1000 resultados para Reid, Inez Smith.


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Reuse of record except for individual research requires license from Congressional Information Service, Inc.

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Back Row: ass't coaches Ron Vanderlinden, Bob Thornbladh, Milan Vooletich, Paul Schudel, Dennis Brown, Jack Harbaugh, Bill McCartney, Jerry Hanlon, Don Nehlen, Tirrel Burton, Les Miles, Mike Gittleson, Fritz Seyferth, Jim Kozlowski

9th Row: student manager Tom Anderson, trainer Russ Miller, eqp. manager Jon Falk, Curtis Antrum, Bill Jacoby, Ethington, Robin Koschalk, Scott Roberts, Mike Korowin, Ali Haji-Sheik, Anthony Carter, Chip Pederson, Roger Gaudette, Bob Patek

8th Row: Jerry Burgei, Jeff Cohen, Duke Hayes, John Brown, Jim Herrman, Joe Mosketti, Todd Triplett, Dan Yarano, Bill Bonnell, Paul Girgash, Ken Gear, John Lott, Ricky Davis, Nate Davis

7th Row: Karl Tech, Doug Agnew, Rich Hewlett, Steve O'Donnell, Craig Dunaway, Jerald Ingram, Winfred Carraway, Mike Cade, Jimbo Davis, Keith Bostic, Larry Ricks, Brad Fischer, Kevin Ssmith</p>

6th Row: Brian Carpenter, Vince Shaw, Tom Neal, Dave Brewster, Sanford Washington, Fred Brockington, Mike Lemirande, Rich Strenger, Norm Betts, Tony Kelsie, Mike Petsch, Mike Czarnote, Kevin Longe, Marion Body

5th Row: Jeff Reeves, Jim Paciorek, Butch Woolfolk, Cedric Coles, Tom Garrity, Mark Warth, Ed Muransky, Bubba Paris, Chuck Rowland, Robert Thompson, Zeke Wallace, Gary Lee, Jeff Felten

4th Row: Brad Bates, Jim Breaugh, Oliver Johnson, Fred Motley, Kelly Keough, John Prepolec, Tony Osbun, Dan Kwiatkowski, Chuck Christian, Greg Wunderli, Tom Wandersleben, Mike Kligis, Bryan Virgil, Frank Raiford

3rd Row: Tom Moss, Stan Edwards, Dave Nicolau, Stu Harris, Ben Needham, Kurt Becker, Chuck Hetts, Mike Trgovac, andy Cannavino, Rodney Feaster, B.J. Dickey, Alan Mitchell, Tony Jackson, Irvin Johnson

2nd Row: James Humphries, Gary Quinn, Dan Murray, Tony Leoni, John Wangler, Gary Weber, Mel Owens, George Lilja, Mike Leoni, Lawrence Reid, Roosevelt Smith, David Payne, Tom Keller, Jay Allen

Front Row: Gerald Diggs, Mark Braman, Mike Jolly, John Powers, co-capt. Ron Smpkins, co-capt. John Arbeznik, Curtis Greer, Dale Keitz, Ralph Clayton, Chris Godfrey, Doug Marsh, Mike Harden, coach Bo Schembechler

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This article examines the work of Brisbane artist Gemma Smith. It investigates the artist's career and her developmental abstract paintings and sculptures. It argues that the artist is fundamentally intuitive in her approach to the genre and also employs mimicry of certain abstract styles as a means through which to develop her own creative outcomes.

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The Future of Financial Regulation is an edited collection of papers presented at a major conference at the University of Glasgow in Spring 2009. It draws together a variety of different perspectives on the international financial crisis which began in August 2007 and later turned into a more widespread economic crisis following the collapse of Lehman Brothers in the Autumn of 2008. Spring 2009 was in many respects the nadir since valuations in financial markets had reached their low point and crisis management rather than regulatory reform was the main focus of attention. The conference and book were deliberately framed as an attempt to re-focus attention from the former to the latter. The first part of the book focuses on the context of the crisis, discussing the general characteristics of financial crises and the specific influences that were at work during this time. The second part focuses more specifically on regulatory techniques and practices implicated in the crisis, noting in particular an over-reliance on the capacity of regulators and financial institutions to manage risk and on the capacity of markets to self-correct. The third part focuses on the role of governance and ethics in the crisis and in particular the need for a common ethical framework to underpin governance practices and to provide greater clarity in the design of accountability mechanisms. The final part focuses on the trajectory of regulatory reform, noting the considerable potential for change as a result of the role of the state in the rescue and recuperation of the financial system and stressing the need for fundamental re-appraisal of business and regulatory models. This informative book will be of interest to financial regulators and theorists, commercial and financial law practitioners, and academics involved in the law and economics of regulation.

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In 1961, the East German government erected what they claimed was an anti-capitalist barricade. In 1989, this barricade was dismantled by those whom it was supposed to keep apart: the forces it was intended to contain had overwhelmed it. In the aftermath, the victims of Stalinist oppression and the planned economy opted for radical change. Some might have hoped that they would intellectually march resolutely westwards towards the forms of social democracy that had proven so successful in their nearest neighbours – Scandinavia, Germany and Austria – and stop when they had reached a point on the political spectrum with which they felt comfortable, and which worked for them. Unfortunately, they went to the opposite end of political economy. That choice was celebrated by those theorists who wanted our own countries to move in the same direction. Eastern Europe suffered a decline of 50% in its GDP. Much earlier in 1653, Peter Stuyvesant had erected an earth and wooden wall to protect the westernmost settlement of a great commercial nation from those they imagined to be barbarians. In 1699 Stuyvesant’s barrier was dismantled by the British, who replaced it with a street named after the wall. So it came to be that one of the most inconsequential walls in history became one of history’s most famous streets. I am not sure if the Dutch had left some tulip bulbs on either side of the wall, perhaps as a reminder of capitalism’s first bubble, and an inspiration to later bubbles. However, many of the victims of the latest burst bubble are pretty keen to tear down that Wall.1 As in 1989, they want to take action against the guardians of the system that failed them. And the more they suffer, the more likely it is that they will demand radical change, and the more likely that the resulting change will go too far – as seems to have been the case in Eastern Europe after the terminal crisis of communism, and in the majority of democracies that fell in the dozen years following the Great Crash. The current reaction is so strong that some are even wondering what role there will be for markets. I was invited to address a conference in the EU Parliament last November on the topic ‘Capitalism: Quo Vadis?’, where I apologized to the international audience that the topic was posed in a dead European language because the answer to this question is not going to be determined by the west alone. The problems we have been addressing emerged in the west and have affected the rest. However, the answers will not come, solely from the west, and may even come primarily from the south and the east.

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In this paper we describe a body of work aimed at extending the reach of mobile navigation and mapping. We describe how running topological and metric mapping and pose estimation processes concurrently, using vision and laser ranging, has produced a full six-degree-of-freedom outdoor navigation system. It is capable of producing intricate three-dimensional maps over many kilometers and in real time. We consider issues concerning the intrinsic quality of the built maps and describe our progress towards adding semantic labels to maps via scene de-construction and labeling. We show how our choices of representation, inference methods and use of both topological and metric techniques naturally allow us to fuse maps built from multiple sessions with no need for manual frame alignment or data association.

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Determining the temporal scale of biological evolution has traditionally been the preserve of paleontology, with the timing of species originations and major diversifications all being read from the fossil record. However, the ages of the earliest (correctly identified) records will underestimate actual origins due to the incomplete nature of the fossil record and the necessity for lineages to have evolved sufficiently divergent morphologies in order to be distinguished. The possibility of inferring divergence times more accurately has been promoted by the idea that the accumulation of genetic change between modern lineages can be used as a molecular clock (Zuckerkandl and Pauling, 1965). In practice, though, molecular dates have often been so old as to be incongruent even with liberal readings of the fossil record. Prominent examples include inferred diversifications of metazoan phyla hundreds of millions of years before their Cambrian fossil record appearances (e.g., Nei et al., 2001) and a basal split between modern birds (Neoaves) that is almost double the age of their earliest recognizable fossils (e.g., Cooper and Penny, 1997).

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What is contemporary art and what are the key components of contemporary culture? This review demonstrates where Terry Smith provides important answers to this question. The books thus help to improve understanding of how art has changed in recent decades and how a global culture now shapes its parameters. This review does not however concur that Smith provides a convincing case for a complete cultural paradigm transformation.

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Synopsis and review of the Australian action film The Man from Hong Kong (Brian Trenchard Smith, 1975). Includes cast and credits. Australia’s first martial arts action film was a coproduction between Hong Kong production company Golden Harvest and director Brian Trenchard Smith’s Movie Company, with significant investment from BEF Distributors, a subsidiary of the Australian exhibition chain Greater Union. Two years previously, Golden Harvest had coproduced the Bruce Lee smash hit Enter the Dragon, with Warner Bros. The Man from Hong Kong was its first partnership with an Australian producer, and the first coproduction between Hong Kong and Australian based companies. Although the film was almost entirely set in Sydney, much of the production was shot in a Hong Kong studio, where sets including Wilton’s gloriously decorated apartment were built...