1000 resultados para Produção fonográfica
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Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ciências Musicais, variante de Etnomusicologia
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Este artigo apresenta notas sobre a relação entre religião, mídia e produção fonográfica através da exposição de dados sobre o Diante do Trono (DT), a Igreja Universal (IURD) e uma controvérsia que envolve ambos. A narrativa mostra o sucesso do DT e recupera parte da trajetória da IURD a fim de compreender as acusações feitas por Edir Macedo contra a cantora da banda. Destaca-se a disputa de dois conglomerados empresariais: de um lado o da IURD, com a TV Record buscando audiência e a Line Records tentando se manter no mercado gospel; de outro, o das Organizações Globo, que vem se aproximando dos evangélicos através da música e conta com a Som Livre como distribuidora dos trabalhos do DT desde 2009.
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Este texto busca oferecer uma visão geral da produção fonográfica brasileira entre 1965 e 1999. A partir de levantamentos estatísticos produzidos pelo Nopem (Nelson Oliveira Pesquisas de Mercado), é apresentada aqui uma classificação dessa produção em diferentes segmentos e uma breve descrição do surgimento e da dinâmica de cada um deles, bem como, em alguns casos, uma análise mais detalhada de suas características e de seu desenvolvimento. Com vistas a uma melhor contextualização, a exposição dos dados é acompanhada por uma ligeira discussão acerca do cenário geral da indústria
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This thesis focuses on the representation of Popular Music in museums by mapping, analyzing, and characterizing its practices in Portugal at the beginning of the 21st century. Now that museums' ability to shape public discourse is acknowledged, the examination of popular music's discourses in museums is of the utmost importance for Ethnomusicology and Popular Music Studies as well as for Museum Studies. The concept of 'heritage' is at the heart of this processes. The study was designed with the aim of moving the exhibiting of popular music in museums forward through a qualitative inquiry of case studies. Data collection involved surveying pop-rock music exhibitions as a qualitative sampling of popular music exhibitions in Portugal from 2007 to 2013. Two of these exhibitions were selected as case studies: No Tempo do Gira-Discos: Um Percurso pela Produção Fonográfica Portuguesa at the Museu da Música in Lisbon in 2007 (also Faculdade de Letras, 2009), and A Magia do Vinil, a Música que Mudou a Sociedade at the Oficina da Cultura in Almada in 2008 (and several other venues, from 2009 to 2013). Two specific domains were observed: popular music exhibitions as instances of museum practice and museum professionals. The first domain encompasses analyzing the types of objects selected for exhibition; the interactive museum practices fostered by the exhibitions; the concepts and narratives used to address popular music discursively, as well as the interpretative practices they allow. The second domain, focuses museum professionals and curators of popular music exhibitions as members of a group, namely their goals, motivations and perspectives. The theoretical frameworks adopted were drawn from the fields of ethnomusicology, popular music studies, and museum studies. The written materials of the exhibitions were subjected of methods of discourse analysis methods. Semi-structured interviews with curators and museum professional were also conducted and analysed. From the museum studies perspective, the study research suggests that the practice adopted by popular music museums largely matches that of conventional museums. From the ethnomusicological and popular music studies stand point, the two case studies reveal two distinct conceptual worlds: the first exhibition, curated by an academic and an independent researcher, points to a mental configuration where popular music is explained through a framework of genres supported by different musical practices. Moreover, it is industry actors such as decision makers and gatekeepers that govern popular music, which implies that the visitors' romantic conception of the musician is to some extent dismantled; the second exhibition, curated by a record collector and specialist, is based on a more conventional process of the everyday historical speech that encodes a mismatch between “good” and “bad music”. Data generated by a survey shows that only one curator, in fact that of my first case study, has an academic background. The backgrounds of all the others are in some way similar to the curator of the second case study. Therefore, I conclude that the second case study best conveys the current practice of exhibiting Popular Music in Portugal.
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Esta tese aborda a Canção de Coimbra no quadro dos estudos etnomusicológi-cos, tendo como principal objectivo a compreensão deste importante fenómeno en-quanto categoria musical autónoma. A construção dos padrões discursivos e performativos da Canção de Coimbra é alicerçada recorrendo a instrumentos tais como a etnografia da música e o estudo do dis-curso, exógeno e endógeno, sob o ponto de vista do método fenomenológico. Fenómeno musical performativo imerso num quadro simbólico particular, o ob-jecto de estudo apresenta-se como uma das manifestações mais ricas e exclusivas das comunidades escolares europeias, senão mundiais, privilegiando-se no ambiente de uma das mais antigas Universidades da Europa, com todos os rituais e simbolismos que o acompanham desde a fundação. O seu desenvolvimento incide fundamentalmente sobre a produção literária, a produção fonográfica, a participação musical directa, e o resultado de sessões de trabalho e entrevista com intérpretes, compositores e investigadores. O corpus principal do estudo organiza-se na observação do fenómeno Canção de Coimbra, em ligação directa com os seus contextos sociais e culturais, num período que decorre sobretudo entre ca. 1850 e a actualidade.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Desde a década de 1970 está em marcha o processo de reestruturação da indústria fonográfica mundial que cambiou as formas de organizar as relações de produção, distribuição e consumo de música. O fenômeno da banalização técnica (SANTOS, 1994), induz a um maior número de atores sociais a utilizar formas de executar trabalhos, antes circunscritos a um punhado de empresas hegemônicas. O aumento de atividades relacionadas à música é um resultado desse fenômeno, como no caso dos estúdios de gravação e ensaio, pequenas e médias gravadoras, casas de espetáculo, bares com shows, escolas musicais e lojas de instrumentos que assinalam o aumento da espessura do circuito superior marginal da economia urbana. Buscar-se-á, de tal modo, explicar algumas situações geográficas a respeito da divisão territorial do trabalho ligada à música nas metrópoles brasileiras de São Paulo (SP), Rio de Janeiro (RJ), Porto Alegre (RS), Goiânia (GO), Recife (PE) e Salvador (BA) a fim de explicar a relação com as especificidades do lugar e uma tendência a consolidação de gostos regionais brasileiros frente à globalização.
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The production of ethyl esters by alcoholysis is an alternative for splitting triacylglycerols due to the possibility of using low temperatures, which results in oxidative protection of the polyunsaturated fatty acids. Ethyl esters produced under mild conditions of temperature could be used as substrate for obtaining structured lipids. The reaction parameters of production of ethyl esters from fish oil with high content of omega-3 fatty acids by alcoholysis were optimized using response surface methodology. An experimental design (2³) (with levels +1 and -1, six axial points with levels -alpha and +alpha and three central points) was applied. The variables investigated were concentration of catalyst, amount of ethyl alcohol and temperature. Ethyl ester conversion was monitored by high performance size exclusion chromatography (HPSEC) and the best result obtained was 95% conversion rate. The optimal conditions were 40 °C, 1% of NaOH and 36% of ethanol.
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Isomaltulose, a functional isomer of sucrose, is a non-cariogenic reducing disaccharide; has a low glycemic index; selectively promotes growth of beneficial bifidobacteria in the human intestinal microflora; and has greater stability than sucrose in some foods and beverages. Isomaltulose is a nutritional sugar that is digested more slowly than sucrose, and has health advantages for diabetics and nondiabetics. Immobilization techniques, especially entrapment of the cells, are widely used for conversion of sucrose into isomaltulose. Immobilization offers advantages such as minimum downstream processing, continuous operation and reusability of cells. Isomaltulose is currently considered to be a promising sugar substitute.
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Alginate microparticles were prepared by an emulsion method aiming oral controlled release of antigens to fish. The effects of emulsification temperature and impeller type on particle morphology, average diameter, and size distribution were evaluated. Microparticles contaning formalin-killed Flavobacterium columnare cells (a model antigen) were prepared and characterized regarding bacterial release and particle stability when exposed to Nile tilapia (Oreochromis niloticus) typical gastrointestinal conditions. This methodology allowed the production of microparticles containing up to 14.3 g/L of bacterin, stable at a pH range from 2.0 to 9.0 for 12 h and smaller than 35 μm.
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Poorly soluble drugs have low bioavailability, representing a major challenge for the pharmaceutical industry. Processing drugs into the nanosized range changes their physical properties, and these are being used in pharmaceutics to develop innovative formulations known as Nanocrystals. Use of nanocrystals to overcome the problem of low bioavailability, and their production using different techniques such as microfluidization or high pressure homogenization, was reviewed in this paper. Examples of drugs, cosmetics and nutraceutical ingredients were also discussed. These technologies are well established in the pharmaceutical industry and are approved by the Food and Drug Administration.
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In Brazil the adoption of several models of cattle confinement leads to special conditions for management methods in dairy production, which can be improved by the use of technology that assures better herd management. Indexes relating environmental variables to production are applied for the prediction of milk production. The values of temperature and relative humidity, rain index, solar radiation and pasture soil temperature are generally considered potential stress agents for cows. The objective of this research was to develop an index for predicting milk production for high productivity Jersey milking cows lodged in semi confinement in tropical conditions. The experiment considered two treatments: A - the cows waited for 30 minutes prior to milking in a room with a shower associated to a fan; B - the cows did not have access to this room (control). Other than the waiting period, the cows had access to pasture. Differences in the effect of average production were not statistically significant. The analysis for studying the effect of the variables and designing the model led to a statistical model relating the variables milk production and rain index, as well as the maximum soil temperature of pasture, and milk production.
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Brazil is an important poultry meat export country, and large parts of its destination are countries with specific rearing restrictions related to broiler s welfare. One of the aerial pollutants mostly found in high concentrations in closed poultry housing environment is ammonia. There are evidences that broilers welfare may be compromised by the continuous exposition to this pollutant in rearing housing. This research aimed to estimate broilers welfare reared under specific thermal environmental attributes and bird s density, as function of the ammonia concentration and light intensity inside the housing environment using the Fuzzy Theory. Results showed that the best welfare value (0.89 in the scale: 0-1) approximately 90% of the ideal was found in the conditions that associated the ideal thermal environment, with bird s density between 13-15 birds m-2, with values of the ammonia concentration in the environment below 5 ppm, and light intensity near 1 lx. Using the predictive method it was possible to estimate broilers welfare with relation to the ammonia concentration and light intensity in the housing.
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It was proposed to evaluate the hydroponic lettuce production, variety Vera, on inclined benches with channels of 100 mm, and Nutrient Film Technique, as answer to carbon dioxide application and evaporative cooling. There were five cycles of cultivation from March, 20th to April, 17th (C1); from May, 25th to June, 29th (C2); from July, 13th to August, 20th (C3); from August, 27th to October, 10th (C4); from December, 12th to January, 10th (C5). In three greenhouses were tested the following systems: (A1) without evaporative cooling air CO2 aerial injection, (A2) with CO2 aerial injection and without evaporative cooling and (A3) with CO2 aerial injection and pad-fan evaporative cooling system. The fresh and dry mass of leaves in grams, number of leaves and leaf area in square millimeter were evaluated. The completely randomized statistical analysis was used. The cycle C1 were used 48 replications, for cycles C2, C3 and C5 were used 64 replications and C5 were used 24 replications. The results showed that greenhouse with evaporative cooling system and CO2 allow better development and greater lettuce yield. It was possible to conclude that the aerial injection of CO2, in the absence of evaporative cooling system, did not lead increasing the lettuce productivity to most cycles. Bigger lettuce leaf areas were found in periods with higher temperatures.