As diferentes interfaces da aventura na natureza : reflexões sobre a sociabilidade na vida contemporanea

Universidade Estadual de Campinas . Faculdade de Educação Física

Finge: relatório de estágio

Relatório de Estágio submetido à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Teatro, especialização em Artes Performativas - interpretação.

Imagem- documento. Refigurações do arquivo nos filmes de Filipa César Hito Steyerl e Harun Farocki

Esta tese analisa o conceito de imagem-documento na arte contemporânea através do comentário a um conjunto de filmes, que têm em comum uma génese documental: A Cruz e a Prata (2010), de Harun Farocki, Cacheu (2010), de Filipa César e November (2004), de Hito Steyerl. Em primeiro lugar, é introduzido e definido o conceito de imagemdocumento e, em seguida, são identificadas as transformações a que o conceito de arquivo tem vindo a ser sujeito no contexto da arte contemporânea e, consequentemente, como é que esta transformação altera a noção de documento visual e a forma como este é recebido pelo espectador. A tese divide-se em três capítulos, sendo que no primeiro é feita uma abordagem ao conceito de imagem-documento relacionando o percurso que associa o documento ao espaço da arte com referências históricas; no segundo capítulo, é elaborado comentário individual dos filmes; e no terceiro é abordado o papel do documentário na arte contemporânea, bem como o conceito de “efeito de arquivo” e a sua relação com os filmes enunciados.

Infância e imagem: filme publicitário, escola e modos de ser criança

Pós-graduação em Educação - IBRC

Relações públicas e o Brand Management: storytelling 2.0 na construção de relacionamentos

According to the Informational Society of the twentieth century, man develops society of the spectacle, where life becomes virtual and the individual ceases to be a spectator becoming the protagonist of wikiciberepopéia and organizations seeking to gain the attention and time of its consumers through new communication strategies. If the great epics of mankind brought mythical heroes, divine, with powers (mostly above the mortals), in the era of new technologies, the common man is in the hands the opportunity to become the hero of his own ciberepopéia. Increasingly resistant to traditional advertising, the new model of media consumer, the prosumer, the storytelling is transforming into one of the main communication tools of contemporary organizations. Offer your audience a creative and relevant content across several media platforms is a major brand positioning strategies currently used, in addition to providing the transmission of values and organizational principles in a subjective manner. Storytelling where objects are extensions of the human body (eg, the cell can be treated as an extension of the ears) is a strong indication of a technocratic society, because we can consider the new technologies as extensions of the human brain (as new store technologies, create meanings, share information through a specific language) and the individual who is on the edge of new technology ends up being excluded from certain social events. This new world tends to put an end to separation between seemingly contrary ideas, such as reality/fiction, natural/cultural and the man who emerges from this medium is not the creator, but rather, transforming what already exists. The current human evolution takes place from about half the human mind and tell stories that go beyond the media saturation that really emocionem and who have a real meaning for those who listen, to be interconnected with the socio-environmental reality of this new consumer, is a major chall...

El obraje: una historia de explotación y despojo en dos obras de autores santiagueños

Este trabajo se propone demostrar cómo se construye la realidad representada -en este caso el obraje- en dos obras de autores santiagueño: Tolvanera, de Carlos Bernabé Gómez y Hacha y quebracho, de Raúl Dargoltz. Se analizan las obras mencionadas en relación con el contexto socio-histórico y la realidad del obraje y la explotación forestal en Santiago del Estero Las conclusiones surgirán, pues, del cruce entre historia, ficción y realidad vivida.

Annabella (El pentágono) de Antonio Di Benedetto : aproximaciones a una poética de la ficción

A partir de la idea de que las obras literarias pueden instaurar, dentro de su propia estructura, claros y profundos planteos sobre conceptos como realidad, ficción, y verdad ficcional. se indaga la poética de la ficción que de modo implícito se inscribe en la obra de Antonio Di Benedetto, más precisamente en El pentágono; novela en forma de cuentos, texto de corte experimental publicado por vez primera en 1955, en el que se presta especial atención a las relaciones entre realidad y ficción, a la posibilidad de la ficción de instituir mundos diversos y a los límites y juegos especulares entre ambos dominios. Por otra parte, se observa, en la peculiar construcción de esta novela en forma de cuentos, una estructura que en sí misma es signo del concepto de ficción que domina la obra.

Realidad y ficción en la obra de Mario Vargas Llosa

Se explica la utilización de las categorías de realidad-ficción, como procedimiento para estructurar el texto narrativo o teatral por parte de Mario Vargas Llosa. El análisis asume la relación de esta técnica literaria con el paradigma posmoderno y con la ideología neoliberal, con lo cual muestra la importancia de la noción de tiempo para la conjunción de estos elementos.An explanation is given of the use of the categories of reality and fiction, as a way of organizing Vargas Llosa's narrative and theatrical texts. This analysis assumes the relationship between this literary technique and postmodernism and neo-liberalism, with relation to the notion of time.

[Hand transplantation - fiction or reality?]

Hand transplantation has been indicated in selective patients after traumatic upper extremity amputation and only performed in a few centers around the world for the last decade. In comparison to solid organ transplantation, there is a challenge to overcome the host immunological barrier due to complex antigenicity of the different included tissues, the skin being the most susceptible to rejection. Patients require lifelong immunosuppression for non life-threatening conditions. Minimization of maintenance immunosuppression represents the key step for promoting wider applicability of hand transplantation. Current research is working towards the understanding mechanisms of composite tissue allograft (CTA) rejection. Worldwide, in 51 patients 72 hands (21 double hand transplants) and once both arms have been successfully transplanted since 1998.

Nostalgic representation of reality in television fiction: an empirical study based on the analysis of the Spanish television series Cuéntame cómo pasó

The Spanish transition from dictatorship to democracy is often described as an example of negotiation or agreement between the elites (Sánchez Cuenca and Aguilar, 2009: 433). Journalistic and political elites, aware of their important historical role, agreed a consensus on certain issues (democracy, constitution, amnesty) or characters (King Juan Carlos I), in order to ensure the stability of the democratic process (Zugasti, 2007, 2008). Television, which articulates the discourse of the masses, has been one of the basic means used to illustrate the development. Among the highlights of recent major audiovisual content, Cuéntame cómo pasó (2001-present) -a TV-series designed to explain changes with a nostalgic tone in Spanish society since 1968 until today- stands out. By choosing a random sample of episodes for this research we propose to verify the validity of the representation of the political process which contextualizes the series. By analyzing many elements, such as the opinions of the main characters, their personal, political and geographical situations, we try to show the construction of a focal point that sanctifies the official version. We also stress the pacifying and nostalgic tone, which constructs stereotypes and taboos about the process and which characterizes this series as a symbolic culmination of the democratization undertaken by the elites.

Fiction and reality in "The Kindly Ones" of Jonathan Littell

This paper studies the novel The Kindly Ones, whose main plot charts the anguished memories of a Nazi officer. The reader of this novel is plunged into the harshest atrocities of the Holocaust and WWII, as these are recounted by a perverse conscience who is unmoved by the most terrible actions. Fiction and reality are contrasted in the novel against the framework of history writing and the subsequent debates sparked by historical elaboration. This novel perceptively captures historical truth, thus calling for critical attention upon the collective responsibility which will prevent the repetition of events.