998 resultados para Printing press


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The toppling of Saddam in 2003 has seen Iraq shift from only a handful of state organs that served as propaganda machines, to a wealth of over 200 Iraqi-owned newspapers which are being fervently produced and avidly read on the streets of the nation. This paper traces the introduction of the printing press to Iraq by the Ottomans and details both the periods where Iraq’s press was truly free and fostered the emergence of a civil society and democratic reforms and those where the Iraqi media was most restricted and did little else than praise the regime at hand. Following on, this paper reviews the developments since the fall of Saddam Hussein and, despite the extensive interference in Iraq’s media sector from the occupying forces, it concludes by arguing that these papers have been central to the re-emergence of an Iraqi public sphere which has openly debated and discussed the issues surrounding the nation’s shift from despotism to democracy.

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Despite a wealth of recent research which has detailed the impact that new media outlets and technologies have had on the Middle East’s nascent public sphere and its role in promoting democracy, there has been little investigation into the re-emergence of the free press in Iraq following the toppling of Saddam Hussein in 2003 and the corresponding end to his tight control over the nation’s media sector. This paper begins by reviewing Iraq’s long relationship with the written word and its corresponding public sphere. It traces the introduction of the printing press to Iraq by the Ottomans and details those periods when the Iraqi press was truly free, fostering the emergence of a civil society and democratic reforms (such as under the Young Turks, the early Hashemite era and following the Second World War). It also examines those periods when the Iraqi media was most restricted and did little else than praise the regime at hand (such as under Ottoman rule and most recently under the Ba†th regime, especially under Saddam Hussein). Following on, this article reviews the developments since the fall of Saddam Hussein and, despite the extensive interference in Iraq’s media sector from governmental entities both outside and inside Iraq, it concludes by arguing that these papers have been central to the re-emergence of an Iraqi public sphere which has openly debated and discussed the issues pertinent to post-Saddam Iraq.

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This chapter introduces the changing role of copyright in China from a historical perspective. It begins by briefly tracing the history of copyright, from a censorship-related system associated with the emergence of the printing press in imperial China, through modernisation during the Republican period, abolition under communism and finally to the introduction of the People's Republic of China's (PRC) first copyright law in 1990 and the nation's entry into the World Trade Organisation (WTO) in 2001.

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This study investigates the process of producing interactivity in a converged media environment. The study asks whether more media convergence equals more interactivity. The research object is approached through semi-structured interviews of prominent decision makers within the Finnish media. The main focus of the study are the three big ones of the traditional media, radio, television and the printing press, and their ability to adapt to the changing environment. The study develops theoretical models for the analysis of interactive features and convergence. Case-studies are formed from the interview data and they are evaluated against the models. As a result the cases arc plotted and compared on a four-fold table. The cases are Radio Rock, NRJ, Biu Brother, Television Chat, Olivia and Sanoma News. It is found out that the theoretical models can accurately forecast the results of the case studies. The models are also able to distinguish different aspects of both interactivity and convergence so that a case, which at a first glance seems not to be very interactive is in the end found out to receive second highest scores on the analysis. The highest scores are received by Big Brother and Sanoma News. Through the theory and the analysis of the research data it is found out that the concepts of interactivity and convergence arc intimately intertwined and very hard in many cases to separate from each other. Hence the answer to the main question of this study is yes, convergence does promote interactivity and audience participation. The main theoretical background for the analysis of interactivity follows the work of Came Fleeter, Spiro Kiousis and Sally McMillan. Heeler's six-dimensional definition of interactivity is used as the basis for operationalizing interactivity. The actor-network theory is used as the main theoretical framework to analyze convergence. The definition and operationalization of the actor-network theory into a model of convergence follows the work of Michel Callon. Bruno Latour and especially John Law and Felix Stalder.

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[ES] De entre las ediciones de Terencio publicadas en las primeras décadas de la imprenta, las de Vindelino de Espira son las que muestran una mayor voluntad filológica y, sin duda, las que ofrecen un texto más correcto. Estas ediciones dependen del texto terenciano reconstruido por Petrarca: concretamente, IGI 9408 desciende de una fase textual anterior a la que queda fijada en 1358 y responde además a algunos de los criterios propugnados por Petrarca en la Vita Terrentii; IGI 9409, por su parte, depende —parcialmente— del texto de 1358 y muestra indicios de haber sufrido la influencia de otro ejemplar de Petrarca. En fin, la presencia de la Vita Terrentii en la transmisión impresa de Terencio es una muestra más de la vigencia de la filología terencia de Petrarca durante aquellos años.

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O presente estudo examina o momento fundador da imprensa no Brasil em 1808 e a rotina de funcionamento da Impressão Régia, no Rio de Janeiro, entre 1808 e 1821. Qual era sua estrutura administrativa, sua ordem de despesas, a natureza das ocupações funcionais, enfim, qual era a lógica de funcionamento da casa impressora oficial da Corte no início do Oitocentos? Qual o lugar ocupado pelos impressos naquele contexto?Para melhor compreender a estrutura, a rotina administrativa e de funcionamento da Impressão Régia no Rio de Janeiro, mas, principalmente, os usos e funções da régia tipografia no momento de seu estabelecimento por iniciativa do príncipe regente d. João, foi analisada também parte de sua produção, qual seja, os títulos dedicados às Ciências e às Artes. A partir desses livros, localizados no acervo da Biblioteca Nacional do Rio de Janeiro e na Biblioteca Guita e José Mindlin, em São Paulo, foram estudadas as características biobibliográficas de seus autores e a relação dos mesmos com o poder oficial.Foi possível identificar que os autores dos títulos examinados eram herdeiros da tradição ilustrada portuguesa. Partilhando de uma mesma cultura política, possuíam laços estreitos com membros da Corte, prestando obediência ao príncipe, sendo alguns autores, inclusive, integrantes da junta diretora da Impressão Régia.Assim, além da rotina e funcionamento da casa impressora da Corte, no Rio de Janeiro de d. João, o presente trabalho examina tomando como fonte de análise sua produção editorial no campo das Ciências e das Artes a formação da cultura científica do período Joanino e a rede de sociabilidades existente no Rio de Janeiro, entre 1808 e 1821.

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Williams, Gruffydd. 'The poetic debate of Edmwnd Prys and Wiliam Cynwal', In: The Renaissance and the Celtic Countries (Oxford: Blackwell Publishing, 2005), pp.33-54 RAE2008

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Rothwell, W., 'Synonymity and Semantic Variability in Medieval French and Middle English', Modern Language Review (2007) 102(2) pp.363-380 RAE2008

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"Thèse présentée à la Faculté des études supérieures en vue de l'obtention du grade de docteur en droit"