Gemma Smith and the intuitive abstract


Autoria(s): Pennings, Mark W.
Data(s)

01/10/2010

Resumo

This article examines the work of Brisbane artist Gemma Smith. It investigates the artist's career and her developmental abstract paintings and sculptures. It argues that the artist is fundamentally intuitive in her approach to the genre and also employs mimicry of certain abstract styles as a means through which to develop her own creative outcomes.

Formato

application/pdf

Identificador

http://eprints.qut.edu.au/37828/

Publicador

Eyeline Publications/QUT

Relação

http://eprints.qut.edu.au/37828/1/c37828.pdf

http://www.eyeline.qut.edu.au/home.htm

Pennings, Mark W. (2010) Gemma Smith and the intuitive abstract. Eyeline Magazine, pp. 36-43.

Direitos

Copyright 2010 Eyeline Publications/QUT

Fonte

Art & Design; Creative Industries Faculty

Palavras-Chave #190100 ART THEORY AND CRITICISM #Gemma Smith #Australian Abstract Art #Intuition in art
Tipo

Journal Article