Metamorfosi nel Cinquecento) offre un ample aperçu sur la réception du poème latin à travers ses principales éditions, commentaires et interprétations. En s'appuyant sur les travaux de A. Moss et D. Javitch, ce chapitre (II. 2 Usi e funzioni delle Metamorfosi in ambito teorico e poetico) montre les contradictions existant dans les jugements sur les Métamorphoses au XVIème siècle, partagés entre l'admiration pour la virtuosité du poète latin et l'écho des préjugés moraux et stylistiques hérités de la critique ancienne. La poétique du Cinquecento en effet devait faire face à deux problèmes majeurs posés par le texte d'Ovide: au niveau structurel son caractère polycentrique et digressif, inconciliable avec le modèle épique virgilien chéri par le siècle; au niveau thématique la présence de récits de phénomènes jugés invraisemblables, comme notamment celui de la métamorphose. L'analyse des traductions des Métamorphoses en italien entre 1530 et 1570 prend en considération autant les réécritures partielles (dues aux poètes Luigi Alamanni, Bernardo Tasso, Girolamo Parabosco) que les versions intégrales du poème. Parmi ces dernières, une attention particulière a été réservée à l'adaptation du vénitien Ludovico Dolce, Le Trasformationi (1553), libre réécriture sur le modèle du Roland Furieux. La dernière partie du travail est entièrement consacrée à la célèbre version de Giovanni Andrea dell'Anguillara, poète et traducteur dans le cercle du cardinal Alessandro Farnese. Comme le démontre l'analyse comparée du texte italien et de l'original latin, cette «belle infidèle» (qui supplanta la version de Dolce et fut réimprimée maintes fois jusqu'au XIX siècle) doit son succès à son parfait équilibre entre fidélité à la structure du poème et une attitude très libre dans la narration, qui n'hésite pas à actualiser et «contaminer» le texte ovidien avec des auteurs modernes tels que l'Arioste ou Bandello. L'appendice comprend une bibliographie exhaustive des éditions de la traduction d'Anguillara parues au XVIème siècle.

Antonio Agustín, Bologna e l’antiquaria del Cinquecento

One of the founders of numismatics in Modern Age was the archbishop of Tarragona and renowned jurist Antonio Agustín. He was educated during the mid-sixteenth century mainly in Italy, particularly in Bologna and Padua. His role in the development of antiquarian studies – and interest in collecting – ran parallel to the development of numismatics in the Cinquecento. His interest in realia , i.e., the materials and documents perceived as primary evidence of history understood in a global sense, make him a pioneer in setting the trends and methodologies which would be later employed by Bernard de Montfaucon. The period Antonio Agustín spent in Bologna, at the Reale Collegio di Spagna, between 1539 and 1544, afforded him the opportunity to enter a very cultivated circle where the admiration and study of the Antique was well established since the mid-fifteenth century. The cultural effervescence taking place in Bologna was encouraged by the court of Giovanni II Bentivoglio and the University alike. Artists also contributed to the development of antiquarian knowledge, and the painter Amico Aspertini (ca. 1475-1552) exemplifies this. It is clear that Antonio Agustín certainly benefited from the scholarly environment in Bologna during the first half of the Cinquecento, which had been firmly anchored since the fertile Quattrocento. Although the documentary evidence is scarce, and it is difficult to pinpoint the details, it is undeniable that Antonio Agustín was heavily influenced by his Bolognese experience.

Aspectos históricos da visita de Marie Sklodowska Curie a Belo Horizonte

In the year 2011 it is celebrated the Marie Sklodowska Curie Nobel Prize centenary and the International Year of Chemistry. However, it is not generally known that Marie Sklodowska Curie, one of the greatest scientists of all time, visited Belo Horizonte, state of Minas Gerais, Brazil. She arrived by train at Belo Horizonte city on 16 August 1926, coming from Rio de Janeiro and accompanied by her daughter Irène Joliot-Curie. The scientists visited the Institute of Radium of Belo Horizonte. The approach in this work emphasizes the presence of Marie Sklodowska Curie in Belo Horizonte, exploring the admiration and respect that people had for her.

Storytelling as a branding tool in social media

Tutkimuksen tavoitteena on kuvailla tarinankerrontaa brändin rakennuksen välineenä, ja selvittää mitkä ovat tarinankerronnan erityispiirteet sosiaalisessa mediassa. Aikaisempien teorioiden ja julkaisujen avulla kootaan viitekehys joka osoittaa käsitteiden vaikutukset toisiinsa. Tutkimus osoittaa tarinankerronnan vaikuttavan vahvistavasti kaikkiin brändipääoman ulottuvuuksiin, lähinnä tunteita herättävien ja muistettavuutta lisäävien ominaisuuksiensa ansiosta. Empiirisessä osiossa selvitetään laadullisen sisällönanalyysin keinoin kuinka yleistä brändien tarinankerronta tällä hetkellä on, ja kuvaillaan millaisia tarinoita yritykset kertovat. Aineisto koostuu sadan suosituimman brändin Facebookissa jakamista videomuotoisista tarinoista. Tutkimus osoitti, että brändien tarinankerronta sosiaalisessa mediassa on toistaiseksi melko vähäistä. Tarinat voidaan luokitella kirjallisuudesta tuttujen tarinatyyppien mukaisesti. Suurin osa brändien esittämistä tarinoista pyrkii synnyttämään yleisössä ihailun ja nostalgian tunteita, mutta useat tarinat myös sisältävät humoristisia piirteitä.