O papel das interações professor-aluno na construção da solução lógico-aritmética otimizada de um jogo com regras

Na presente dissertação relato minhas inquietações profissionais intrinsecamente ligadas ao desconforto que eu percebia estar produzindo em meus alunos, a partir de uma prática docente, que, em muitos aspectos, necessitava de reformulações e adequações aos novos tempos. Era uma prática docente fundada nos pressupostos da ciência moderna, que pretendia descrever a realidade por leis deterministas, exatas, hierarquizadas e compartimentalizadas. Buscando transformar minha prática, (re)construí, na interação com meus pares, a proposta de um laboratório de Educação Matemática. As atividades desse laboratório deviam proporcionar uma fértil ambiência de interações verbais, despertando uma participação ativa dos alunos na construção de conhecimento. Com a certeza de que precisava ampliar a reflexão sobre meu trabalho docente, (re)construí uma nova visão pessoal de ciência, me apoiando nas idéias de alguns filósofos que se aproximam de um olhar transdisciplinar e do que tem sido chamado de ciência pós-moderna. Com esta nova concepção, procurei articular a Educação Matemática com os postulados da Psicologia Histórico-Cultural, a fim de me apropriar de ferramentas teórico-metodológicas para investigar minha prática docente. Na presente dissertação, relato uma análise microgenética de minha interação com dois alunos em uma atividade típica do laboratório de Educação Matemática: a aprendizagem da solução lógico-aritimética otimizada de um jogo com regras, o Nim. Filmei as 36 partidas que joguei com os alunos até que eles descobrissem a estratégia otimizada do jogo e depois as transcrevi, integralmente. A análise mostrou três momentos da construção da estratégia otimizada: a formulação e (re)formulação de hipóteses; a seleção, aplicação e teste de hipóteses e a transferência do raciocínio construído para a formulação de novas hipóteses. Observei transições genéticas em todos os momentos e mudanças nos padrões interativos que ora refletiam uma abordagem comunicativa predominantemente dialógica (no primeiro e terceiro momento), ora de autoridade (no segundo momento). Percebi como os alunos, interagindo comigo, desenvolveram a capacidade de regular suas próprias ações para resolver o problema que os desafiavam.

Fleshing Out and Losing Flesh: The Decomposing Corpse as Narrative Object in American Hardboiled Detective Fiction

This dissertation examines the corpse as an object in and of American hardboiled detective fiction written between 1920 and 1950. I deploy several theoretical frames, including narratology, body-as-text theory, object relations theory, and genre theory, in order to demonstrate the significance of objects, symbols, and things primarily in the clever and crafty work of Dashiell Hammett (1894-1961) and Raymond Chandler (1888-1959), but also touching on the writings of their lesser known accomplices. I construct a literary genealogy of American hardboiled detective fiction originating in the writings of Edgar Allan Poe, compare the contributions of classic or Golden Age detective fiction in England, and describe the socio-economic contexts, particularly the predominance of the “pulps,” that gave birth to the realism of the Hardboiled School. Taking seriously Chandler’s obsession with the art of murder, I engage with how authors pre-empt their readers’ knowledge of the tricks of the trade and manipulate their expectations, as well as discuss the characteristics and effect of the inimitable hardboiled style, its sharpshooting language and deadpan humour. Critical scholarship has rarely addressed the body and figure of the corpse, preferring to focus instead on the machinations of the femme fatale, the performance of masculinity, or the prevalence of violence. I cast new light on the world of hardboiled detective fiction by dissecting the corpse as the object that both motivates and de-composes (or rots away from) the narrative that makes it signify. I treat the corpse as an inanimate object, indifferent to representation, that destabilizes the integrity and self-possession, as well as the ratiocination, of the detective who authors the narrative of how the corpse came to be. The corpse is all deceptive and dangerous surface rather than the container of hidden depths of life and meaning that the detective hopes to uncover and reconstruct. I conclude with a chapter that is both critical denouement and creative writing experiment to reveal the self-reflexive (and at times metafictional) dimensions of hardboiled fiction. My dissertation, too, in the manner of hardboiled fiction, hopes to incriminate my readers as much as enlighten them.

The works of Edgar Allan Poe.

Tales of the grotesque and arabesque: I. Romances of death. Old-world romance.--II. Tales of conscience, natural beauty, and pseudo-science.--III. Tales of ratiocination and illusion.--IV. Extravaganza and caprice.--V. Tales of adventure and exploration.--Literary criticism: VI. On poetry and the poets.--VII. On novels, essays, and travels. Marginalia.--VIII. The literati. Minor contemporaries, etc.--IX. Eureka, and miscellanies.--X. Poems.--Bibliography (v. 10, p. 273-309)

The works of Edgar Allan Poe : newly collected and edited, with a memoir, critical introductions, and notes /

Includes index.

Fleshing Out and Losing Flesh: The Decomposing Corpse as Narrative Object in American Hardboiled Detective Fiction

This dissertation examines the corpse as an object in and of American hardboiled detective fiction written between 1920 and 1950. I deploy several theoretical frames, including narratology, body-as-text theory, object relations theory, and genre theory, in order to demonstrate the significance of objects, symbols, and things primarily in the clever and crafty work of Dashiell Hammett (1894-1961) and Raymond Chandler (1888-1959), but also touching on the writings of their lesser known accomplices. I construct a literary genealogy of American hardboiled detective fiction originating in the writings of Edgar Allan Poe, compare the contributions of classic or Golden Age detective fiction in England, and describe the socio-economic contexts, particularly the predominance of the “pulps,” that gave birth to the realism of the Hardboiled School. Taking seriously Chandler’s obsession with the art of murder, I engage with how authors pre-empt their readers’ knowledge of the tricks of the trade and manipulate their expectations, as well as discuss the characteristics and effect of the inimitable hardboiled style, its sharpshooting language and deadpan humour. Critical scholarship has rarely addressed the body and figure of the corpse, preferring to focus instead on the machinations of the femme fatale, the performance of masculinity, or the prevalence of violence. I cast new light on the world of hardboiled detective fiction by dissecting the corpse as the object that both motivates and de-composes (or rots away from) the narrative that makes it signify. I treat the corpse as an inanimate object, indifferent to representation, that destabilizes the integrity and self-possession, as well as the ratiocination, of the detective who authors the narrative of how the corpse came to be. The corpse is all deceptive and dangerous surface rather than the container of hidden depths of life and meaning that the detective hopes to uncover and reconstruct. I conclude with a chapter that is both critical denouement and creative writing experiment to reveal the self-reflexive (and at times metafictional) dimensions of hardboiled fiction. My dissertation, too, in the manner of hardboiled fiction, hopes to incriminate my readers as much as enlighten them.

Global citizenship education: a sociological critique

This paper considers the recent focus on citizenship within education by taking curricular reform within Scottish secondary schooling as a case study. In Scotland the Curriculum for Excellence reform places citizenship as one of four main capacities that pupils must work towards as part of their education. A central theme in this reform is the need for students to take a global perspective and work across different disciplines. In this model of citizenship education learners are enabled to develop their sense of citizenship identity in response to a fast-paced world of innovation and change. Citizenship is therefore linked to a futurist agenda, where the learner-citizen is positioned as an ongoing project, as something to be worked at or perhaps worked on. However, this kind of notion of agency is an expression of an ideological construction of the citizen as a flexible resource for society. Such citizens are active in the sense of being adaptive to change through utilizing intellectual skills but without a sense of identity grounded in one's commitments or reflexive engagement with different forms of understanding. The paper offers a critical assessment of this learner-citizen discourse as focusing on ratiocination rather than relational identity.

Global citizenship: an education or an identity?

This paper considers the recent focus on citizenship within education by taking curricular reform within Scottish secondary schooling and its linkage with higher education as a case study. In Scotland the Curriculum for Excellence reform places citizenship as one of four main capacities that pupils must work towards as part of their education. Likewise, there has been a move in within the Scottish higher education Enhancement Themes framework to include citizenship as part of graduate attributes that students work towards as they progress through their courses. A unifying theme in these reforms is the need for students to take a global perspective and work across different disciplines by, for example, considering how knowledge relates to wider issues such as in relation to sustainable development, e-democracy or human rights. One feature that unites these disparate areas is that, above all, students must learn to be active through the acquisition of appropriate knowledge and skills. In this model of citizenship education, learners are enabled to develop their sense of citizenship identity in response to a fast-paced world of innovation and change. Citizenship is therefore linked to a futurist agenda, where the learner-citizen is positioned as an ongoing project, as something to be worked at or perhaps worked on. However, this kind of notion of agency is an expression of an ideological construction of the citizen as a flexible resource for society. Such citizens are active in the sense of being adaptive to change through utilizing intellectual skills but without a sense of identity grounded in one’s commitments or reflexive engagement with different forms of understanding. The paper offers a critical assessment of this learner-citizen discourse as focusing on ratiocination rather than relational identity.